Movement (music)
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A '''movement''' is a self-contained part of a [[musical composition]] or [[musical form]]. While individual or selected movements from a composition are sometimes performed separately, a performance of the complete work requires all the movements to be performed in succession.
Often a composer attempts to interrelate the movements thematically, or sometimes in more subtle ways, in order that the individual movements exert a cumulative effect. In some forms, composers sometimes link the movements, or ask for them to be played without a pause between them.
==Liturgical music==
Liturgical works are often made up of many movements, each one intended to be performed at a different place in an act of worship. For instance, in the [[church]] tradition, settings of the [[Mass (music)|Mass]] (examples of which have been composed from the fourteenth century to the present day) often contains a movement for each part of the [[Ordinary of the Mass]].
==Classical forms==
Different forms of music that were established during the [[common practice period]] have separate conventions about the number of movements required, and their [[tempo]] and structure. It was customary for the first movement in a [[symphony]] to be [[Tempo#Basic tempo markings|allegro]] and in [[sonata form]], the second [[andante]] or [[adagio]], the third a fast [[scherzo]] or a [[menuet]], and the fourth a lively allegro. These conventions were not always strictly followed, however. Examples abound of symphonies from the common practice period that begin or end with a slow movement, or which have three, or even five or more movements. A three-movement version of the symphony form was conventionally used for instrumental concertos, containing only a slow central movement.
In concerts it is, these days, customary to applaud when the entire work is completed, not between movements. During the classical era it was commonplace to applaud after each movement, and individual movements were sometimes encored.
As well as concertos and symphonies, many [[chamber music|chamber works]] also use these forms. These chamber pieces are typically named after the ensemble for which they are written: for example, [[string quartet]], [[piano trio]], [[wind quintet]]. As with symphonies there are numerous examples of exceptions to the standard scheme: for example [[Ludwig van Beethoven|Beethoven]]'s [[String Quartet No. 14 (Beethoven)|String Quartet op. 131]] is in seven movements which are played without any breaks between them.
The term '[[sonata]]' often denotes a multi-movement work for a solo instrument, or a solo instrument with piano; e.g. a "cello sonata" generally refers to a multi-movement piece for cello and piano.
[[Category:Musical form]]
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