Lip reading
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2008-07-02T23:33:52Z
Bobo192
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Reverted edits by [[Special:Contributions/70.135.123.3|70.135.123.3]] ([[User talk:70.135.123.3|talk]]) to last version by 75.171.8.120
'''Lip reading''', also known as '''lipreading''', '''speech reading''', or '''speechreading''', is a technique of understanding [[Speech communication|speech]] by visually interpreting the movements of the [[lips]], [[face]] and [[tongue]] with information provided by the context, language, and any residual hearing.
People with normal vision, hearing and social skills unconsciously use information from the lips and face to aid aural comprehension in everyday conversation, and most [[fluency|fluent]] speakers of a language are able to speechread to some extent. (See [[McGurk effect]].) Each speech sound ([[phoneme]]) has a particular facial and mouth position ([[viseme]]), although many phonemes share the same viseme and thus are impossible to distinguish from visual information alone. Sounds whose [[place of articulation]] is inside the mouth or throat are not detectable, such as [[glottal consonant]]s. [[Voice (phonetics)|Voiced and unvoiced]] pairs look identical, such as [p] and [b], [k] and [g], [t] and [d], [f] and [v], and [s] and [z] (American English); likewise for [[nasalisation]]. It has been estimated that only 30% to 40% of sounds in the English language are distinguishable from sight alone; the phrase "where there's life, there's hope" looks identical to "where's the lavender soap" in most English dialects. Author Henry Kisor titled his book ''What's That Pig Outdoors?: A Memoir of Deafness'' in reference to mishearing the question, "What's that big loud noise?" He used this example in the book to discuss the shortcomings of lipreading.
Thus a speechreader must use cues from the environment and a knowledge of what is likely to be said. It is much easier to speechread customary phrases such as [[greeting]]s than utterances that appear in isolation and without supporting information, such as the [[name]] of a person never met before. Speechreaders who have grown up [[deaf]] may never have heard the spoken language and are unlikely to be fluent users of it, which makes speechreading much more difficult. They must also learn the individual visemes by conscious training in an educational setting. In addition, lip reading takes a lot of focus, and can be extremely tiring. For these and other reasons, many deaf people prefer to use other means of communication with non-signers, such as mime and gesture, writing, and [[sign language]] [[interpreter (communication)|interpreter]]s. When conversing with a speechreader, exaggerated mouthing of words is not considered to be helpful and may in fact obscure useful clues. However, it is possible to learn to emphasize useful clues — this is known as lip speaking.
Other difficult scenarios in which to speechread include:
* lack of a clear view of the speaker's lips. This includes obstructions such as moustaches or hands in front of the mouth; the speaker's head turned aside or away; bright light source such as a window behind the speaker.
* group discussions, especially when multiple people are talking in quick succession.
Lip reading may be combined with [[Cued Speech]]; one of the arguments in favor of the use of cued speech is that it helps develop lip reading skills that may be useful even when cues are absent, i.e., when communicating with non-deaf, non-hard of hearing people.
Quote from the Listening Eye, Dorothy Clegg, 1953, "When you are deaf you live inside a well-corked glass bottle. You see the entrancing outside world, but it does not reach you. After learning to lip read, you are still inside the bottle, but the cork has come out and the outside world slowly but surely comes in to you." This view is relatively controversial within the deaf world - see [[manualism and oralism]] for an incomplete history of this debate.
==In popular culture==
In [[Stanley Kubrick]]'s ''[[2001: A Space Odyssey]]'', [[HAL 9000]] lip-reads Dave Bowman and Dr. Frank Poole's lips to discover their plot to deactivate him.
In the ''[[Mission: Impossible]]'' movies, [[Ethan Hunt]] (portrayed by [[Tom Cruise]]) lip-reads to a great degree, using it to his advantage. In ''[[Mission: Impossible III]]'', lip reading becomes especially important when a secret message is delivered to Hunt in a sound-monitored room.
In a classic [[The_Lip_Reader|episode]] of the TV series ''[[Seinfeld]]'', [[George Costanza|George]] tries to use a deaf lip-reading friend to find out what his ex-girlfriend across the room is talking about - with an embarrassing mix-up as the result when she and another man decide to "sweep together" (not "sleep together").
In the TV series ''[[Sue Thomas: F.B.Eye]]'', the main character works to solve cases by observing speech in surveillance tapes. The show is based on real life.
In ''[[Batman: Mask of the Phantasm]]'', Batman uses lip reading to spy on Andrea.
In the reality show [[Pinoy Big Brother]]: Teen Edition Plus, the Philippine version of Big Brother, one housemate, Priscilla, has a hearing-disability which renders her to use lip-reading.
In ''[[It's All Gone Pete Tong]]'', [[Frankie Wilde]] (portrayed by [[Paul Kaye]]) learns how to lip read.
In CBS's CSI ([[Crime Scene Investigation]]) TV series, main character [[Gil Grissom]] often employs the use of lip reading throughout the series because of his inherited [[otosclerosis]] from his mother.
==External links==
* [http://publications.csail.mit.edu/abstracts/abstracts05/saenko/saenko.html CSAIL: Articulatory Feature Based Visual Speech Recognition] - To develop a visual speech recognition system that models visual speech in terms of the underlying articulatory processes.
[[Category:Deaf culture]]
[[Category:Human communication]]
[[Category:Perception]]
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