Henry Wadsworth Longfellow
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Expanded lede with more personal life info
{{Infobox Writer <!-- for more information see [[:Template:Infobox Writer/doc]] -->
| name = Henry Wadsworth Longfellow
| image = HenryWLongFellow1868.jpg
| caption = Longfellow in 1868 by [[Julia Margaret Cameron]]
| birthdate = {{birth date|1807|2|27|mf=y}}
| birthplace = [[Portland, Maine]], [[United States]]
| deathdate = {{death date and age|1882|3|24|1807|2|27|mf=y}}
| deathplace = [[Cambridge, Massachusetts]], [[United States]]
| occupation = Poet<br>Professor
| genre =
| movement =
| notableworks =
| influences =
| influenced =
| website =
}}
'''Henry Wadsworth Longfellow''' ([[February 27]], [[1807]] – [[March 24]], [[1882]]) was an [[United States|American]] educator and [[poet]] whose works include "[[Paul Revere's Ride]]", ''[[The Song of Hiawatha]]'', and "[[Evangeline]]". He was also the first American to translate [[Dante Alighieri|Dante Alighieri's]] ''[[The Divine Comedy]]'' and was one of the five members of the group known as the [[Fireside Poets]].
Longfellow was born in [[Portland, Maine]] and studied at [[Bowdoin College]]. After spending time in Europe he became a professor at Bowdoin and, later, at [[Harvard College]]. His first major poetry collections were ''Voices of the Night'' (1839) and ''Ballads and Other Poems'' (1841). Longfellow retired from teaching in 1854 to focus on his writing, though he lived the remainder of his life in [[Cambridge, Massachusetts]] in a former headquarters of [[George Washington]]. His first wife, Mary Storer Potter, died in 1835 after a miscarriage. His second wife, Frances Appleton, died in 1861 after sustaining burns from her dress catching fire. Longfellow himself died in 1882.
Longfellow predominantly wrote [[lyric poetry]], known for its musicality, which often presented stories of mythology and legend. He became the most popular American poet of his day and also had success overseas. He has been criticized, however, for imitating European styles and writing specifically for the masses.
==Life and work==
===Early life and education===
[[Image:Longfellow's Birthplace, Portland, ME.jpg|thumb|left|Birthplace in c. 1910]]
Longfellow was born on [[February 27]], [[1807]], to Stephen and Zilpah (Wadsworth) Longfellow in [[Portland, Maine]],<ref>Calhoun, 5</ref> and he grew up in what is now known as the [[Wadsworth-Longfellow House]]. His father was a lawyer, and his maternal grandfather, [[Peleg Wadsworth]], was a general in the [[American Revolutionary War]] and a [[United States House of Representatives|Member of Congress]].<ref>[http://www.hwlongfellow.org/family_genealogy.shtml Wadsworth-Longfellow Genealogy] at ''Henry Wadsworth Longfellow - A Maine Historical Society Web Site''</ref> He was named after his mother's brother Henry Wadsworth, a Navy lieutenant who died only three years earlier at the [[Battle of Tripoli]].<ref>Arvin, 7</ref>
Longfellow's siblings were Stephen (1805), Elizabeth (1808), Anne (1810), Alexander (1814), Mary (1816), Ellen (1818), and [[Samuel Longfellow|Samuel]] (1819). Henry was enrolled in a [[dame school]] at the age of only three and by age six was enrolled at the private Portland Academy. In his years there, he earned a reputation as being very studious and became fluent in [[Latin]].<ref name=Arvin11/> He printed his first poem — a patriotic and historical four stanza poem called "The Battle of Lovell's Pond" — in the Portland ''Gazette'' on [[November 17]], [[1820]].<ref>Calhoun, 24</ref> He remained at the Portland Academy until the age of fourteen. He spent much of his summers as a child at his grandfather Peleg's farm in the western Maine town of [[Hiram, Maine|Hiram]].
In the fall of 1822, the 15-year old Longfellow enrolled at [[Bowdoin College]] in [[Brunswick (town), Maine|Brunswick, Maine]] alongside his brother Stephen.<ref name=Arvin11>Arvin, 11</ref> His grandfather was a founder of the college<ref>Calhoun, 16</ref> and his father was a trustee.<ref name=Arvin11/> There, Longfellow met [[Nathaniel Hawthorne]], who would later become his lifelong friend.<ref>McFarland, 58-59</ref> He boarded with a clergyman for a time before rooming on the third floor of what is now Maine Hall in 1823.<ref>Calhoun, 33</ref> He joined the [[Peucinian Society]], a group of students with [[Federalist Party (United States)|Federalist]] leanings.<ref name=Calhoun37>Calhoun, 37</ref> In his senior year, Longfellow wrote to his father about his aspirations:
<blockquote>"I will not disguise it in the least... the fact is, I most eagerly aspire after future eminence in literature, my whole soul burns most ardently after it, and every earthly thought centres in it... I am almost confident in believing, that if I can ever rise in the world it must be by the exercise of my talents in the wide field of literature".<ref>Arvin, 13</ref></blockquote>
He pursued his literary goals by submitting poetry and prose to various newspapers and magazines. Between January 1824 and his graduation in 1825, he had published nearly 40 minor poems.<ref>Arvin, 14</ref> About 24 of them appeared in the short-lived Boston periodical ''The United States Literary Gazette''.<ref name=Calhoun37/>
===European tours and professorships===
After graduating in 1825, he was offered a job as professor of modern languages at his alma mater. The story, possibly [[wikt:apocryphal|apocryphal]], is that an influential trustee, [[Benjamin Orr (Massachusetts politician)|Benjamin Orr]], had been so by impressed Longfellow's translation of [[Horace]] that he was hired under the condition that he travel to Europe to study French, Spanish, and Italian.<ref>Calhoun, 40</ref> Whatever the motivation, he began his tour of Europe in May 1826 aboard the ship ''Cadmus''.<ref>Arvin, 22</ref> His time abroad would last three years and cost his father an estimated $2,604.24.<ref>Calhoun, 42</ref> He traveled to France, Spain, Italy, Germany, back to France, then England before returning to the United States in mid-August 1829.<ref>Arvin, 26</ref> While in Madrid, he spent time with [[Washington Irving]] and was encouraged by the author to write.<ref>Burstein, Andrew. ''The Original Knickerbocker: The Life of Washington Irving''. New York: Basic Books, 2007: 195. ISBN 9780465008537.</ref> Longfellow was saddened to learn his favorite sister Elizabeth had died of [[tuberculosis]] at the age of 20 that May while he was abroad.<ref>Calhoun, 67</ref>
On [[August 27]], [[1829]], he wrote to the president of Bowdoin that he was turning down the professorship because he considered the $600 salary "disproportionate to the duties required". The trustees raised his salary to $800 with an additional $100 to serve as the college's librarian, a post which required one hour of work per day.<ref>Calhoun, 69</ref> During his years at the college, he wrote textbooks in French, Italian, and Spanish and a travel book, ''[[Outre-Mer|Outre-Mer: A Pilgrimage Beyond the Sea]]'', first published in serial form before a book edition was released in 1835.<ref>Williams, 66</ref> On [[September 14]], [[1831]], he married Mary Storer Potter, a childhood friend from Portland.<ref>Calhoun, 90</ref> The couple settled in Brunswick, though the two were not happy there.<ref>Arvin, 28</ref> Longfellow published several nonfiction and fiction prose pieces inspired by Irving, including "The Indian Summer" and "The Bald Eagle" in 1833.<ref>Williams, 108</ref>
In December 1834, Longfellow received a letter from [[Josiah Quincy III]], president of [[Harvard College]], offering him the Smith Professorship of Modern Languages position with the stipulation that he spend a year or so abroad.<ref>Arvin, 30</ref> In October 1835, during the trip, his wife Mary had a miscarriage about six months into her pregnancy.<ref>Calhoun, 114–115</ref> She did not recover and died after several weeks of illness at the age of 22 on [[November 29]], [[1835]]. Longfellow had her body embalmed immediately and placed into a lead coffin inside an oak coffin which was then shipped to [[Mount Auburn Cemetery]] near Boston.<ref>Calhoun, 118</ref> Three years later, he was inspired to write "Footsteps of Angels" about their love. Several years later, he wrote the poem "Mezzo Cammin" to express his sorrow over her death.<ref name=Arvin305>Arvin, 305</ref>
When he returned to the United States in 1836, Longfellow took up the professorship at Harvard. He was required to live in Cambridge to be close to the campus and moved in to the Craigie House in the spring of 1837,<ref>Calhoun, 124</ref> now preserved as the [[Longfellow National Historic Site]]. The home, built in 1759, had once been the headquarters of [[George Washington]] during the siege of Boston in July 1775.<ref>Calhoun, 124–125</ref> Previous occupants also included [[Jared Sparks]], [[Edward Everett]], and [[Joseph Emerson Worcester]].<ref>Brooks, 153</ref> Longfellow began publishing his poetry, including ''Voices of the Night'' in 1839<ref>Calhoun, 137</ref> and ''Ballads and Other Poems'' in 1841.<ref>Williams, 75</ref> The latter included "[[The Village Blacksmith]]" and "[[The Wreck of the Hesperus]]", which were instantly popular.<ref name=Calhoun138>Calhoun, 138</ref>
===Courtship of Frances "Fanny" Appleton===
[[Image:Fanny Appleton Longfellow Drawing.jpeg|thumb|right|After a seven-year courtship, Longfellow married Frances Appleton in 1843.]]
Longfellow began courting Frances "Fanny" Appleton, the daughter of a wealthy Boston industrialist, [[Nathan Appleton]].<ref>Calhoun, 119</ref> At first, she was not interested but Longfellow was determined. In July 1839, he wrote to a friend: "[V]ictory hangs doubtful. The lady says she ''will not''! I say she ''shall''! It is not ''pride'', but the madness of passion".<ref name=McFarland59>McFarland, 59</ref> During the courtship, he frequently walked from Harvard to her home in Boston, crossing the Boston Bridge. That bridge was subsequently demolished and replaced in 1906 by a new bridge, which was eventually renamed the [[Longfellow Bridge]].
During his courtship, Longfellow continued writing and, in the fall of 1839, published ''Hyperion'', a book of travel writings discussing his trips abroad.<ref name=McFarland59/> In 1843, he also published a play, ''The Spanish Student'', reflecting his memories from his time in Spain in the 1820s.<ref name=Calhoun179>Calhoun, 179</ref> There was some confusion over its original manuscript. After being printed in ''[[Graham's Magazine]]'', its editor [[Rufus Wilmot Griswold]] saved the manuscript from the trash. Longfellow was surprised to hear that it had been saved, unusual for a printing office, and asked to borrow it so that he could revise it, forgetting to return it to Griswold. The often vindictive Griswold wrote an angry letter in response.<ref>Bayless, 130–131</ref>
On [[May 10]], [[1843]], after seven years, Longfellow received a letter from Fanny agreeing to marry him and, too restless to take a carriage, walked 90 minutes to meet her at her house.<ref>Calhoun, 164–165</ref> They were married shortly thereafter. Nathan Appleton bought the Craigie House as a wedding present to the pair. Longfellow would live there for the remainder of his life.<ref>Arvin, 51</ref> His love for Fanny is evident in the following lines from Longfellow's only love poem, the sonnet "The Evening Star",<ref>Arvin, 304</ref> which he wrote in October 1845: "O my beloved, my sweet Hesperus! My morning and my evening star of love!"
He and Fanny had six children: Charles Appleton (1844-1893), Ernest Wadsworth (1845-1921), Fanny (1847-1848), Alice Mary (1850-1928), Edith (1853-1915), and Anne Allegra (1855-1934). Their second-youngest daughter, Edith, married Richard Henry Dana III, son of the popular poet [[Richard Henry Dana]].<ref name=Calhoun217>Calhoun, 217</ref> When the younger Fanny was born on [[April 7]], [[1847]], Dr. [[Nathan Cooley Keep]] administered [[ether]] as the first obstetric [[anesthesia|anesthetic]] in the United States to Fanny Longfellow.<ref name=Calhoun189>Calhoun, 189</ref> A few months later, on [[November 1]], [[1847]], the poem "[[Evangeline]]" was published for the first time.<ref name=Calhoun189/> His literary income was increasing considerably: in 1840, he had made $219 from his work but the year 1850 brought him $1,900.<ref>Williams, 19</ref>
On [[June 14]], [[1853]], Longfellow held a farewell dinner party at his Cambridge home for his friend Nathaniel Hawthorne, who was preparing to move overseas.<ref>McFarland, 198</ref> Shortly thereafter in 1854, Longfellow retired from Harvard,<ref>Brooks, 453</ref> devoting himself entirely to writing. He was awarded an honorary doctorate of Laws from Harvard in 1859.<ref name=Calhoun198>Calhoun, 198</ref>
===Death of Frances===
On [[July 9]], [[1861]],<ref>Miller, 91</ref> a hot day, Fanny was putting locks of her children's hair into an envelope and attempting to seal it with hot sealing wax while Longfellow took a nap.<ref>McFarland, 243</ref> Her dress suddenly caught fire, though it is unclear exactly how;<ref name=Calhoun215>Calhoun, 215</ref> it may have been burning wax or a lighted candle which fell on her dress.<ref>Arvin, 138</ref> Longfellow, awoken from his nap, rushed to help her and threw a rug over her, though it was too small. He stifled the flames with his body as best he could, but she was already badly burned.<ref name=Calhoun215/> Over a half a century later, Longfellow's youngest daughter Annie explained the story differently, claiming that there was no candle or wax but the fire started from a self-lighting match that had fallen on the floor.<ref name=Calhoun217/> In both versions of the story, however, Fanny was taken to her room to recover and a doctor was called. She was in and out of consciousness throughout the night and was administered [[ether]]. The next morning, [[July 10]], [[1861]], she died shortly after 10 o'clock after requesting a cup of coffee.<ref name=McFarland244>McFarland, 244</ref> Longfellow, in trying to save her, had burned himself badly enough that he was unable to attend her funeral.<ref>Arvin, 139</ref> His own injuries to his face were bad enough that he stopped shaving, thereafter wearing the beard which has become his trademark.<ref name=McFarland244/>
Devastated by her death, he never fully recovered and occasionally resorted to [[laudanum]] and ether to deal with it.<ref>Calhoun, 218</ref> He expressed his grief in the sonnet "The Cross of Snow" (1879), which he wrote eighteen years later to commemorate her death:<ref name=Arvin305/>
:Such is the cross I wear upon my breast
:These eighteen years, through all the changing scenes
:And seasons, changeless since the day she died.
===Later life and death===
[[Image:Longfellow-Grave2.jpg|thumb|left|Grave of Henry Wadsworth Longfellow]]
Longfellow spent several years translating [[Dante Alighieri|Dante Alighieri's]] ''[[Divine Comedy]]''. To aid him in perfecting the translation and reviewing proofs, he invited friends to weekly meetings every Wednesday starting in 1864.<ref>Arvin, 140</ref> The "Dante Club", as it was called, regularly included [[William Dean Howells]], [[James Russell Lowell]], [[Charles Eliot Norton]] and other occasional guests.<ref>Calhoun, 236</ref> By 1868, Longfellow's annual income was over $48,000.<ref name=Williams100>Williams, 100</ref>
On [[August 22]], [[1879]], a female admirer went to Longfellow's house in Cambridge and, unaware to whom she was speaking, asked Longfellow: "Is this the house where Longfellow was born?" Longfellow told her it was not. The visitor then asked if he had died here. "Not yet", he replied.<ref>Irmscher, Christoph. ''Longfellow Redux''. University of Illinois, 2008: 7. ISBN 9780252030635.</ref> In March 1882, Longfellow went to bed with severe stomach pain. He endured the pain for several days with the help of [[opium]] before he died surrounded by family on Friday, [[March 24]], [[1882]].<ref>Calhoun, 248</ref> He had been suffering from [[peritonitis]].<ref>Wagenknecht, 11</ref> At the time of his death, his estate was worth an estimated $356,320.<ref name=Williams100/> He is buried with both of his wives at [[Mount Auburn Cemetery]] in Cambridge, Massachusetts.
==Writing==
===Style===
[[Image:HenryWadsworthLongfellowPhotographfromBook.PNG|thumb|right|Longfellow from a posthumous edition of his poetry]]
Though much of his work is categorized as [[lyric poetry]], Longfellow experimented with many forms, including [[hexameter]] and [[free verse]].<ref>Arvin, 182</ref> His published poetry shows great versatility, utilizing [[anapest]]ic and [[trochee|trochaic]] forms, [[blank verse]], [[heroic couplet]]s, [[ballad]]s and [[sonnet]]s.<ref>Williams, 130</ref> Typically, Longfellow would carefully consider the subject of his poetic ideas for a long time before deciding on the right metrical form for it.<ref>Williams, 156</ref> Much of his work is recognized for its melody-like musicality.<ref>Brooks, 174</ref> As he says, "what a writer asks of his reader is not so much to ''like'' as to ''listen''".<ref>Wagenknecht, 145</ref>
Longfellow often used [[allegory]] in his work. In "Nature", for example, death is depicted as bedtime for a cranky child.<ref>Loving, Jerome. ''Walt Whitman: The Song of Himself''. University of California Press, 1999: 52. ISBN 0520226879.</ref> Though he often used [[didacticism]] in his poetry, he focused on it less in his later years.<ref>Arvin, 183</ref> Many of the [[metaphor]]s he used in his poetry as well as subject matter came from legends, mythology, and literature.<ref>Arvin, 186</ref> He was inspired, for example, by [[Norse mythology]] for "[[The Skeleton in Armor]]" and by Finnish legends for "The Song of Hiawatha".<ref>Brooks, 175–176</ref> In fact, Longfellow rarely wrote on current subjects and seemed detached from contemporary American concerns.<ref name=Arvin321>Arvin, 321</ref> Even so, Longfellow, like many during this period, called for the development of quality American literature. In ''Kavanagh'', a character says:
<blockquote>We want a national literature commensurate with our mountains and rivers... We want a national epic that shall correspond to the size of the country... We want a national drama in which scope shall be given to our gigantic ideas and to the unparalleled activity of our people... In a word, we want a national literature altogether shaggy and unshorn, that shall shake the earth, like a herd of buffaloes thundering over the prairies.<ref>Lewis, R. W. B. ''The American Adam: Innocence, Tragedy, and Tradition in the Nineteenth Century''. Chicago: The University of Chicago Press, 1955: 79.</ref></blockquote>
He was also important as a translator; his translation of Dante became a required possession for those who wanted to be a part of high culture.<ref>Calhoun, 237</ref>
[[Image:Sumner-Longfellow.jpg|thumb|left|Longfellow and his good friend [[United States Senate|Senator]] [[Charles Sumner]]]]
===Critical response===
Longfellow's early collections, ''Voices of the Night'' and ''Ballads and Other Poems'', made him instantly popular. The ''[[The New Yorker]]'' called him "one of the very few in our time who has successfully aimed in putting poetry to its best and sweetest uses".<ref name=Calhoun138/> The ''[[Southern Literary Messenger]]'' immediately put Longfellow "among the first of our American poets".<ref name=Calhoun138/> Poet [[John Greenleaf Whittier]] said that Longfellow's poetry illustrated "the careful moulding by which art attains the graceful ease and chaste simplicity of nature".<ref>Wagenknecht, Edward. ''John Greenleaf Whittier: A Portrait in Paradox''. New York: Oxford University Press, 1967: 113.</ref> The rapidity with which American readers embraced Longfellow was unparalleled in publishing history in the United States;<ref>Calhoun, 139</ref> by 1874, he was earning $3,000 per poem.<ref>Levine, Miriam. ''A Guide to Writers' Homes in New England''. Cambridge, Massachussets: Apple-wood Books, 1984: 127. ISBN 0-918222-51-6</ref> In the last two decades of his life, he often received requests for autographs from strangers, which he always sent.<ref>Calhoun, 245</ref>
Contemporary writer [[Edgar Allan Poe]] wrote to Longfellow in May 1841 of his "fervent admiration which [your] genius has inspired in me" and later called him "unquestionably the best poet in America".<ref name=Meyers171>Meyers, Jeffrey. ''Edgar Allan Poe: His Life and Legacy''. New York: Cooper Square Press, 1992: 171. ISBN 0815410387.</ref> However, after Poe's reputation as a critic increased, he publicly accused Longfellow of [[plagiarism]] in what has been since termed by Poe biographers as "The Longfellow War".<ref>Silverman, 250</ref> His assessment was that Longfellow was "a determined imitator and a dextrous adapter of the ideas of other people",<ref name=Meyers171/> specifically [[Alfred Tennyson, 1st Baron Tennyson|Alfred, Lord Tennyson]].<ref>Silverman, 251</ref> His accusations may have been a publicity stunt to boost readership of the ''[[Broadway Journal]]'', for which he was the editor at the time.<ref>Calhoun, 160</ref> Longfellow did not respond publicly, but, after Poe's death, he wrote: "The harshness of his criticisms I have never attributed to anything but the irritation of a sensitive nature chafed by some indefinite sense of wrong".<ref name=Wagenknecht144>Wagenknecht, 144</ref>
[[Margaret Fuller]] judged him "artificial and imitative" and lacking force.<ref>McFarland, 170</ref> Poet [[Walt Whitman]] also considered Longfellow an imitator of European forms, though he praised his ability to reach a popular audience as "the expressor of common themes - of the little songs of the masses".<ref>Reynolds, David S. ''Walt Whitman's America: A Cultural Biography''. New York: Vintage Books, 1995: 353. ISBN 0679767096.</ref> [[Lewis Mumford]] said that Longfellow could be completely removed from the history of literature without much effect.<ref name=Arvin321/> Towards the end of his life, contemporaries considered him more of a children's poet<ref>Calhoun, 246</ref> as many of his readers were children.<ref>Brooks, 455</ref> A contemporary reviewer noted in 1848 that Longfellow was creating a "Goody two-shoes kind of literature... slipshod, sentimental stories told in the style of the nursery, beginning in nothing and ending in nothing".<ref>Douglas, Ann. ''The Feminization of American Culture''. New York: Alfred A. Knopf, 1977: 235. ISBN 0-394-40532-3</ref> A more modern critic said, "Who, except wretched schoolchildren, now reads Longfellow?"<ref name=Arvin321/> A London critic in the ''London Quarterly Review'', however, condemned all American poetry, saying, "with two or three exceptions, there is not a poet of mark in the whole union" but singled out Longfellow as one of those exceptions.<ref>Silverman, 199</ref>
==Legacy==
[[Image:Henry Wadsworth Longfellow stamp unveiled.jpg|thumb|right|[[National Endowment for the Arts]] Chairman [[Dana Gioia]] and [[Katherine C. Tobin]], member of the [[USPS]] Board of Governors, unveil the new U.S. postage stamp in honor of poet Henry Wadsworth Longfellow in 2007.]]
Longfellow was the most popular poet of his day.<ref>Bayless, 40</ref> He was such an admired figure in the United States during his life that his 70th birthday in 1877 took on the air of a national holiday, with parades, speeches, and the reading of his poetry. He had become one of the first American celebrities and was also popular in Europe. It was reported that 10,000 copies of ''[[The Courtship of Miles Standish]]'' sold in London in a single day.<ref>Brooks, 523</ref> In 1884 he was the first and only non-British writer\ for whom a commemorative sculpted bust was placed in [[Poet's Corner]] of [[Westminster Abbey]] in [[London]].<ref>Williams, 21</ref>
Over the years, Longfellow's personality has become part of his reputation. He has been presented as a gentle, placid, poetic soul: an image perpetuated by his brother Samuel Longfellow, who wrote an early biography which specifically emphasized these points.<ref>Williams, 18</ref> As James Russell Lowell said, Longfellow had an "absolute sweetness, simplicity, and modesty".<ref name=Wagenknecht144/> At Longfellow's funeral, his friend [[Ralph Waldo Emerson]] called him "a sweet and beautiful soul".<ref>Williams, 197</ref> In reality, Longfellow's life was much more difficult than was assumed. He suffered from [[neuralgia]], causing constant pain, and he also had poor eyesight. He wrote to friend [[Charles Sumner]]: "I do not believe anyone ''can'' be perfectly well, who has a brain and a heart".<ref>Wagenknecht, 16–17</ref> Longfellow was very quiet, reserved, and private. In later years, he was known for being unsocial and avoided leaving home.<ref>Wagenknecht, 34</ref>
Over time, Longfellow's popularity rapidly declined, beginning shortly after his death and into the 20th century as academics began to appreciate poets like Walt Whitman, [[Edwin Arlington Robinson]], and [[Robert Frost]].<ref>Williams, 23</ref>
More recently, he was honored in March 2007 when the [[United States Postal Service]] made a stamp commemorating him. A number of schools are named after him in various states as well. He is a protagonist in [[Matthew Pearl|Matthew Pearl's]] murder mystery ''[[The Dante Club]]''.
==List of works==
[[Image:Longfellow Village Blacksmith (manuscript 1).jpg|thumb|200px|''The Village Blacksmith'' (manuscript page 1)]]
*''Outre-Mer: A Pilgrimage Beyond the Sea'' (Travelogue) (1835)
*''Hyperion, a Romance'' (1839)
*''The Spanish Student. A Play in Three Acts'' (1843)<ref name=Calhoun179/>
*''The Belfry of Bruges and Other Poems'' (1845)
*''[[Evangeline]]: A Tale of Acadie'' (epic poem) (1847)
*"Kavanagh: A Tale" (1849)
*"The Golden Legend" (poem)(1851)
*''[[The Song of Hiawatha]]'' (epic poem) (1855)
*''The Courtship of Miles Standish and Other Poems'' (1858)
*''[[The Children's Hour (poem)|The Children's Hour]]'' (1860)
*''Household Poems'' (1865)
*''The New England Tragedies'' (1868)
*''The Divine Tragedy'' (1871)
*''Christus: A Mystery'' (1872)
*''Three Books of Song'' (1872)
*"Aftermath" (poem)(1873)
*''The Masque of Pandora and Other Poems'' (1875)
*''Kéramos and Other Poems'' (1878)
*''The Reaper and the Flowers'' (unknown)
*''The Bell of Atri'' (From ''The Sicilian's Tale'')(1863-1872)
'''Poetry collections'''
*''Birds of Passage''
*''Voices of the Night'' (1839)
*''Ballads and Other Poems'' (1841)
*''Poems on Slavery'' (1842)
*''The Seaside and the Fireside (1850)
*''Tales of a Wayside Inn'' (1863)
*''Flower-de-Luce'' (1867)
*''Ultima Thule'' (1880)
*''In the Harbor'' (1882)
'''Anthologies and translations'''
*''Coplas de Don Jorge Manrique'' (Translation from Spanish) (1833)
*''The Waif'' (Anthology of other writers – 1845)<ref name=Calhoun179/>
*''Poets and Poetry of Europe'' (Translations) (1844)<ref name=Calhoun179/>
*''Dante's [[Divine Comedy]]'' (Translation) (1867)
==References==
{{Reflist|4}}
===Sources===
*Arvin, Newton. ''Longfellow: His Life and Work''. Boston: Little, Brown and Company, 1963.
*Bayless, Joy. ''Rufus Wilmot Griswold: Poe's Literary Executor''. Nashville: Vanderbilt University Press, 1943.
*Brooks, Van Wyck. ''The Flowering of New England''. New York: E. P. Dutton and Company, Inc., 1952.
*Calhoun, Charles C. ''Longfellow: A Rediscovered Life''. Boston: Beacon Press, 2004. ISBN 0807070262.
*McFarland, Philip. ''Hawthorne in Concord''. New York: Grove Press, 2004. ISBN 0802117767.
*Silverman, Kenneth. ''Edgar A. Poe: Mournful and Never-ending Remembrance''. New York: Harper Perennial, 1991. ISBN 0060923318.
*Wagenknecht, Edward. ''Henry Wadsworth Longfellow: Portrait of an American Humanist''. New York: Oxford University Press, 1966.
*Williams, Cecil B. ''Henry Wadsworth Longfellow''. New York: Twayne Publishers, Inc., 1964.
==External links==
{{Wikisource author}}
{{wikiquote}}
{{commons}}
'''Sources'''
* {{gutenberg author| id=Longfellow+Henry+Wadsworth | name=Henry Wadsworth Longfellow}} - Plain text and HTML
*[http://www.archive.org/search.php?query=creator%3Ahenry%20wadsworth%20longfellow%20-contributor%3Agutenberg%20AND%20mediatype%3Atexts Works by Henry Wadsworth Longfellow] at [[Internet Archive]] - Scanned books, many illustrated and original editions.
* [http://www.reelyredd.com/0802blacksmith.htm Audio - Hear the Village Blacksmith]
* [http://www.hwlongfellow.org/ Maine Historical Society] Searchable poem text database, biographical data, lesson plans.
'''Other'''
*[http://www.nps.gov/long Longfellow National Historic Site] in Cambridge, Massachusetts
*[http://www.mainehistory.org/house_overview.shtml Wadsworth-Longfellow House] in Portland, Maine
*[http://www.danteinferno.info/translations/canto1.html Longfellow's Translation of Dante rendered side by side with that of Cary and Norton]
*[http://quotationpark.com/authors/LONGFELLOW,%20Henry%20Wadsworth.html Famous Quotations by Henry Wadsworth Longfellow]
<!-- Metadata: see [[Wikipedia:Persondata]] -->
{{BD|1807|1882|Longfellow, Henry Wadsworth}}
{{Persondata
|NAME= Longfellow, Henry Wadsworth
|ALTERNATIVE NAMES=
|SHORT DESCRIPTION= American poet
|DATE OF BIRTH= [[February 27]], [[1807]]
|PLACE OF BIRTH= [[Portland, Maine]], [[United States]]
|DATE OF DEATH= [[March 24]], [[1882]]
|PLACE OF DEATH= [[Cambridge, Massachusetts]], [[United States]]
}}
[[Category:American poets]]
[[Category:Spanish-English translators]]
[[Category:Bowdoin College alumni]]
[[Category:Harvard University faculty]]
[[Category:Maine writers]]
[[Category:Massachusetts writers]]
[[Category:People from Cambridge, Massachusetts]]
[[Category:People from Portland, Maine]]
[[Category:People from Maine]]
[[Category:Recipients of the Pour le Mérite (civil class)]]
[[Category:Deaths from peritonitis]]
[[cs:Henry Wadsworth Longfellow]]
[[cy:Henry Wadsworth Longfellow]]
[[de:Henry Wadsworth Longfellow]]
[[es:Henry Wadsworth Longfellow]]
[[fr:Henry Longfellow]]
[[id:Henry Wadsworth Longfellow]]
[[it:Henry Wadsworth Longfellow]]
[[he:הנרי וואדסוורת' לונגפלו]]
[[mr:हेन्री वॅड्सवर्थ लॉँगफेलो]]
[[nl:Henry Wadsworth Longfellow]]
[[ja:ヘンリー・ワーズワース・ロングフェロー]]
[[no:Henry Wadsworth Longfellow]]
[[pl:Henry Wadsworth Longfellow]]
[[pt:Henry Wadsworth Longfellow]]
[[ro:Henry Wadsworth Longfellow]]
[[ru:Лонгфелло, Генри Уодсворт]]
[[sr:Хенри Водсворт Лонгфелоу]]
[[fi:Henry Wadsworth Longfellow]]
[[sv:Henry Wadsworth Longfellow]]
[[vi:Henry Wadsworth Longfellow]]
[[tr:Henry Wadsworth Longfellow]]
[[zh:亨利·沃茲沃思·朗費羅]]