Gustav Klimt 12425 224678896 2008-07-09T22:55:28Z Miguel.mateo 4503907 [[WP:UNDO|Undid]] revision 224602769 by [[Special:Contributions/86.145.97.59|86.145.97.59]] ([[User talk:86.145.97.59|talk]]) /* Link spam */ {{Infobox Artist | name = Gustav Klimt | image = Gustavklimt.jpg | imagesize = | caption = Gustav Klimt, 1908. Photo by [[Dora Kallmus]]. | birthname = Gustav Klimt | birthdate = [[July 14]], [[1862]] | location = [[Baumgarten, Vienna|Baumgarten]], {{nowrap|[[Austrian Empire]] }} | deathdate = {{death date and age|1918|2|6|1862|7|14}} | deathplace = [[Vienna]], {{nowrap|[[Austria-Hungary]]}} | nationality = [[Austrian Empire|Imperial Austrian]] | field = [[Painter]] | movement = [[Symbolism (arts)|Symbolism]], [[Art Nouveau]] | influenced by = | influenced = [[Egon Schiele]] | works = ''Judith and the Head of Holofernes'', ''[[Portrait of Adele Bloch-Bauer I]]'', ''[[The Kiss (Klimt painting)|The Kiss]]'' | awards = }} '''Gustav Klimt''' ([[July 14]], [[1862]] – [[February 6]], [[1918]]) was an [[Austria]]n [[Symbolism (arts)|Symbolist painter]] and one of the most prominent members of the [[Vienna]] [[Art Nouveau]] ([[Vienna Secession]]) movement. His major works include [[paintings]], [[murals]], [[Sketch (drawing)|sketches]], and other art objects, many of which are on display in the Vienna Secession gallery. Klimt's primary subject was the female body,<ref>" The most important element of his fame is his reputation as a master of eroticism". Fleidel, Gottfried: "Gustav Klimt 1862-1918 The World in Female Form.", p. 14. Benedikt Taschen, 1994.</ref> and his works are marked by a frank eroticism--nowhere is this more apparent than in his numerous drawings in pencil (see ''Mulher sentada'', below). ==Life and work== ===Early life & education=== Klimt was born in [[Baumgarten, Vienna|Baumgarten]], near [[Vienna]], the second of seven children &mdash; three boys and four girls.<ref>Fliedl, Gottfried, page 230, 1994.</ref> All three sons displayed artistic talent early on. His father, Ernst Klimt, formerly from [[Bohemia]], was a [[gold]] engraver. Ernst married Anna Klimt (''née'' Finster), whose unrealized ambition was to be a musical performer. Klimt lived in [[poverty]] for most of his childhood, as work was scarce and the [[economy]] difficult for immigrants. In 1876, Klimt was enrolled in the Vienna School of Arts and Crafts (''Kunstgewerbeschule''), where he studied until 1883, and received training as an [[architecture|architectural]] painter. He revered the foremost history painter of the time, [[Hans Makart]]. Unlike many young artists, Klimt accepted the principles of conservative Academic training. In 1877 his brother Ernst, who, like his father, would become an engraver, also enrolled in the school. The two brothers and their friend Franz Matsch began working together; by 1880 they had received numerous commissions as a team they called the "Company of Artists". Klimt began his professional career painting interior murals and ceilings in large public buildings on the [[Ringstraße]] including a successful series of "Allegories and Emblems". In 1888, Klimt received the Golden order of Merit from Emperor [[Franz Josef I of Austria]] for his contributions to art. He also became an honorary member of the [[University of Munich]] and the [[University of Vienna]]. In 1892 both Klimt's father and brother Ernst died, and he had to assume financial responsibility for his father's and brother's family. The tragedies affected his artistic vision as well, and soon he would veer toward a new personal style. In the early 1890s, Klimt met Emilie Flöge, who, notwithstanding the artist's relationships with other women, was to be his companion until the end of his life. Whether his relationship with Flöge was sexual or not is debated, but during that period Klimt fathered at least 14 children.<ref>John Collins, Klimt: Modernism In The Making, Harry N. Abrams, 2001, p.99, ISBN 0-8884-718-1</ref> ===Vienna secession years=== [[Image:Gustav Klimt 014.jpg|thumb|200px|A section of the [[Beethoven Frieze]]]] Klimt became one of the founding members and president of the ''Wiener Sezession'' ([[Vienna Secession]]) in 1897 and of the group's periodical Ver Sacrum (Sacred Spring). He remained with the Secession until 1908. The group's goals were to provide exhibitions for unconventional young artists, to bring the best foreign artists works to Vienna, and to publish its own magazine to showcase members' work.<ref>Frank Whitford, Klimt, Thames and Hudson, 1990. p.69.</ref>The group declared no [[manifesto]] and did not set out to encourage any particular style -- [[Naturalism|Naturalists]], [[Realism|Realists]], and [[Symbolism|Symbolists]] all coexisted. The government supported their efforts and gave them a lease on public land to erect an exhibition hall. The group's symbol was Pallas Athena, the [[Greek mythology|Greek]] goddess of just causes, wisdom, and the arts -- and Klimt painted his radical version in 1898. Beginning in the late 1890s Klimt took annual summer holidays with the Flöge family on the shores of [[Attersee (lake)|Attersee]] and painted many of his landscapes there. These works constitute the only genre aside from the figure that seriously interested Klimt,<ref>In recognition of his intensity, the locals called him "Waldschrat", Forest Demon. Koja, Stephan, et al.: ''Gustav Klimt Landscapes'', page 27. Prestel, 2002.</ref> and are of a number and quality so as to merit a separate appreciation. Formally, the landscapes are characterized by the same refinement of design and emphatic patterning as the figural pieces. Deep space in the Attersee works is so efficiently flattened to a single plane, it is believed that Klimt painted them while looking through a telescope.<ref>Anselm Wagner: "Klimt's Landscapes and the Telescope", ''Gustav Klimt Landscapes'', pages 161-171. Prestel, 2002.</ref> In 1894, Klimt was commissioned to create [[Klimt University of Vienna Ceiling Paintings|three paintings]] to decorate the ceiling of the Great Hall in the [[University of Vienna]]. Not completed until the turn of the century, his three paintings, ''Philosophy'', ''Medicine'', and ''Jurisprudence'' were criticized for their radical themes and material, which was called "[[pornography|pornographic]]". Klimt had transformed traditional [[allegory]] and symbolism into a new language which was more overtly sexual, and hence more disturbing. The public outcry came from all quarters &mdash; political, aesthetic, and religious. As a result, they were not displayed on the ceiling of the Great Hall. This would be the last public commission accepted by the artist. All three paintings were eventually destroyed by retreating [[SS]] forces in May 1945. His ''Nuda Verita'' (1899) defined his bid to further shake up the establishment. The starkly naked red-headed woman holds the mirror of truth, while above it is a quote by [[Schiller]] in stylized lettering, "If you cannot please everyone with your deeds and your art, please a few. To please many is bad."<ref>Frank Whitford, Klimt, Thames and Hudson, 1990. p.52.</ref> In 1902, Klimt finished the [[Beethoven Frieze]] for the 14th Vienna Secessionist exhibition, which was intended to be a celebration of the composer and featured a monumental, polychromed sculpture by [[Max Klinger]]. Meant for the exhibition only, the frieze was painted directly on the walls with light materials. After the exhibition the painting was preserved, although it did not go on display until 1986. ===Golden phase and critical success=== [[Image:Gustav Klimt 016.jpg|thumb|right|''The Kiss.'' 1907–1908. Oil on canvas. [[Österreichische Galerie Belvedere]].]] Klimt's 'Golden Phase' was marked by positive critical reaction and success. Many of his paintings from this period utilized gold leaf; the prominent use of gold can first be traced back to ''Pallas Athene'' (1898) and ''[[:Image:Klimpt01.JPG|Judith I]]'' (1901), although the works most popularly associated with this period are the ''[[Portrait of Adele Bloch-Bauer I]]'' (1907) and ''[[The Kiss (Klimt painting)|The Kiss]]'' (1907 - 1908). Klimt traveled little but trips to Venice and Ravenna, both famous for their beautiful mosaics, likely inspired his gold technique and his Byzantine imagery. In 1904, he collaborated with other artists on the lavish Palais Stoclet, the home of a wealthy Belgian industrialist, which was one of the grandest monuments of the [[Art Nouveau]] age. Klimt's contributions to the dining room, including both ''Fulfillment'' and ''Expectation'', were some of his finest decorative work, and as he publicly stated, "probably the ultimate stage of my development of ornament."<ref>Frank Whitford, Klimt, Thames and Hudson, 1990. p.103</ref>Between 1907 and 1909, Klimt painted five canvases of society women wrapped in fur. His apparent love of costume is expressed in the many photographs of Flöge modeling clothing she designed. Klimt himself normally wore sandals and a long robe with nothing underneath as he worked and relaxed in his home. His simple life was somewhat cloistered, devoted to his art and family and little else except the Secessionist Movement, and he avoided cafe society and other artists socially. Klimt's fame usually brought patrons to his door, and he could afford to be highly selective. His painting method was very deliberate and painstaking at times and he required lengthy sittings by his subjects. Though very active sexually, he kept his affairs discreet and he avoided personal scandal. Like [[Rodin]], Klimt also utilized [[mythology]] and allegory to thinly disguise his highly erotic nature, and his drawings often reveal purely sexual interest in women as objects. His models were routinely available to him to pose in any erotic manner that pleased him. Many of the models were [[prostitute]]s as well. Klimt wrote little about his vision or his methods. He wrote mostly postcards to Flöge and kept no diary. In a rare writing called "Commentary on a non-existent self-portrait", he states "I have never painted a self-portrait. I am less interested in myself as a subject for a painting than I am in other people, above all women...There is nothing special about me. I am a painter who paints day after day from morning to night...Who ever wants to know something about me... ought to look carefully at my pictures."<ref>Frank Whitford, Klimt, Thames and Hudson, 1990. p.18</ref> ===Later life & posthumous success=== In 1911 his painting ''Death and Life'' received first prize in the world exhibitions in [[Rome]]. In 1915 his mother Anna died. Klimt died three years later in Vienna on [[February 6]], [[1918]], having suffered a [[stroke]] and [[pneumonia]]. He was interred at the [[Hietzing]] Cemetery in Vienna. Numerous paintings were left [[unfinished work|unfinished]]. [[Image:Adele Bloch-Bauer I Gustav Klimt01.jpg|thumb|right|''[[Adele Bloch-Bauer I]]'', which sold for a record $135 million in 2006. [[Neue Galerie]], New York.]] Klimt's paintings have brought some of the highest prices recorded for individual works of art. In November 2003, Klimt's ''Landhaus am Attersee'' sold for [[United States dollar|$]]29,128,000,<ref>Nina Siegal, [http://dks.thing.net/NS-KlimtSetsRecord.html], Bloomberg, November 6, 2003. Accessed February 4, 2007.</ref> but that was soon eclipsed by prices paid for other Klimts. In 2006 the artist's ''Apple Tree I'' (ca. 1912) sold for $33 million and ''Birch Forest'' (1903) sold for $40.3 million.<ref>Kinsella, Eileen: "Gold Rush", ''Artnews'', page 111. January 2007.</ref> Both works had been recently restituted to the heirs of Adele Bloch-Bauer. Purchased for the [[Neue Galerie]] in [[New York]] by [[Ronald Lauder]] for a reported US $135 million, the 1907 portrait ''[[Adele Bloch-Bauer I]]'' deposed [[Picasso]]'s 1905 ''[[Garçon à la pipe|Boy With a Pipe]]'' (sold [[May 5]], [[2004]] for $104 million) as the highest reported price ever paid for a piece of art sold at a public auction, on or around [[June 19]], [[2006]]. This is one of the five paintings referred to below in the Legacy section and an NPR report.<ref>{{cite news | title='Record price' for Klimt portrait| url=http://news.bbc.co.uk/1/hi/entertainment/5093650.stm|publisher=BBC News|date=[[June 19]] [[2006]]}}</ref> On [[August 7]], [[2006]], [[Christie's]] auction house announced it was handling the sale of the remaining works by Klimt that were recovered by the Bloch-Bauer heirs after a long legal battle. They auctioned ''Portrait of Adele Bloch-Bauer II'' in November 2006 for $88 million, the third-highest priced piece of art at auction at the time.<ref>Christopher Michaud, [http://today.reuters.com/news/articlenews.aspx?type=domesticNews&storyID=2006-11-09T134551Z_01_N09209764_RTRUKOC_0_US-ARTS-AUCTION.xml Christie's stages record art sale], Reuter's, November 9, 2006. Accessed November 9, 2006.</ref> Collectively the five restituted paintings, including aforementioned landscapes, netted over $327 million.<ref>Kinsella, Eileen, page 112, January 2007.</ref> ==Style & recurring themes== Klimt's work is distinguished by the elegant gold or coloured decoration, often of a phallic shape that conceals the more erotic positions of the drawings upon which many of his paintings are based. This can be seen in ''[[:Image:Klimpt01.JPG|Judith I]]'' (1901), and in ''[[The Kiss (Klimt painting)|The Kiss]]'' (1907–1908), and especially in ''[[Danaë (Klimt painting)|Danaë]]'' (1907). One of the most common themes Klimt utilized was that of the dominant woman, the [[femme fatale]]. Art historians note an eclectic range of influences contributing to Klimt's distinct style, including [[Ancient Egypt|Egyptian]], [[Minoan civilization|Minoan]], [[Ancient Greece|Classical Greek]], and [[Byzantium|Byzantine]] inspirations. Klimt was also inspired by the engravings of [[Albrecht Dürer]], late [[medieval]] European painting, and [[Rimpa school|Japanese Rimpa school]]. His mature works are characterized by a rejection of earlier naturalistic styles, and make use of symbols or symbolic elements to convey [[psychology|psychological]] ideas and emphasize the "freedom" of art from traditional culture. ==Legacy== * Klimt's work had a strong influence on the paintings of [[Egon Schiele]], whom he would collaborate with to found the Kunsthalle (Hall of Art) in 1917, to try and keep local artists from going abroad. * [[Raúl Ruiz]] directed a [[biopic]], ''[[Klimt (film)|Klimt]]'', starring [[John Malkovich]] in the title role. The movie made its world premiere at the [[International Film Festival Rotterdam]] on [[January 28]], [[2006]]. * [[National Public Radio]] reported on [[January 17]], [[2006]] that "The Austrian National Gallery is being compelled by a national arbitration board to return five paintings by Gustav Klimt to a [[Los Angeles, California|Los Angeles]] woman, the heir of a [[Jew]]ish family that had its art stolen by the [[Nazism|Nazis]]. The paintings are estimated to be worth at least [[United States dollar|$]]150 million."<ref>Burbank, Luke [http://www.npr.org/templates/story/story.php?storyId=5160093 Austria to return paintings to Jewish heir], [[National Public Radio]], [[17 January]] [[2006]].</ref> * Klimt's work has spawned many reinterpretations, including the works of [[Slovaks|Slovak]] artist [[Rudolf Fila]]. * The [[anime]] series ''[[Elfen Lied]]'' features both openings and endings referring to Gustav Klimt's works. * [[Couturier]] [[John Galliano]] found inspiration for the [[Christian Dior]] Spring-Summer 2008 [[haute couture]] collection in Klimt's work. ==Selected works== [[Image:Gustav Klimt 039.jpg|thumb|right|''Judith and the Head of Holofernes'', 1901. Belvedere, Vienna]] [[Image:Gustav Klimt 068.jpg|thumb|right|''Avenue in Schloss Kammer Park'', (1902). Belvedere, Vienna]] [[Image:Gustav Klimt 010.jpg|right|200px|thumb|Danaë by Gustav Klimt, painted 1907. Private Collection, Vienna]] [[Image:Gustav Klimt 021.jpg|thumb|200px|''The Friends'', 1916-17.]] [[Image:Gustav Klimt 050.jpg|thumb|right|''Mäda Primavesi''. 1912. Oil on canvas. 150 × 110 cm. [[Metropolitan Museum of Art]], New York.]] [[Image:Klimt Mulher sentada.jpg|thumb|right|''Mulher sentada'', (1916)]] * [[Klimt University of Vienna Ceiling Paintings|University of Vienna Ceiling Paintings]] * [[Palais Stoclet]] [[mosaic]] in [[Brussels, Belgium|Brussels]] * [[Fable]] (1883) * [[The Theatre in Taormina]] (1886-1888) * [[Auditorium in the Old Burgtheater, Vienna]] (1888) * Portrait of Joseph Pembauer, the Pianist and Piano Teacher (1890) * Ancient Greece II (Girl from Tanagra) (1890 - 1891) * Portrait of a Lady (Frau Heymann?) (1894) * Music I (1895) * Love (1895) * Sculpture (1896) * Tragedy (1897) * Music II (1898) * Pallas Athene (1898) * Flowing water (1898) * Portrait of Sonja Knips (1898) * Fish Blood (1898) * Schubert at the Piano (1899) * After the Rain (Garden with Chickens in St Agatha) (1899) * Nymphs (Silver Fish) (1899) * Mermaids (1899) * [[Klimt University of Vienna Ceiling Paintings|Philosophy]] (1899–1907) <ref>http://www.lamp.ac.uk/philosophy/phil.jpg</ref> * Nuda Veritas (1899) * Portrait of Serena Lederer (1899) * [[Medicine (Kilmt Painting)|Medicine]] (Hygieia) (1900–1907) * Music (Lithograph) (1901) * ''[[:Image:Klimpt01.JPG|Judith I]]'' (1901) * ''[[:Image:Gustav Klimt 006.jpg|Buchenwald]]'' (Birkenwald) (1901) * Gold Fish (To my critics) (1901–1902) * Portrait of Gertha Felsovanyi (1902) * Portrait of Emilie Floge (1902) * Beech Forest (1902) * Beech Forest I (1902) * [[Beethoven Frieze]] (1902) <ref>http://www.ibiblio.org/wm/paint/auth/klimt/klimt.beethoven-frieze1.jpg</ref> <ref>http://www.ibiblio.org/wm/paint/auth/klimt/klimt.beethoven-frieze2.jpg</ref> * [[Beech woods]] (1903) * Hope (1903) * Pear Tree (1903) * Life is a struggle(1903) * [[Klimt University of Vienna Ceiling Paintings|Jurisprudence]] (1903–1907) <ref>http://www.ecfs.org/Projects/Fieldston65/bome/cities/vienna/eband/Sochynsky/Pictures/Jurisprudence.jpg</ref> * ''[[:Image:Gustav Klimt 067.jpg|Water Serpents I]]'' (1904–1907) * Water Serpents II (1904–1907) * The Three Ages of Woman (1905) * Portrait of Margaret Stonborough-Wittgenstein (1905) * Farm Garden (Flower Garden) (1905–1906) * Farm Garden with Sunflowers (1905-1906) * The Stoclet Frieze (1905-1909) * ''[[:Image:Gustav Klimt 052.jpg|Portrait of Fritsa Reidler]]'' (1906) * Sunflower (1906-1907) * Hope II (1907-1908) * ''[[Danaë (Klimt painting)|Danaë]]'' (1907) * ''[[Portrait of Adele Bloch-Bauer I]]'' (1907) * Poppy Field (1907) * Schloss Kammer on the Attersee I (1908) * ''[[The Kiss (Klimt painting)|The Kiss]]'' (1907 - 1908) * Lady with Hat and Feather Boa (1909) * The Tree of Life (1909) * ''[[:Image:Gustav Klimt 038.jpg|Judith II]]'' ''(Salomé)'' (1909) * Black Feather Hat (Lady with Feather Hat) (1910) * Schloss Kammer on the Attersee III (1910) * The Park (1910) * Death and Life (1911) * Farm Garden with Crucifix (1911-1912) * Apple Tree (1912) * Forester's House, Weissenbach on Lake Attersee (1912) * Portrait of Mada Primavesi (1912) * ''[[:Image:Gustav Klimt 047.jpg|Portrait of Adele Bloch-Bauer II]]'' (1912) * ''[[:Image:Gustav Klimt 024.jpg|The Virgins (Die Jungfrau)]]'' (1913) * The Church in Cassone (1913) * Semi-nude seated, reclining (1913) * Semi-nude seated, with closed eyes (1913) * Portrait of Eugenia Primavesi (1913-1914) * Lovers, drawn from the right (1914) * Portrait of Elisabeth Bachofen-Echt (1914) * Semi-nude lying, drawn from the right (1914-1915) * Portrait of Friederike Maria Beer (1916) * Houses in Unterach on the Attersee (1916) * Death and Life (1916) * Garden Path with Chickens (1916) * The Girl-Friends (1916-1917) * Woman seated with thighs apart, drawing (1916-1917) * The Dancer (1916 - 1918) * Leda (destroyed) (1917) * Portrait of a Lady, en face (1917-1918) * The Bride (unfinished) (1917-1918) * Adam and Eve (unfinished) (1917-1918) * Portrait of Johanna Staude (unfinished) (1917-1918) ==See also== *[[List of Austrian artists and architects]] *[[List of Austrians]] *[[List of most expensive paintings]] *[[Maria Altmann]] *[[Republic of Austria v. Altmann]] (Bloch-Bauer court case) [[Image:2003 Austria 100 Euro Painting front.jpg|thumb|160px|[[Euro gold and silver commemorative coins (Austria)#2003 coinage|The painting coin]], featuring Gustav Klimt]] ==The Painting Gold Coin== Gustav Klimt has left such a legacy behind that he has been the main motive for many collector coins and medals, the most recent one is the famous 100 euro gold coin [[Euro gold and silver commemorative coins (Austria)#2003 coinage|The painting coin.]] issued in [[November 5]] [[2003]]. The obverse depicts Klimt in his studio with two unfinished masterpieces on easels. ==References== {{reflist|2}} *Hubertus Czernin. ''Die Fälschung: Der Fall Bloch-Bauer und das Werk Gustav Klimts''. Czernin Verlag, Vienna 2006. ISBN 3-7076-0000-9 *Carl E. Schorske. "Gustav Klimt: Painting and the Crisis of the Liberal Ego" in ''[[Fin-de-Siècle Vienna: Politics and Culture]]''. Vintage Books, 1981. ISBN 0-394-74478-0 </div> ==Sources== * Alfred Weidinger. "Klimt. Catalogue Raisonné". Prestel, New York, 2007. ISBN 978-3-7913-3764-7 * Gilles Neret. "Klimt". Taschen, 1993. ISBN 978-3-8228-5980-3 ==External links== {{commonscat|Gustav Klimt}} * [http://www.ricci-art.com/en/Gustav-Klimt.htm Paintings by Gustav Klimt] * [http://www.iklimt.com/ iKlimt.com] (Flash) * [http://www.zeno.org/Kunstwerke/A/Klimt,+Gustav Gallery of works by Gustav Klimt at Zeno.org] (German) * [http://www.ibiblio.org/wm/paint/auth/klimt/ Web Museum Klimt page] * [http://www.adele.at/ The Bloch-Bauer court case] <!-- Metadata: see [[Wikipedia:Persondata]] --> {{Persondata |NAME= Klimt, Gustav |ALTERNATIVE NAMES= Klimt, Gustav |SHORT DESCRIPTION= [[Austria]]n [[Symbolism (arts)|Symbolist painter]] |DATE OF BIRTH= [[July 14]], [[1862]] |PLACE OF BIRTH= [[Baumgarten, Vienna|Baumgarten]], [[Austria]] |DATE OF DEATH= [[February 6]], [[1918]] |PLACE OF DEATH= [[Vienna]], [[Austria]] }} {{DEFAULTSORT:Klimt, Gustav}} [[Category:Austrian painters]] [[Category:Symbolist painters]] [[Category:Art Nouveau]] [[Category:1862 births]] [[Category:1918 deaths]] [[ar:غوستاف كليمت]] [[ast:Gustav Klimt]] [[be:Густаў Клімт]] [[bs:Gustav Klimt]] [[br:Gustav Klimt]] [[bg:Густав Климт]] [[ca:Gustav Klimt]] [[cs:Gustav Klimt]] [[da:Gustav Klimt]] [[de:Gustav Klimt]] [[et:Gustav Klimt]] [[el:Γκούσταφ Κλιμτ]] [[es:Gustav Klimt]] [[eo:Gustav Klimt]] [[eu:Gustav Klimt]] [[fr:Gustav Klimt]] [[gl:Gustav Klimt]] [[ko:구스타프 클림트]] [[hr:Gustav Klimt]] [[id:Gustav Klimt]] [[it:Gustav Klimt]] [[he:גוסטב קלימט]] [[ka:გუსტავ კლიმტი]] [[la:Gustavus Klimt]] [[lv:Gustavs Klimts]] [[hu:Gustav Klimt]] [[mr:गुस्टाफ क्लिम्ट]] [[nl:Gustav Klimt]] [[ja:グスタフ・クリムト]] [[no:Gustav Klimt]] [[nn:Gustav Klimt]] [[pms:Gustav Klimt]] [[pl:Gustav Klimt]] [[pt:Gustav Klimt]] [[ro:Gustav Klimt]] [[ru:Климт, Густав]] [[sk:Gustav Klimt]] [[sl:Gustav Klimt]] [[sr:Густав Климт]] [[fi:Gustav Klimt]] [[sv:Gustav Klimt]] [[th:กุสตาฟ คลิมต์]] [[vi:Gustav Klimt]] [[tr:Gustav Klimt]] [[uk:Густав Клімт]] [[zh:古斯塔夫·克林姆]]