Betty Boop
203202
224631332
2008-07-09T19:04:44Z
190.176.59.155
/* Betty tamed */
{{for|the Serbian girl group|Betty Boop (girl band)}}
[[Image:Betty-boop-opening-title.jpg|right|260px|thumb|Betty Boop from the opening title sequence of the earliest entries in the ''Betty Boop Cartoons'']]
'''Betty Boop''' is an [[animation|animated]] [[cartoon]] [[fictional character|character]] appearing in the ''[[Talkartoon]]'' and ''Betty Boop'' series of films produced by [[Max Fleischer]] and released by [[Paramount Pictures]]. With her overt [[Female sexuality|sexual appeal]], Betty was a hit with theater-goers, and despite having been toned down in the mid-1930s, she remains popular today.
==History==
[[Image:Betty-bimbo-minnie-the-mooc.jpg|200px|left|thumb|Betty Boop and Bimbo in ''[[Minnie the Moocher]]'' (1932)]]
===Origins===
Betty Boop made her first appearance on [[August 9]], [[1930]] in the cartoon ''[[Dizzy Dishes]]'', the sixth installment in Fleischer's ''[[Talkartoon]]'' series. She was originally designed by [[Grim Natwick]], a veteran [[animator]] of the silent era who would become lead director and animator for the [[Ub Iwerks]] and [[Walt Disney]] studios. The character was modeled after a combination of [[Helen Kane]], the famous popular [[singer]] of the 1920s and contract player at [[Paramount Pictures]], the studio that distributed Fleischer's cartoons and [[Clara Bow]] who was a popular actress in the 1920s who had not managed to survive the transition to sound because of her strong Brooklyn accent, yet became a trademark for Betty. By direction of Dave Fleischer, Natwick designed the original character in the mode of an [[anthropomorphic]] [[poodle|French poodle]]. The character's voice was first performed by Margie Hines, and was later provided by several different [[voice actor|voice actresses]] including Kate Wright, Ann Rothschild (a.k.a. Little Ann Little), Bonnie Poe, and most notably, [[Mae Questel]] who began in 1931 and continued with the role until 1938.
While the original design was rather ugly and awkward, she was developed further after Natwick's departure under Berny Wolf, Seymour Kneitel, Roland Crandall, and Willard Bowsky. Betty became finalized as completely human by 1932 in the cartoon ''Any Rags''. Her floppy poodle ears became hoop [[earring]]s, and her black poodle nose became a girl's button-like nose. Betty appeared in ten cartoons as a supporting character, a [[flapper]] girl with more heart than brains. In individual cartoons she was called "Nancy Lee" and "Nan McGrew", usually served as a girlfriend to studio star [[Bimbo (cartoon)|Bimbo]].
Although it has been assumed that Betty's first name was established in the 1931 ''[[Screen Songs]]'' cartoon ''Betty Co-ed'', this "Betty" was, an entirely different character. Though the song may have led to Betty's eventual christening, any references to ''Betty Co-ed'' as a Betty Boop vehicle are incorrect. (The official Betty Boop website describes the titular character as a "prototype" of Betty.) In all, there were at least 12 Screen Songs cartoons that featured either Betty Boop or a similar character.
Betty appeared in the first "[[Color Classic]]" cartoon 'Poor Cinderella', her only theatrical color appearance (1934). In a cameo appearance in the feature film ''[[Who Framed Roger Rabbit]]'' (1988), in her traditional black and white, and voiced by Mae Questel, Betty mentioned that work had "gotten slow since cartoons went to color," but she still had "what it takes."
Betty Boop became the star of the Talkartoons by 1932, and was given her own series in that same year beginning with [[Stopping the Show]]. From this point on, she was crowned "The Queen of the Animated Screen." The series was hugely popular throughout the 1930s, lasting until 1939.
===Betty as sex symbol===
[[Image:Betty Boop.jpg|200px|right|thumb|Betty Boop in ''[[Betty Boop's Bamboo Isle]]'' (1932).]]
Betty Boop is known as the first and one of the most famous [[sex symbols]] on the animated screen;<ref>[http://www.rottentomatoes.com/m/betty_boop_boop_oop_a_doop/ Betty Boop - Boop Oop a Doop (1986)] from [[Rotten Tomatoes]]</ref><ref>[http://query.nytimes.com/gst/fullpage.html?res=9504E1DF1238F93AA25752C0A96E958260 Video World Is Smitten by a Gun-Toting, Tomb-Raiding Sex Symbol] from [[The New York Times]]</ref> she was a symbol of the [[Great Depression|Depression era]], a reminder of the more carefree days of [[Jazz Age]] [[flapper]]s. Her popularity was drawn largely from adult audiences, and the cartoons, while seemingly surrealistic, contained many sexual/psychological elements, particularly in the "Talkartoon", ''[[Minnie the Moocher]]'', featuring [[Cab Calloway]] and his orchestra. ''Minnie the Moocher'' is perhaps the one cartoon that defined Betty's character as a teenager of a modern era at odds with the old world ways of her parents.
Betty is at odds with her parents and opts to run away from home, only to get lost in a haunted cave with her boyfriend [[Bimbo (cartoon)|Bimbo]]. A ghostly [[walrus]] ([[rotoscope]]d from live-action footage of Calloway), sings Calloway's famous song "Minnie the Moocher", accompanied by several other ghosts and skeletons. This haunting performance sends the frightened Betty and Bimbo back to the safety of "home, sweet home". "Minnie the Moocher" was a huge success on two levels. It was a tremedous promotion for Calloway's subsequent stage appearances, and also established "Betty Boop" as a cartoon star. The eight ''Talkartoons'' that followed all starred Betty, leading her into her own series beginning in 1932. With the release of ''Stopping the Show'' in August of 1932, the ''Talkartoons'' were replaced by the ''Betty Boop'' series, which continued for the next seven years, with Betty being one of Paramount's top stars.[http://www.variety.com/index.asp?layout=variety100&content=jump&jump=toons&articleID=VR1117930572]
Betty Boop is important to animation history for being the first cartoon character to fully represent a sexual woman. Other female cartoon characters of the same period, such as [[Minnie Mouse]], displayed their underwear or [[Bloomers (clothing)|bloomers]] regularly, suggesting children or comical characters, not fully defined in a woman's form. Many other cartoon "girls" were merely clones of their male co-stars, with alterations in costume with the addition of eyelashes and a female voice. Betty Boop wore short dresses, high heels, and a garter belt. Her breasts were suggested with a low, contoured bodice that showed cleavage. In her cartoons, male characters tried to sneak peeks at her while she's changing, or simply walking along minding her own business. In ''Betty Boop's Bamboo Isle'', she does the [[Hula (dance)|hula]] topless, wearing only a [[lei (Hawaii)|lei]] and a grass skirt, which she repeated in her cameo appearance in the first ''[[Popeye]]'' cartoon, ''[[Popeye the Sailor (1933 cartoon)|Popeye the Sailor]]'' (1933). Her "Bamboo Isle" performance was also included in the short ''[[Betty Boop's Rise to Fame]]'', featuring a staged quasi-interview with studio head, Max Fleischer.
There was however, a certain girlish quality to the character. She was drawn with a head bigger than normal for an adult, but normal for a baby. This suggested the combination of girlishness and maturity many people saw in the "flapper" type which Betty Boop was supposed to represent. While compromises on Betty's virtue were always a challenge, the animators kept her "pure" and girl-like, on screen, anyway. The studio's 1931 Xmas card featured Betty in bed with Santa Claus, winking at the viewer. Also in 1931, the Talkartoons ''[[Bimbo's Express]]'' and ''[[Dizzy Red Riding Hood]]'' were given distinctly "impure" endings. Officially, Betty was only 16 years old according to a 1932 interview with Fleischer.
Attempts to compromise her virginity were reflected in ''Chess-Nuts'' (1932) and most importantly, ''Boop-Oop-A-Doop'' (1932). In this cartoon, Betty is a highwire performer in a circus. The villainous Ringmaster lusts for Betty as he watches her from below, singing "Do Something," a song previously performed by Helen Kane. As Betty returns to her tent, the Ringmaster follows her inside and sensually massages her legs, surrounds her and threatens her job if she doesn't submit. This is perhaps one of the earliest portrayals of sexual harassment on the screen, and was very daring at a time when such subject matter was considered taboo. Betty begs the Ringmaster to cease his advances, as she sings "Don't take my Boo-Oop-A-Doop Away." Koko the Clown is outside of the tent, practicing his juggling and hears the struggle from inside the tent. He leaps in to save Betty's virtue, struggling with the Ringmaster who loads him into a cannon, firing it, thinking that he has sent the hero away, laughing with self-satisfaction. But Koko is hiding inside the cannon, and strikes the Ringmaster out cold with a mallet, returning with "the last laugh." Concerned about Betty's welfare, she answers in song, "No, he couldn't take my boop-oop-a-doop away!"
''[[Betty Boop's Big Boss]]'' (1933), however, wrong-foots the audience. After the usual menacing advances, there is a vast mobilization of outraged citizens, the Army, the Navy etc. to rescue Betty. The rescuers break in and discover Betty and the Big Boss happily embracing - it seems she likes this one after all! The cartoon closes with astonished exclamations of disgust.
[[Image:betty-boop-and-henry.jpg|right|thumb|200px|The [[Hays Code]]–safe Betty appears with comic strip character [[Henry (comic)|Henry]] in ''Betty Boop with Henry, the Funniest Living American'' (1935).]]
===Helen Kane lawsuit===
In April 1934, Helen Kane launched a major lawsuit against Max Fleischer and Paramount Productions for the "deliberate caricature" that produced "unfair competition" that exploited her personality and image. While Kane had risen to fame in the 1920s as "The Boop-Oop-A-Doop Girl" star of stage, recordings, and films for Paramount, her career was over by 1930. Interestingly, Paramount promoted the development of Betty Boop following Kane's decline. As Kane's claims seemed on the surface to be valid, it was proven that her appearance was not unique, as both she and the Betty Boop character bore a resemblance to [[Clara Bow]], another major Paramount star. However, the largest evidence against Miss Kane's case was her claims to the origins of her singing style. While an outgrowth of [[jazz]] "[[scat singing]]," testimony revealed that Kane had witnessed an [[African American]] performer, [[Baby Esther]], using a similar vocal style in an act at the [[Cotton Club]] nightclub in [[Harlem]] some years earlier. An early test sound film was discovered of Baby Esther performing in this style, disproving Kane's claims.
===Betty tamed===
Betty Boop's best appearances are considered to be in the first three years due to her "Jazz Baby" character and innocent sexuality, which was aimed at adults. However, the content of her films was affected by the [[National Legion of Decency]] and the [[Production Code]] of 1933. The Production Code guidelines imposed on the Motion Picture Industry placed specific restrictions on the content films with references to sexual innuendo. This greatly affected the content of the films of Mae West at Paramount, as well as the Betty Boop cartoons until the end of the series.
No longer a carefree flapper, from mid-1934 on, Betty became a husbandless housewife/career girl, wearing a fuller dress or skirt. For a few entries, she was given a boyfriend, "Freddie," who was introduced in ''She Wronged Him Right'' (1934) and appeared in five more cartoons. Next, Betty was teamed with her cute puppy, "Pudgy", beginning with ''Little Pal'' (1934). The following year saw the addition of the eccentric inventor [[Grampy]], who debuted in ''[[Betty Boop and Grampy]]'' (1935).
While these cartoons were tame compared to her earlier appearances, their self-conscious wholesomeness was aimed at more of a juvenile audience, which contributed to the decline of the series. Much of this decline was also due to the lessening of Betty's role in the cartoons in favor of her co-stars. This was a similar problem experienced during the same period with [[Walt Disney]]'s [[Mickey Mouse]], who was becoming eclipsed by the popularity of his co-stars [[Donald Duck]] and [[Goofy]], not to mention Fleischer's biggest success, Popeye. [http://findarticles.com/p/articles/mi_g1epc/is_tov/ai_2419100117?lstpn=search_sampler&lstpc=search&lstpr=external&lstprs=other&lstwid=1&lstwn=search_results&lstwp=body_middle]
Being largely a musical novelty character, the animators attempted to keep Betty's cartoons interesting by pairing her with popular [[comic strip]] characters such as [[Henry (comic)|Henry]]," [[The Little King]], and [[Little Jimmy]] hoping to create additional spinoff series as with her pairing with Popeye in 1933. However, none of these films generated new series. While the period that Betty represented had been replaced by the [[big bands]] of the [[Swing Era]], Fleischer Studios made an attempt to develop a replacement character in this style in the 1938 ''Betty Boop'' cartoon ''[[Betty Boop and Sally Swing]]'', which was not a success.
The last "Betty Boop" cartoons were released in 1939, and a few made attempts to bring Betty into the Swing Era. In her last appearance, "Rhythm on the Reservation" (1939), she drives an open convertible labeled, "Betty Boop's Swing Band", while driving through a Native American reservation, where she introduces the people to swing music and creates a "Swinging Sioux Band." The ''Betty Boop'' cartoon series officially ended with one more 1939 entry, ''[[Yip Yip Yippy]]'', which was actually a Boop-les one shot cartoon.
===Betty Boop on television and in other media===
In 1955, Betty's 110 cartoon appearances were sold to television syndicator U.M. & M TV Corporation in 1955, which was acquired by [[National Telefilm Associates]] (NTA) the following year. NTA was reorganized in the 1980s as [[Republic Pictures]], which is presently a subsidiary of Viacom, the parent company owning Paramount. Ironically, Paramount, Boop's original home studio (via sister company Republic), now acts as theatrical distributor for the Boop cartoons they themselves originally released. Television rights are now handled by [[CBS Television Distribution]], successor to various related companies, including [[Worldvision Enterprises]], Republic, and NTA.
Betty Boop appeared in two television specials, ''The Romance of Betty Boop'' (1984) and ''The Betty Boop Movie Mystery'' (1989), as well as cameo appearances in television commercials and the 1988 feature film ''[[Who Framed Roger Rabbit]]''. While television revivals were conceived, nothing materialized from these plans.
While the animated cartoons of "Betty Boop" have enjoyed a remarkable rediscovery over the last 30 years, official home video releases have been limited to the VHS collector's set of the 1990s. In spite of continue interest, no official DVD releases have occurred to date ([[Lionsgate|Lionsgate Home Entertainment]], under license from Republic, owns the video rights to the Boop cartoons). Ironically, the image of Betty Boop has gained more recognition through the massive merchandising license launched by the heirs of Max Fleishcer, with audiences today unaware of Betty's place in cinema and animation history.
A ''Betty Boop'' comic strip by Max Fleischer was syndicated through King Features from 1934 through 1937. From 1984 through 1987, a revival strip, ''Betty Boop and Friends'' was produced by Brian Walker, Ned Walker, Greg Walker, and Morgan Walker.
==Betty today==
[[Image:BettyBoopCollection.jpg|200px|left|thumb|A display of Betty Boop collectibles.]]
Betty Boop's films found a new audience when Paramount sold them for [[television syndication|syndication]] in 1955. U.M.&M. and National Telefilm Associates were required to remove the original Paramount logo from the opening and closing as well as any references to Paramount in the copyright line on the main titles. However, the mountain motif remains on some television prints, usually with a U.M.&M. copyright line, while recent versions have circulated with the Paramount-Publix reference in cartoons from 1931.
The original "Betty Boop" cartoons were in black and white. And as newer product made for television began to appear, her cartoons were soon retired, particularly with the arrival of color television in the 1960s. But Betty's film career saw a major revival in the release of "The Betty Boop Scandals of 1974", and became a part of the post 1960s [[counterculture]] movement. NTA attempted to capitalize on this with a new syndication package, but there was no market for cartoons in black and white. As an answer, they had them remade cheaply in Korea, but were unable to sell them due largely to their sloppy production that belied the quality of the originals. Unable to sell them to television, they assembled a number of the color cartoons in compilation feature titled, ''[[Betty Boop for President]]'' to capitalize on the 1976 election. But it saw no major theatrical release, and resurfaced in 1981 on HBO under the title, ''Hurray for Betty Boop''.
It was the advent of Home Video that created an appreciation for films in their original versions, and Betty was rediscovered
again in Beta and VHS versions. The ever expanding cable television industry saw the creation of American Movie Classics, which showcased a selection of the original black and white "Betty Boop" cartoons in the 1990s, which led to an eight volume
VHS set, "Betty Boop, the Definitive Collection." To date, no official DVD releases have been made in spite of the tremendous interest. In spite of this, there are currently twenty-two [[public domain]] ''Betty Boop'' cartoons available at the [[Internet Archive]].
Marketers rediscovered Betty Boop in the 1980s, and "Betty Boop" merchandise has far outdistanced her exposure in films, with many not aware of her as a cinematic creation. Much of this current merchandise features the character in her popular, sexier form, and has become popular worldwide once again. The 1980s, rapper, [[Betty Boo]] (whose voice, image and name were influenced by the cartoon character) rose to popularity in the UK largely due to the "Betty Boop" revival.
There were brief returns to the theatrical screen. In 1988, Betty appeared after a 50 year absence with a cameo in the [[Academy Awards|Academy Award]]-winning film ''[[Who Framed Roger Rabbit]]''. In 1993, animation director [[Jerry Rees]], best known for his film ''[[The Brave Little Toaster (film)|The Brave Little Toaster]],'' wrote and produced a new Betty Boop feature film for [[Metro-Goldwyn-Mayer]]. Seventy-five percent of the film was storyboarded, but two weeks before voice recording was to begin, MGM switched studio chiefs and the project, tentatively called ''The Betty Boop Feature Script,'' was abandoned.
Ownership of the ''Boop'' cartoons has changed hands over the intervening decades due to a series of corporate mergers, acquisitions and divestitures (mainly involving [[Republic Pictures]] and the 2006 corporate split of parent company [[Viacom]] into two separate companies). As of 2008, [[Lions Gate Entertainment|Lions Gate Home Entertainment]] (under license from Paramount) holds home video rights and [[CBS Television Distribution]] retains television rights. Ironically, Paramount continues to hold theatrical distribution rights, although any sort of video or theatrical re-release has yet to be announced. But the "Betty Boop" character and trademark is currently owned by Fleischer Studios, with the merchandising rights licensed to King Features Syndicate.
The ''Betty Boop'' series continues to be a favorite of many critics, and the 1933 ''Betty Boop'' cartoon ''[[Snow White (1933 cartoon)|Snow White]]'' (not to be confused with Disney's 1937 film ''[[Snow White and the Seven Dwarfs (1937 film)|Snow White]]'') was selected for preservation by the U.S. [[Library of Congress]] in the [[National Film Registry]] in 1994. Betty Boop's popularity continues well into present day culture, with references appearing in the [[comic strip]] ''[[Doonesbury]]'', where the character B.D.'s busty girlfriend/wife is named "Boopsie" and the animated reality TV spoof ''[[Drawn Together]]'', where Betty is the inspiration for [[Toot Braunstein]]. A ''Betty Boop'' musical has been developed for [[Broadway theatre|Broadway]], with music by [[Andrew Lippa]].
<br clear="all" />
==Filmography (''Betty Boop'' series)==
''Note: see the ''[[Talkartoons#Filmography|Talkartoons]]'' filmography for Betty Boop's earlier appearances, and see the ''[[Screen Songs#Filmography|Screen Songs]]'' filmography for additional Betty Boop's appearances.''
: all cartoons are in [[public domain]] except #
{| class="wikitable"
|-
| colspan=2 align=center bgcolor=#DDDDDD|
==== [[1932 in film|1932]] ====
|-
!Film
!Original release date
|-
|''[[Stopping the Show]]''
|[[August 12]]
|-
|''[[Betty Boop's Bizzy Bee]]''
|[[August 19]]
|-
|''[[Betty Boop, M.D.]]''
|[[September 2]]
|-
|''[[Betty Boop's Bamboo Isle]]''
|[[September 23]]
|-
|''[[Betty Boop's Ups and Downs]]''
|[[October 14]]
|-
|''[[Betty Boop for President]]''
|[[November 4]]
|-
|''[[I'll Be Glad When You're Dead You Rascal You]]''
|[[November 25]]
|-
|''[[Betty Boop's Museum]]''
|[[December 16]]
|-
| colspan=2 align=center bgcolor=#DDDDDD|
====[[1933 in film|1933]]====
|-
!Film
!Original release date
|-
|''[[Betty Boop's Ker-Choo]]''
|[[January 6]]
|-
|''[[Betty Boop's Crazy Inventions]]''
|[[January 27]]
|-
|''[[Is My Palm Read]]?''
|[[February 17]]
|-
|''[[Betty Boop's Penthouse]]''
|[[March 10]]
|-
|''[[Snow White (1933 cartoon)|Snow White]]''
|[[March 31]]
|-
|''[[Betty Boop's Birthday Party]]''
|[[April 21]]
|-
|''[[Betty Boop's May Party]]''
|[[May 12]]
|-
|''[[Betty Boop's Big Boss]]''
|[[June 2]]
|-
|''[[Mother Goose Land]]''
|[[June 23]]
|-
|''[[Popeye the Sailor (1933 cartoon)|Popeye the Sailor]]''#
|[[July 14]]
|-
|''[[The Old Man of the Mountain (1933 cartoon)|The Old Man of the Mountain]]''
|[[August 4]]
|-
|''[[I Heard]]''
|[[September 1]]
|-
|''[[Morning, Noon and Night (1933 cartoon)|Morning, Noon and Night]]''
|[[October 6]]
|-
|''[[Betty Boop's Hallowe'en Party]]''
|[[November 3]]
|-
|''[[Parade of the Wooden Soldiers]]''
|[[December 1]]
|-
| colspan=2 align=center bgcolor=#DDDDDD|
====[[1934 in film|1934]]====
|-
!Film
!Original release date
|-
|''[[She Wronged Him Right]]''
|[[January 5]]
|-
|''[[Red Hot Mamma (1934 cartoon)|Red Hot Mamma]]''
|[[February 2]]
|-
|''[[Ha! Ha! Ha! (1934 cartoon)|Ha! Ha! Ha!]]''
|[[March 2]]
|-
|''[[Betty in Blunderland]]''
|[[April 6]]
|-
|''[[Betty Boop's Rise to Fame]]''
|[[May 18]]
|-
|''[[Betty Boop's Trial]]''
|[[June 15]]
|-
|''[[Betty Boop's Life Guard]]''
|[[July 13]]
|-
|''[[Poor Cinderella]]''
|[[August 3]]
|-
|''[[There's Something About a Soldier]]''
|[[August 17]]
|-
|''[[Betty Boop's Little Pal]]''
|[[September 21]]
|-
|''[[Betty Boop's Prize Show]]''
|[[October 19]]
|-
|''[[Keep in Style]]''
|[[November 16]]
|-
|''[[When My Ship Comes In]]''
|[[December 21]]
|-
| colspan=2 align=center bgcolor=#DDDDDD|
====[[1935 in film|1935]]====
|-
!Film
!Original release date
|-
|''[[Baby Be Good]]''
|[[January 18]]
|-
|''[[Taking the Blame]]''
|[[February 15]]
|-
|''[[Stop That Noise]]''
|[[March 15]]
|-
|''[[Swat the Fly]]''
|[[April 19]]
|-
|''[[No! No! A Thousand Times No!!]]''
|[[May 24]]
|-
|''[[A Little Soap and Water]]''
|[[June 21]]
|-
|''[[A Language All My Own]]''
|[[July 19]]
|-
|''[[Betty Boop and Grampy]]''
|[[August 16]]
|-
|''[[Judge for a Day]]''
|[[September 20]]
|-
|''[[Making Stars]]''
|[[October 18]]
|-
|''[[Henry, the Funniest Living American]]''
|[[November 22]]
|-
|''[[Little Nobody (1935 cartoon)|Little Nobody]]''
|[[December 18]]
|-
| colspan=2 align=center bgcolor=#DDDDDD|
====[[1936 in film|1936]]====
|-
!Film
!Original release date
|-
|''[[Betty Boop and the Little King]]''
|[[January 31]]
|-
|''[[Not Now (1936 cartoon)|Not Now]]''
|[[February 28]]
|-
|''[[Betty Boop and Little Jimmy]]''
|[[March 27]]
|-
|''[[We Did It]]''
|[[April 24]]
|-
|''[[A Song A Day]]!''
|[[May 22]]
|-
|''[[More Pep]]''
|[[June 19]]
|-
|''[[You're Not Built That Way]]''
|[[July 17]]
|-
|''[[Happy You and Merry Me]]''
|[[August 21]]
|-
|''[[Training Pigeons]]''
|[[September 18]]
|-
|''[[Grampy's Indoor Outing]]''
|[[October 16]]
|-
|''[[Be Human (1936 cartoon)|Be Human]]''
|[[November 20]]
|-
|''[[Making Friends (1936 cartoon)|Making Friends]]''
|[[December 18]]
|-
| colspan=2 align=center bgcolor=#DDDDDD|
===[[1937 in film|1937]]===
|-
!Film
!Original release date
|-
|''[[House Cleaning Blues]]''
|[[January 15]]
|-
|''[[Whoops! I'm a Cowboy]]''
|[[February 12]]
|-
|''[[The Hot Air Salesman]]''
|[[March 12]]
|-
|''[[Pudgy Takes a Bow-Wow]]''
|[[April 9]]
|-
|''[[Pudgy Picks a Fight]]!''
|[[May 14]]
|-
|''[[The Impractical Joker]]''
|[[June 18]]
|-
|''[[Ding Dong Doggie]]''
|[[July 23]]
|-
|''[[The Candid Candidate]]''
|[[August 27]]
|-
|''[[Service with a Smile (1937 cartoon)|Service with a Smile]]''
|[[September 23]]
|-
|''[[The New Deal Show]]''
|[[October 22]]
|-
|''[[The Foxy Hunter]]''
|[[November 26]]
|-
|''[[Zula Hula]]''
|[[December 24]]
|-
| colspan=2 align=center bgcolor=#DDDDDD|
===[[1938 in film|1938]]===
|-
!Film
!Original release date
|-
|''[[Riding the Rails]]''
|[[January 28]]
|-
|''[[Be Up to Date]]''
|[[February 25]]
|-
|''[[Honest Love and True]]''
|[[March 25]]
|-
|''[[Out of the Inkwell (1938 cartoon)|Out of the Inkwell]]''
|[[April 22]]
|-
|''[[The Swing School]]''
|[[May 27]]
|-
|''[[The Lost Kitten]]''
|[[June 24]]
|-
|''[[Buzzy Boop]]''
|[[July 29]]
|-
|''[[Pudgy the Watchman]]''
|[[August 12]]
|-
|''[[Buzzy Boop at the Concert]]''
|[[September 16]]
|-
|''[[Sally Swing]]''
|[[October 14]]
|-
|''[[On With the New]]''
|[[December 2]]
|-
|''[[Thrills and Chills]]''
|[[December 23]]
|-
|colspan=2 align=center bgcolor=#DDDDDD|
===[[1939 in film|1939]]===
|-
!Film
!Original release date
|-
|''[[My Friend the Monkey]]''
|[[January 28]]
|-
|''[[So Does an Automobile]]''
|[[March 31]]
|-
|''[[Musical Mountaineers]]''
|[[May 12]]
|-
|''[[The Scared Crows]]''
|[[June 9]]
|-
|''[[Rhythm on the Reservation]]''
|[[July 7]]
|-
|''[[Yip Yip Yippy]]'' [no Betty Boop appearance]
|[[August 11]]
|-
|}
==Notes==
{{Reflist}}
==References==
* Solomon, Charles (1994): ''The History of Animation: Enchanted Drawings''. Outlet Books Company.
* Strickler, Dave. ''Syndicated Comic Strips and Artists, 1924–1995: The Complete Index.'' Cambria, CA: Comics Access, 1995. ISBN 0-9700077-0-1.
* Betty Boop: The Definitive Collection Volumes 1-8 (VHS)
==External links==
{{commons|Betty Boop}}
* [http://www.bettyboop.com/ Betty Boop's website]
* [http://www.bibi.org/box/archives/2006/05/betty_boop_cartoons.html List of Betty Boop cartoons in the public domain on-line]
* [http://www.vintagetooncast.com/search/label/betty_boop Betty Boop on Vintage ToonCast]
[[Category:Betty Boop| ]]
[[Category:1930s fads]]
[[Category:American comic strips]]
[[Category:Animated characters]]
[[Category:Comic strips started in the 1930s]]
[[Category:Fleischer Studios series and characters]]
[[Category:U.M.&M. T.V. Corp. acquisitions]]
[[Category:1930 introductions]]
[[ca:Betty Boop]]
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[[he:בטי בופ]]
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[[ja:ベティ・ブープ]]
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