Maeve Brennan
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[[Image:Maeve Brennan1.jpg|thumb|200px|right|Maeve Brennan]]
'''Maeve Brennan''' ([[1917]]–[[1993]]), was an [[Irish-American]] [[short story]] writer and [[journalist]]. She was born in [[Dublin]], [[Ireland]] and moved to the [[United States]] in 1934. She was a staff writer at [[The New Yorker|''The New Yorker'']] for more than thirty years, and was widely read in the United States in the 1950s and 1960s. She was an important figure in both [[Irish diaspora]] writing and in Irish writing itself. Collections of her articles, short stories, and a [[novella]] have been published.
==Life==
===Early life===
Maeve Brennan was born in Dublin in 1917. She grew up in the middle-class Dublin suburb of [[Ranelagh]]. Her parents, Robert and Una, were [[Irish Republicanism|Republicans]] and were deeply involved in the Irish political and cultural struggles of the early twentieth century. Robert Brennan (1881-1964) participated in the [[1916 Easter Rising]] and was sentenced to death. The sentence was commuted to penal servitude. His continuing political activity resulted in further imprisonments in 1917 and 1920. Maeve was born while he was in prison. He was director of publicity for the [[Anti-Treaty IRA|anti-Treaty Irish Republican Army]] during the [[Irish Civil War]]. He also founded and was the director of [[The Irish Press|''The Irish Press'']] newspaper. His imprisonments and activities greatly fragmented Maeve Brennan's childhood. In her story ''The Day We Got Our Own Back'' she recounts her memory of how, when she was five, her home was raided by [[Irish Free State|Free State]] forces looking for her father, who was on the run.
Robert Brennan was appointed the Irish Free State's first minister to the United States, and the family moved to [[Washington D.C.|Washington, D.C.]] in 1934, when Maeve was seventeen. She read English at the [[American University]] in Washington. All the family except Maeve and one of her brothers returned to Ireland in 1944.
===Career===
Brennan moved to New York and found work as a fashion copywriter at [[Harper's Bazaar]] in the 1940s. She also wrote a Manhattan column for the Dublin society magazine ''Social and Personal'', and wrote several short pieces for ''The New Yorker'' magazine. In 1949, she was offered a staff job by [[William Shawn]], ''The New Yorker's'' managing editor.
Brennan first wrote for ''The New Yorker'' as a social diarist. She wrote sketches about New York life in ''The Talk of the Town'' section under the pseudonym "The Long-Winded Lady". She also contributed fiction criticism, fashion notes, and essays. She wrote about both Ireland and the United States.
''The New Yorker'' began publishing Brennan's short stories in 1950. The first of these stories was called ''The Holy Terror''. In it, Mary Ramsay, a "garrulous, greedy heap of a woman" tries to keep her job as a ladies room attendant in a Dublin hotel.
Brennan's work was fostered by [[William Keepers Maxwell, Jr.|William Maxwell]], and she wrote under ''The New Yorker'' managing editors [[Harold Ross]] and [[William Shawn]]. Although she was widely read in the United States in the 1950s and 1960s, she was almost unknown in Ireland, even though Dublin was the setting of many of her short stories.
A compendium of her ''New Yorker'' articles called ''The Long-Winded Lady: Notes from the New Yorker'' was published in 1969. Two collections of short stories, ''In and Out of Never-Never Land'' (1969) and ''Christmas Eve'' (1974) were also published.
===Personal life===
Brennan was admired in New York society for her intelligence, wit, beauty, and style. She was a petite woman who frequently dressed in black and liked wearing large, dark glasses. She was eccentric, and never lived in any place for a long period of time. She was generous with her money, but she also liked to buy extravagant things and tended to live beyond her means. She occasionally visited Ireland, but was conspicuous in Ireland's religious and conservative society.
In 1954, Brennan married St Clair McKelway, ''The New Yorker's'' managing editor. McKelway had a history of alcoholism and mental illness and had already been divorced three times. Brennan and McKelway divorced after five years.
[[Edward Albee]] greatly admired Brennan and compared her to Chekov and Flaubert. One of the characters in his play ''Quotations from Chairman Mao Tse-Tung'' is called "Long-Winded Lady." He dedicated the published editions of ''Quotations from Chairman Mao Tse-Tung'' (1968) and ''Box'' (1968) to her.
Brennan was writing consistently and productively in the late 1960s. By the time her first books were published, however, she was showing signs of mental illness. Her previously immaculate appearance became unkempt. Her friends began to find her eccentricities disturbing rather than entertaining. She became obsessive.
In the 1970s Brennan became paranoid and was an alcoholic. She was hospitalized a number of times. She became destitute and homeless, and frequently slept in the women's lavatory at ''The New Yorker''. She was last seen at the magazine's office in 1981.
In the 1980s, Brennan vanished from view and her work was forgotten. After wandering from one transient hotel to another along 42nd Street, she was committed to Lawrence Hospital. She died in 1993 at the age of seventy-six and is buried in Queens, New York City.
==Works==
Brennan's writing style in her "Long-Winded Lady" pieces and in her short stories are quite different both in style and content.
===''The New Yorker'' articles===
Brennan's contributions as "The Long-Winded Lady" in ''The New Yorker'' are sardonic observations of New York life. In them, Brennan mocks [[Manhattan]] society and social tradition, but in a humorous, wistful, and often melancholy manner. In these stories she is an observer eavesdropping on strangers' conversations in bars, diners, hotel lobbies, and streets in places like [[Times Square]] and [[Greenwich Village]]. She then embellishes her observations with speculations and autobiographical details. Brennan is always an onlooker in these sketches, never a participant. For example, she watches a street protest against the [[Vietnam War]] from a window, but does not venture out onto the street. A compendium of her articles was published in 1969.
===Short stories===
Brennan's short stories are written in a simple, direct, and elegant style. She writes with a minimum of characters and plot. Some of her stories are quietly tender and poignant while others are satirical. The characters are emotionally unreachable and often lead stagnant lives where everything remains much the same. She often repeats characters from story to story, for example, Hubert and Rose Derdon, who marriage is examined over stories set years apart. In the final Derdon story, ''The Drowned Man'', Rose has died and Hubert has to pretend that he is overwhelmed with grief for his dead wife, "...she was gone, she had been good, and he wished he could miss her."
The main themes in Brennan's short stories are feelings of loneliness, vulnerability, despair, spite, and fear. She often wrote about unhappy, loveless marriages and people with claustrophobic, sad and disappointed lives. Her studies of these relationships sometimes have a cruel tone. Another theme is about how the individual's need for expression is countered and restricted by the need for societal acceptance in a country that clung to traditions steeped in the church and strict convention. For example, in ''The Devil In Us'' she describes a convent school that uses morals to cruelly stop any type of nonconformity.
Brennan also wrote stories set in or around Manhattan, which she described as "the capsized city—half-capsized, anyway, with the inhabitants hanging on, most of them still able to laugh as they cling to the island that is their life's predicament." These stories tend to be more satiric in tone, and she often parodies middle-class pretensions.
Brennan's stories about her cats, dog and Long Island beach cottage show her mistrust of human nature and love of solitude and innocence.
Two collections of Brennan's short stories were published in her lifetime: ''In and Out of Never-Never Land'' was published in 1969 and ''Christmas Eve'' was published in 1974. These collections were well received in the U.S.A., but they were no paperback editions. None of her books were published in Ireland or the UK
===Novella===
Brennan wrote a novella, ''The Visitor'', in the 1940s, but it was not published until 2000, after the only known copy of the manuscript was discovered in the archives of The University of Notre Dame.
''The Visitor'' is about the destructive power of family pride and anger. In it, a twenty-two year old woman called Anastasia King returns to Dublin to live with her grandmother after her parents die. Anastasia's mother had left her husband and his judgemental, domineering mother and had moved to Paris. Her grandmother is angry with Anastasia for choosing to live with her mother rather than her father. Desperate to stay in her childhood home, Anastasia tries to break through the wall of loneliness and isolation that surrounds her grandmother, but, as her efforts fail, the same loneliness threatens to envelop her and make her as cruel and bitter as her grandmother.
==Posthumous publications==
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[[Image:Maeve Brennan biography.jpg|thumb|250px|right|The front cover of Maeve Brennan's biography]]
Brennan's writing was largely forgotten in the 1980s. In 1997 Christopher Carduff, an editor at [[Houghton Mifflin]], published both a new, larger, collection of Brennan's "Long-Winded Lady" pieces and ''The Springs of Affection'', a volume of her short stories. William Maxwell provided the introduction for ''The Springs of Affection''.
The discovery and publication of ''The Visitor'' also helped to revive interest in Brennan. She was also mentioned in [[Roddy Doyle|Roddy Doyle's]] book ''Rory and Ita'' as a cousin of his mother who stayed with his family and wrote book reviews for ''The New Yorker'' in the garden.
In 2004, Angela Bourke's biography ''Maeve Brennan: Homesick at the New Yorker'' was published. In it, Bourke speculates that Brennan may have been the inspiration for the character Holly Golightly in [[Truman Capote|Truman Capote's]] novella [[Breakfast at Tiffany's|''Breakfast at Tiffany's'']] (1958). <ref>[http://www.publishersweekly.com/article/CA474058.html?pubdate=10%2F25%2F2004&display=archive McEvoy, D. (2004) Maeve Golightly? ''Publisher's Weekly'']</ref> The two had worked together at both ''Harper's Bazaar'' and ''The New Yorker''.
==Bibliography==
===Fiction===
*''In and Out of Never-Never Land'' (1969)
*''Christmas Eve'' (1974)
*''The Springs of Affection: Stories of Dublin'' (1997)
*''The Rose Garden: Short Stories'' (2000)
*''The Visitor'' (2000)
===Non fiction===
*''The Long-Winded Lady: Notes from the New Yorker'' (1969)
*''The Long-Winded Lady: Notes from the New Yorker'' (1998)
==References==
{{reflist}}
*Bourke, A. (2004). ''Maeve Brennan: Homesick at the New Yorker''.
*Lynch, B. (2004). Introduction to ''The Springs of Affection'' (Paperview Ltd. edition).
*O'Toole, F. (1998). No fairy tale ending to a writer's life in New York. ''The Irish Times''.
{{morefootnotes|date=December 2007}}
==External links==
*[http://time-proxy.yaga.com/time/archive/preview/0,10987,942911,00.html 1974 ''Time'' magazine interview with Maeve Brennan]
*[http://www.findarticles.com/p/articles/mi_qn4158/is_20040719/ai_n12800746 ''The Independent's'' review of Maeve Brennan's biography]
*[http://archives.tcm.ie/businesspost/2004/05/30/story321339457.asp ''Sunday Business Post's'' review of Maeve Brennan's biography]
{{DEFAULTSORT:Brennan, Maeve}}
[[Category:1917 births]]
[[Category:1993 deaths]]
[[Category:Irish short story writers]]
[[Category:American short story writers]]
[[Category:Irish women writers]]
[[Category:American women writers]]
[[Category:People from County Dublin]]
[[de:Maeve Brennan]]