Electric Eels (band) 393988 225936936 2008-07-16T02:44:06Z Wainstead 391538 "some say" -- probably weasil words -- see talk :''Not to be confused with the Japanese rock band [[Electric Eel Shock]]'' The '''electric eels''' (lowercase "e"s in reference to [[e e cummings]] [http://www.electriceels.com/jaguarride/jaguarride.html]) were a [[protopunk]] [[glam rock]] band active between [[1972]] and [[1975]]. They formed in [[Cleveland, Ohio|Cleveland]], [[Ohio]], during a period in which punk rock was not yet distinguished as a style of music, but [[glam rock]] was. The electric eels played only five public shows, but during their brief existence they earned a reputation locally for being angry, confrontational, and violent. They were notorious for starting fights with audiences which drew police attention; members were also abusive to each other off-stage. Their style was a dischordant, noisy amalgam of [[glam rock]] and [[free jazz]] that was generally considered to be very obnoxious. [[Stiv Bators]], the singer of [[The Dead Boys]] was particularly influenced by the vocal styling and stage presence of Dave "E" McManus. One of their most famous tracks was "Agitated". Though their recordings were all lo-fi, and never saw the light of day until after the band had already split, the music played within these recordings can be characterized as [[glam rock]]. They also dressed the part, bleaching their hair platinum blonde, and wearing thrift store blouses. Like other [[glam]] acts of time ([[New York Dolls]], [[T.Rex (band)|T. Rex]], [[Lou Reed]], [[David Bowie]]) some say they laid the blueprint for what would be known as [[punk rock|punk]] {{citation needed}}. ==Biography== The electric eels were formed by John Morton (guitar), Dave "E" McManus (vocals, clarinet), and Brian McMahon (guitar; not to be confused with [[Slint]] member), all ex-pupils of Lakewood High School, [[Lakewood, Ohio]], in 1972. The three had been to see a [[Captain Beefheart]] gig and been unimpressed enough by the support band to decide that they could do better themselves. Unlike other [[glam rock]] groups of the era, Morton had also been influenced by [[free jazz]]: "I remember listening to [[Ornette Coleman]], [[John Cale]], [[Sun Ra]] and [[Albert Ayler]]. That's what the eels was supposed to be, but we didn't really understand it." This had also led to early meetings with [[Peter Laughner]] of [[Rocket from the Tombs]] at the local record store. The electric eels featured unconventional instrumentation initially, with no drummer nor anyone who was technically competent on any musical instruments. Nevertheless they played [[glam rock]], which was popular at the time in [[England]], and were heavily influenced by bands like [[Sweet (band)|Sweet]], [[T. Rex (band)|T. Rex]], [[Slade]], and [[Roxy Music]], as well as [[Ziggy Stardust]] era [[David Bowie]], and the [[New York Dolls]]. Their rare performances did feature at various times, sheet metal hit with sledgehammers, anvils, a power lawnmower and fist fights. This led to the description of their act as "[[art]] [[terrorism]]". Much of [[1973]] and [[1974]] was spent, mostly unsuccessfully, trying to get gigs in bars that normally booked top-40 covers bands in Cleveland and then [[Columbus, Ohio|Columbus]], where the band moved for some months. Morton has claimed that this move was caused by death threats he had received in Cleveland for sleeping with "one too many married women". When gigs did happen, promoters were known to pull them half way through. On their debut show the band were arrested by police for being drunk and disorderly. Morton resisted arrest and gained a broken hand, which caused him to play their next gig, three weeks later with an improvised splint made from a slide rule and a wrench. Morton, in particular, had an inclination for violence that often led to physical fights and temporary splits in the band, or he and Dave E would go to a working-class bar and provoke a fight by dancing together as if a homosexual couple. In late 1973 McMahon left the band, replaced by Paul Marotta, who was a competent musician on both guitar and keyboards. Drummers came and left during the history of the band, but bass guitar was always absent. The deliberate provocation and controversy of the band also saw them use the [[Nazi]] imagery of the [[swastika]], Morton later claiming that this was influenced by [[William Burroughs]] and [[Lenny Bruce]]: "That is something we wanted, to have that provocation, we wanted to confront those issues." In addition, controversial lyrics taken from [[American Nazi Party]] [[racist]] literature were used in the song 'Spinach Blasters' (AKA 'Spin Age Blasters'). Marotta: "It was shock tactics, it was confrontational art, it was meant to be satire". This presaged the use of similar shock tactics and images by other punks in [[New York]] and [[London]], such as [[Johnny Thunders]], [[Sid Vicious]] and [[Siouxsie Sioux]], as well as glam rockers like [[David Bowie]] and [[Bryan Ferry]]. Eventually the electric eels got a gig at a Cleveland venue which would support original music, The Viking Saloon's "Special Extermination Night" 22 December 1974 with [[Rocket from the Tombs]] and [[Mirrors]]. This gig marked the public start of a new and unique Cleveland [[glam rock]] scene. However the repeat event in January 1975 would see the eels banned from the last bar that would have them, due to their use on stage of a gas-powered lawnmower. This led to the departure from the band of Marotta. After Marotta left the band, Brian McMahon rejoined and they also recruited drummer [[Nick Knox]], later to find fame with [[The Cramps]]. They made their peace with Marotta, who went on to record some of their rehearsals in early 1975. It is these sessions which make up most of the eels material released since their demise, including the 1978 [[Rough Trade Records|Rough Trade]] single 'Agitated' b/w 'Cyclotron', which was their only released recording for many years. The song 'Cyclotron' has a lyrical reference to [[Elton John]] whose music and style often crossed over into the [[glitter rock]] scene. However, the Knox line-up of the band was short-lived, performing only one gig - the band's fifth, overall - at [[Case Western Reserve University]] in 1975 (sources differ as to whether this was in May or September of that year), before finally splitting there and then due to a Morton-inspired fist fight. Later that year the original three eels members, Marotta, and two members of Mirrors formed a new band 'The Men from UNCLE', but this lasted only two rehearsals before splitting again. Marotta went on to form the Styrenes, of which Morton was also an occasional member. ==References== *''From the Velvets to the Voidoids: A Pre-Punk History for a Post-Punk World'' by Clinton Heylin, 1993, Penguin Books, ISBN 1556525753 *John Morton and Paul Marotta 2001 liner notes to CD ''The Eyeball of Hell'' * [http://www.scatrecords.com/eels/history.htm Biography at Scat Records website] ==External links== *[http://www.scatrecords.com/eels/eels.htm Electric Eels minisite at Scat Records] includes history, discography / recording details, MP3s and notes by former band members *[http://www.electricfuckingeels.com John Morton's Electric Eels website] (contains explicit language and images) *[http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendID=99090018 The Electric Eels Myspace page] ==See also== *[[Glam rock]] [[Category:Ohio musical groups]] [[Category:Culture of Cleveland, Ohio]] [[Category:Pre-punk groups]] [[fr:Electric Eels]]