Frank Chin
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Lady Galaxy
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{{Infobox writer
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| name = Frank Chin
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| birthdate = [[February 25]], [[1940]]
| birthplace = [[Berkeley, California]]
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| occupation = [[Playwright]], [[Novelist]], [[Writer]]
| nationality = USA
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| notableworks = ''Year of the Dragon'', ''Aiiieeeee!'', ''Donald Duk''
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| awards = American Book Award (1989, Lifetime Achievement 2000)
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'''Frank Chin''' ([[wikt:趙|趙]][[wikt:健|健]][[wikt:秀|秀]]; [[pinyin]]: Zhào Jiànxiù) (born [[February 25]], [[1940]]) is an [[United States|American]] author and playwright.
== Life and Career ==
Frank Chin was born in [[Berkeley, California]], but was raised to the age of six by a retired [[Vaudeville]] couple in [[Placerville, California]]. At six his mother brought him back to the [[San Francisco Bay Area]] to live in [[Chinatown, Oakland, California|Oakland Chinatown]].<ref> Reflections of a Bruised Tiger and an Ironic Cat, in [[Studs Terkel]], Race: How Blacks & Whites Think & Feel about the American Obsession (1992) ISBN 1-56584-000-3</ref> He attended college at the [[University of California, Berkeley]]. He received an [[American Book Award]] in 1989 for a collection of short stories, and another in 2000 for Lifetime Achievement. He currently resides in [[Los Angeles, California]].
Chin is considered to be one of the pioneers in [[Asian American theatre]]. He first gained notoriety as a playwright in the 1970s. His play, the "[[Chickencoop Chinaman]]" was the first by an Asian American to be produced on a major New York stage. Stereotypes of Asian Americans, and traditional Chinese folklore are common themes in much of his work. Frank Chin has accused other Asian American writers, particularly [[Maxine Hong Kingston]], for furthering such stereotypes and misrepresenting the traditional stories.
In addition to his work as an author and playwright, Frank Chin has also worked extensively with Japanese American resisters of the draft in WWII. His novel, ''Born in the U.S.A.'', is dedicated to this subject. In the mid-1960s, he taught [[Robbie Krieger]], a member of [[The Doors]] how to play the Flamenco guitar.<ref> Stephen Davis, Jim Morrison: Life, Death, Legend 77 (2005) ISBN 978-1592400997 </ref>
== Bibliography ==
=== Plays ===
*''The Chickencoop Chinaman'' (1971) the first play by an [[Asian American]] to be produced as a mainstream New York theater production.
*''[[The Year of the Dragon (play)]]'' (1974) ISBN 0-295-95833-2
===Books ===
*''Yardbird Reader Volume 3'' (1974) (co-editor, contributor)
*''Aiiieeeee: An Anthology of Asian American Writers'' (1974) (Co-editor, contributor) ISBN 0-385-01243-8
*''[[The Chinaman Pacific and Frisco R.R. Co]]'' (1988) ISBN 0-918273-44-7
*''[[Donald Duk]]'' (1991) ISBN 0-918273-83-8
*''The Big AIIIEEEEE!: An Anthology of Chinese American and Japanese American Literature'' (1991) (Co-editor, contributor) ISBN 0-452-01076-4
*''[[Gunga Din Highway]]'' (1994) ISBN 1-56689-037-3
*''Bulletproof Buddhists and Other Essays'' (1998) ISBN 0-8248-1959-4
*''[[Born in the USA: A Story of Japanese America, 1889-1947]]'' (2002) ISBN 0-7425-1852-3
===Works in Anthologies ===
* Food for All His Dead, in ''The Young American Writers'' (1967) (Richard Kostelanetz, ed.) ISBN 0932360041
* Goong Hoi Fat Choi, in ''19 Necromancers from Now'' (1970) (Ishmael Reed ed.)
* The Year of the Dragon, in ''Modern American Scenes for Student Actors'' (1978) (Wynn Handman, ed.) ISBN 0553145582
* The Only Real Day, in ''The Before Columbus Foundation Fiction Anthology, Selections from the American Book Awards 1980-1990'' (1992) ISBN 0393308324
* Yes, Young Daddy, in ''Coming of Age in America'' (1994) (Mary Frosch, ed.) ISBN 1565841468
==Movies==
''The Year of the Dragon'' was an adaptation of Chin's play of the same name. Starring [[George Takei]], the film was televised in 1975 as part of the [[PBS]] [[Great Performances]] series.
===Documentaries===
''What's Wrong with Frank Chin'' is a 2005 [[biography|biographical]] [[documentary film|documentary]] about Chin's life.
Frank Chin was interviewed in the documentary ''[[The Slanted Screen]]'' (2006), directed by [[Jeff Adachi]], about the representation of Asian and Asian American men in Hollywood.
==Notes==
{{reflist}}
==References==
*''Hong, T. (1995) [http://www.modelminority.com/printout443.html Searching for Frank Chin] A. Magazine
*''Richardson, S. (1999) [http://www.findarticles.com/p/articles/mi_m2278/is_4_24/ai_63323859 Lessons of "Donald Duk."-Novel by Frank Chin-Critical Essay] MELUS
== Critical studies ==
(for criticism on ''Year of the Dragon'' and ''Donald Duk'', see the articles on those works)
===Books===
#''Writing Manhood in Black and Yellow: [[Ralph Ellison]], Frank Chin, and the Literary Politics of Identity'' By: Kim, Daniel Y.. Stanford, CA: Stanford UP; 2005. xxviii, 286 pp. (book)
#''Frank Chin'' By: Goshert, John Charles. Boise: Boise State U; 2002. 54 pp.
===Articles/Chapters===
#Chinese American Writers of the Real and the Fake: Authenticity and the Twin Traditions of Life Writing By: Madsen, Deborah L.; ''Canadian Review of American Studies/Revue Canadienne d'Etudes Americaines,'' 2006; 36 (3): 257-71.
#Frank Chin By: Goshert, John Charles. IN: Madsen, ''Asian American Writers.'' Detroit: Gale; 2005. pp. 44-57
#''Other Possible Identities: Three Essays on Minor American Literatures'' By: Goshert, John Charles; Dissertation, Purdue U, 2001.
#'China' in the American [[Diaspora]] By: Suoqiao, Qian. IN: Shell, ''American Babel: Literatures of the United States from Abnaki to Zuni.'' Cambridge, MA: Harvard UP; 2002. pp. 404-30
#[http://social.chass.ncsu.edu/Jouvert/v4i3/gosher.htm 'Frank Chin Is Not a Part of This Class!'] Thinking at the Limits of Asian American Literature By: Goshert, John; ''Jouvert: A Journal of Postcolonial Studies,'' 2000 Spring-Summer; 4 (3): 39 paragraphs.
#Frank Chin (1940- ) By: Huang, Guiyou. IN: Nelson, ''Asian American Novelists: A Bio-Bibliographical Critical Sourcebook.'' Westport, CT: Greenwood; 2000. pp. 48-55
#Frank Chin By: Lawrence, Keith. IN: Cracroft, ''Twentieth-Century American Western Writers.'' Detroit, MI: Thomson Gale; 1999. pp. 42-50
#''Race, Writing, and Manhood: Ambivalent Identifications and American Literary Identity in Frank Chin and [[Ralph Ellison]]'' By: Kim, Daniel Young-Hoon; Dissertation, U of California, Berkeley, 1997.
#''Self, Nations, and the [[Diaspora]]: Re-Reading [[Lin Yutang]], [[Bai Xianyong]], and Frank Chin'' By: Shen, Shuang; Dissertation,City U of New York, 1998.
#''[[Maxine Hong Kingston|Tripmaster Monkey]]'', Frank Chin, and the Chinese Heroic Tradition By: Chu, Patricia P.; ''Arizona Quarterly: A Journal of American Literature, Culture, and Theory,'' 1997 Autumn; 53 (3): 117-39.
#''A Politics of Representation: Articulating Identities in Contemporary Asian-American Literature'' By: Chu, Janet Hyunju; Dissertation, State U of New York, Stony Brook, 1996.
#The Problematics of [[Maxine Hong Kingston|Kingston's]] 'Cultural Translation': A Chinese [[Diasporic]] View of ''The Woman Warrior'' By: Liu, Toming Jun; ''Journal of American Studies of Turkey,'' 1996 Fall; 4: 15-30.
#[[Dublin]] to [[Chinatown]]: [[James Joyce]] and Frank Chin By: Davis, Robert Murray; ''Hungarian Journal of English and American Studies,'' 1996; 1: 117-22.
#The Dialogic Richness of ''[[Amy Tan|The Joy Luck Club]]'' By: Wang, Qun; ''Paintbrush: A Journal of Poetry and Translation,'' 1995 Autumn; 22: 76-84.
#''The Power of Myth: A Study of Chinese Elements in the Plays of [[Eugene O'Neill|O'Neill]], [[Edward Albee|Albee]], [[David Henry Hwang|Hwang]], and Chin'' By: Bai, Niu; Dissertation, Boston U, 1995.
#Death in the West: A Multicultural Adventure By: Davis, Robert Murray; ''Redneck Review of Literature,'' 1994 Spring-Fall; 26-27: 7-9.
#Daddy, I Don't Know What You're Talking About By: Cho, Fiona; ''Hitting Critical Mass: A Journal of Asian American Cultural Criticism,'' 1993 Fall; 1 (1): 57-61.
#Uncanny Doubles: Nationalism and Repression in Frank Chin's 'Railroad Standard Time' By: Chiu, Jeannie; ''Hitting Critical Mass: A Journal of Asian American Cultural Criticism,'' 1993 Fall; 1 (1): 93-107.
#Frank Chin: Iconoclastic Icon By: Davis, Robert Murray; ''Redneck Review of Literature,'' 1992 Fall; 23: 75-78.
#The Production of Chinese American Tradition: Displacing American Orientalist Discourse By: Li, David Leiwei. IN: Lim and Ling, ''Reading the Literatures of Asian America.'' Philadelphia: Temple UP; 1992. pp. 319-32
#The Formation of Frank Chin and Formations of Chinese American Literature By: Li, David Leiwei. IN: Hune, Kim, Fugita, and Ling, ''Asian Americans: Comparative and Global Perspectives.'' Pullman: Washington State UP; 1991. pp. 211-23
#Frank Chin: The Chinatown Cowboy and His Backtalk By: Kim, Elaine H.; ''Midwest Quarterly: A Journal of Contemporary Thought,'' 1978; 20: 78-91.
#The Chinese-American Literary Scene: A Galaxy of Poets and a Lone Playwright By: Wand, David Hsin-Fu; ''Proceedings of the Comparative Literature Symposium,'' 1978; 9: 121-46.
#Two Angry Ethnic Writers By: Simon, Myron; ''MELUS'', 1976; 3 (2): 20-24.
== See also ==
{{Literature Portal}}
*[[List of Asian American writers]]
*[[Ben Fee]]
==External links==
*[http://www.chintalks.blogspot.com/ Frank Chin's blog]
*[http://www.frankchin.com/ Official site for the film ''What's Wrong with Frank Chin'']
*{{imdb name|id=0157740|name=Frank Chin}}
*[http://cemaweb.library.ucsb.edu/frankchin.html Frank Chin Papers] at the [[California Ethnic and Multicultural Archives]]
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[[Category:1940 births]]
[[Category:American activists]]
[[Category:American dramatists and playwrights]]
[[Category:Chinese American writers]]
[[Category:Living people]]
[[Category:Asian American writers]]
[[Category:Asian American dramatists and playwrights]]
[[Category:American short story writers]]