Music of Suriname
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2008-07-05T05:47:28Z
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/* Indo-Surinamese music */
[[Suriname]] is a [[South America]]n country, a former colony of the [[Netherlands]] with strong ties to that country. The country is well-known for [[kaseko]] music, and for having an [[Indo-Caribbean]] tradition.
==Kaseko==
{{main|Kaseko}}
''Kaseko'' is probably derived from the expression ''casser le corps'' (''break the body''), which was used during slavery to indicate a very swift dance. Kaseko is a fusion of numerous popular and folk styles derived from Europe, Africa and the Americas. It is [[rhythm]]ically complex, with [[percussion instrument]]s including [[skratji]] (a very large bass drum) and [[snare drum]]s, as well as [[saxophone]], [[trumpet]] and occasionally [[trombone]]. Singing can be both solo and choir. Songs are typically [[call and response (music)|call-and-response]], as are Creole folk styles from the area, such as [[winti]] and [[kawina]].
Kaseko evolved in the 1930s during festivities that used large bands, especially [[brass band]]s, and was called [[Bigi Pokoe]] (''big drum music''). Following [[World War II|World War 2]], [[jazz]], [[calypso music|calypso]] and other importations became popular, while [[rock and roll]] from the United States soon left its own influence in the form of electrified instruments.
==Hindi-Surinamese music==
[[Music of India|Indian music]] arrived with immigrants from South Asia. This originally included folk music played with [[dhantal]], [[tabla]], [[sitar]], [[harmonium]] and [[dholak]], later including [[tassa]] drums. Music was mostly [[Hinduism|Hindu]] songs called [[bhajan]]s, as well as [[filmi]]. The [[tan singing]] style is unique to the Indian community in Suriname and Guyana.
Alioko is also a very popular form of religious music that developed through different cultures and made its way to Suriname. Using drums and forms of guitars they communicate with the spirits and gods through this ( al- ee- ock - oh ) music.
Recorded Indian music in Suriname began with the release of ''King of Suriname/The Star Melodies Of Ramdew Chaitoe'' by [[Ramdew Chaitoe]], in 1958. Chaitoe became very popular, and his music, which was religious in nature, left a lasting influence on future performers. However, no one very successful arose following Chaitoe, until 1968, when [[Dropati]] released ''[[Let's Sing and Dance]]'', an album of religious songs that remains extremely popular.
In 1958, East Indian music finally made its debut on the recording industry with the release of an album of devotional songs, by Ramdew Chaitoe of Suriname. His album titled, ''King of Suriname'' and ''The Star Melodies of Ramdew Chaitoe'' was quite appropriately named, as it made him a household name with East Indians not just in Suriname, but throughout the Caribbean. Although his songs were religious in nature, the use of the strong beats of the dhantal and dholak, coupled with his own creolised version of Hindi often had many listeners dancing as if it were a pop song. In fact, one song, "Raat Ke Sapna," would go on to become a huge dance hit in the decades to follow.
Although the release of King of Suriname presented a breakthrough for East Indian music, it was quite short lived, as few artists managed to succeed Ramdew Chaitoe in the years to follow. It was not until the 1960s that another Surinamese would catapult East Indian music onto the scene once again. In 1968, a woman by the name of Dropati debuted with an album of traditional wedding songs, titled, Lets Sing & Dance. Once again, although religious in nature, Dropati's songs, much like those of Ramdew Chaitoe, went on to become huge pop hits within the East Indian community. Dropati's epic songs such as "Gowri Pooja" and "Lawa" became such big hits that they firmly secured her name in history as one of the pillars of Indo-Caribbean music (Dropati, 1993). Lets Sing & Dance along with King of Suriname remain two of the best selling East Indian albums of all time, even to this day (Ramdew Chaitoe, 1993). The effects of the release of these two albums were tremendous. Not only did they prove East Indian music as a legitimate art form, but they also united the East Indians of the Caribbean regardless of whether they were Guyanese, Trinidadian, Jamaican or Surinamese. However, these two albums also showed the need for a more popular, non-religious form of East Indian music, one that would combine the high pitched dholak, dhantal & tassa drum beats with the folk and Hindi lyrics that made Lets Sing & Dance and King of Suriname/The Star Melodies Of Ramdew Chaitoe becoming so popular.
In the 1990s, the Guyanese singer [[Terry Gajraj]]'s ''[[Guyana Baboo]]'' made him the best-selling Indo-Caribbean musician of all time [http://www.saxakali.com/caribbean/Hemchandra1.htm].
==References==
*{{cite book|author=Manuel, Peter|title=Caribbean Currents: Caribbean Music from Rumba to Reggae|publisher=Temple University Press|location=Philadelphia|year=1995|id=ISBN 1-56639-338-8 }}
* {{cite book|author=Manuel, Peter|title=East Indian Music in the West Indies: Tan-singing, Chutney, and the Making of Indo-Caribbean Culture. Temple University Press, 2000|id=ISBN 1-56639-763-4 }}
*[http://www.saxakali.com/caribbean/Hemchandra1.htm]
[[Category:Surinamese music| ]]