Robert Burns 36514 224889980 2008-07-10T21:28:37Z Derek Ross 33 and this is it {{otherpeople}} {{Refimprove|date=June 2008}} {{ infobox writer | image = Robert burns.jpg | caption = Burns by [[Alexander Nasmyth]], 1787 | birthdate = [[25 January]] [[1759]] | birthplace = [[Alloway]], [[Ayrshire]], [[Scotland]] | nationality = [[Scottish people|Scottish]] | ethnicity = [[Caucasian]] | movement = [[Romanticism]] | deathdate = [[21 July]] [[1796]] | deathplace = [[Dumfries]], Scotland | notableworks = ''[[Auld Lang Syne]]'' | occupation = Poet, lyricist, farmer, excise man | influences = [[Robert Fergusson]] | influenced = [[William Wordsworth]], [[Samuel Taylor Coleridge]], [[John Steinbeck]], [[John Clare]] }} '''Robert Burns''' ([[25 January]] [[1759]] – [[21 July]] [[1796]]) (also known as '''Rabbie Burns''', '''Scotland's favourite son''', the '''Ploughman Poet''', the '''Bard of Ayrshire''' and in Scotland as simply '''The Bard''') was a poet and a lyricist. He is widely regarded as the [[national poet]] of [[Scotland]], and is celebrated worldwide. He is the best-known of the poets who have written in the [[Scots language]], although much of his writing is also in English and a 'light' Scots dialect, accessible to an audience beyond Scotland. He also wrote in standard English, and in these pieces, his political or civil commentary is often at its most blunt. He is regarded as a pioneer of the [[Romantic movement]] and after his death became a great source of inspiration to the founders of both [[liberalism]] and [[socialism]]. A [[cultural icon]] in Scotland and among the [[Scottish people|Scottish Diaspora]] around the world, celebration of his life and work became almost a national [[charismatic cult]] during the 19th and 20th centuries, and his influence has long been strong on [[Scottish literature]]. As well as making original compositions, Burns also collected [[Folk music|folk songs]] from across Scotland, often [[revision|revising]] or [[adaptation (disambiguation)|adapting]] them. His poem (and song) ''[[Auld Lang Syne]]'' is often sung at [[Hogmanay]] ([[New Year]]), and ''[[Scots Wha Hae]]'' served for a long time as an unofficial [[national anthem]] of the country. Other poems and songs of Burns that remain well-known across the world today, include ''[[A Red, Red Rose]]'', ''[[A Man's A Man for A' That]]'', ''[[To a Louse]]'', ''[[To a Mouse]]'', ''[[The Battle of Sherramuir]]'', and ''Ae Fond Kiss''. ==Early years== [[Image:Robertburnsprofile.jpg|thumb|Burns by Alexander Reid, 'The best likeness of me ever taken,' wrote Burns in January 1796]] Robert Burns was born two miles (3 km) south of [[Ayr]], in [[Alloway]], [[South Ayrshire]], [[Scotland]], the eldest of the seven children of William Burness (1721-1784) (Robert Burns spelled his surname Burness until 1786), a self-educated tenant farmer from [[Dunnottar]], [[Kincardineshire|The Mearns]], and [[Agnes Broun]] (1732-1820), the daughter of a tenant farmer from [[Kirkoswald, South Ayrshire]]. He was born in a house built by his father (now the [[Burns Cottage]] Museum), where he lived until [[Easter]] 1766 when he was seven years old. William Burness sold the house and took the tenancy of the 70-acre Mount Oliphant farm, southeast of Alloway. Here Burns grew up in poverty and hardship, and the severe [[manual labour]] of the farm left its traces in a premature stoop and a weakened constitution. He had little regular schooling, and got much of his education from his father, who taught his children reading, writing, arithmetic, geography, and history, and also wrote for them ''A Manual Of Christian Belief''. He was also taught by John Murdoch (1747-1824), who opened an [[Education in Scotland#Golden age|'adventure school']] in Alloway in 1763, and taught [[Latin]], [[French language|French]] and [[mathematics]] to both Robert and his brother Gilbert (1760 - 1827) from 1765 to 1768, until Murdoch left the parish. After a few years of home education Burns was sent to Dalrymple Parish School during the summer of 1772, before returning at harvest time to full time farm labouring until 1773 when he was sent to lodge with Murdoch for three weeks to study grammar, French and Latin. By the age of 15, Burns was the principal labourer at Mount Oliphant. During the harvest of 1774 he was assisted by Nelly Kilpatrick (1759-1820), who inspired his first attempt at poetry, ''O, Once I Lov'd A Bonnie Lass''. In the summer of 1775 he was sent to finish his education with a tutor at Kirkoswald, where he met Peggy Thomson (b.1762), to whom he wrote two songs, ''Now Westlin' Winds'' and ''I Dream'd I Lay''. At [[Whitsun]], 1777, William Burness removed his large family from the unfavourable conditions of Mount Oliphant for the {{convert|130|acre|km2|sing=on}} farm at Lochlea, near [[Tarbolton]], where they stayed until Burness's death in 1784. Subsequently, the family became integrated into the community of Tarbolton. To his father's disapproval Robert joined a country dancing school in 1779, and with Gilbert formed the Tarbolton Bachelor's Club the following year. In 1781 Burns became a Freemason at Lodge St David, Tarbolton. His earliest existing letters date from this time, when he began making romantic overtures to Alison Begbie (b. 1762). In spite of four songs written for her and a suggestion that he was willing to marry her, she rejected him. In December 1781, Burns moved temporarily to [[Irvine, North Ayrshire|Irvine]] to learn to become a flax-dresser, but during the [[New Year]] celebrations of 1781/1782, the flax shop caught fire and was sufficiently damaged to send him home to Lochlea farm. He continued to write poems and songs and began a Commonplace Book in 1783, while his father fought a legal dispute with his landlord. The case went to the [[Court of Session]] and Burness was upheld in January 1784, a [[fortnight]] before he died. Robert and Gilbert made an ineffectual struggle to keep on the farm but after its failure, they moved to the farm at Mossgiel, near [[Mauchline]] in March, which they maintained with an uphill fight for the next four years. During the summer of 1784 he came to know a group of girls known collectively as The Belles of Mauchline, one of whom was [[Jean Armour]], the daughter of a stonemason from [[Mauchline]]. His casual love affairs did not endear him to the elders of the local kirk and created for him a reputation for dissoluteness amongst his neighbours. His first illegitimate child, Elizabeth Paton Burns (1785-1817) was born to his mother’s servant, Elizabeth Paton (1760-circa 1799), as he was embarking on a relationship with Jean Armour. She bore him twins in 1786, and although her father initially forbade their marriage, they were eventually married in 1788, and she bore him nine children in total, but only three survived infancy. During a rift in his relationship with Jean Armour in 1786, and as his propects in farming declined, he began an affair with Mary Campbell (1763-1786), to whom he dedicated the poems ''The Highland Lassie O'', ''Highland Mary'' and ''To Mary in Heaven''. Their relationship has been the subject of much conjecture and it has been suggested that they may have married. They planned to emigrate to [[Jamaica]], where Burns intended to work as a bookkeeper on a plantation. He was dissuaded by a letter from [[Thomas Blacklock]], and before the plans could be acted upon, Campbell died suddenly of a fever in Greenock. That summer, he published the first of his collections of verse, ''Poems, Chiefly in the Scottish dialect'', which created a sensation and has been recognised as a significant literary event ==Literary career== [[Image:Kilmarnockvolume.jpg|thumb|right|Title page of the Kilmarnock Edition.]] At the suggestion of his brother, Robert Burns published his poems in the volume, ''Poems, Chiefly in the Scottish dialect'', known as the [[Kilmarnock volume]](actually known as The Kilmarnock Edition). First proposals were published in April 1786 before the poems were finally published in Kilmarnock in July 1786 and sold for 3 shillings. Brought out by John Wilson, a local printer in [[Kilmarnock, Scotland|Kilmarnock]] it contained much of his best writing, including ''The Twa Dogs'', ''[[Address to the Deil]]'', ''[[Hallowe'en]]'', ''The Cotter's Saturday Night'', ''[[To a Mouse]]'', and ''[[To a Mountain Daisy]]'', many of which had been written at Mossgiel farm. The success of the work was immediate and soon he was known across the country. He was invited to [[Edinburgh]] on 14th December 1786 to oversee the preparation of a revised edition, the first Edinburgh edition, by William Creech, which was finally published on 17th April 1787 (within a week of this event, Burns sold his copyright to Creech for 100 guineas). In Edinburgh, he was received as an equal by the city's brilliant men of letters and was a guest at [[aristocratic]] gatherings, where he bore himself with unaffected dignity. Here he encountered, and made a lasting impression on, the 16-year-old [[Walter Scott]], who described him later with great admiration: {{cquotetxt|His person was strong and robust; his manners rustic, not clownish, a sort of dignified plainness and simplicity which received part of its effect perhaps from knowledge of his extraordinary talents. His features are presented in Mr Nasmyth's picture but to me it conveys the idea that they are diminished, as if seen in perspective. I think his countenance was more massive than it looks in any of the portraits ... there was a strong expression of shrewdness in all his lineaments; the eye alone, I think, indicated the poetical character and temperament. It was large, and of a dark cast, and literally glowed when he spoke with feeling or interest. I never saw such another eye in a human head, though I have seen the most distinguished men of my time.| Walter Scott}} His stay in the city resulted in some life-long friendships, among which were those with [[James Cunningham, 13th Earl of Glencairn|Lord Glencairn]] and Frances Anna Dunlop (1730 - 1815) who became his occasional sponsor, and with whom he corresponded for the rest of his life. He embarked on a relationship with the separated Agnes 'Nancy' McLehose (1758-1841), with whom he exchanged passionate letters under pseudonyms (Burns called himself 'Sylvander', and Nancy 'Clarinda'). When it became clear that Nancy would not be easily seduced into a physical relationship, Burns moved on to Jenny Clow (1766-1792), Nancy's domestic servant, who bore him a son, Robert Burns Clow in 1788. His relationship with Nancy concluded in 1791 with a final meeting in Edinburgh before she sailed to Jamaica for what transpired to be a short-lived reconciliation with her estranged husband. Before she left, he sent her the manuscript of ''Ae Fond Kiss'', as a farewell to her. In Edinburgh in winter 1787 he met James Johnson, a struggling music engraver and music seller, with a love of old Scots songs and a determination to preserve them. Burns shared this interest and became an enthusiastic contributor to ''[[The Scots Musical Museum]]''. The first volume of this was published in 1787 and included three songs by Burns. He contributed 40 songs to volume 2, and would end up responsible for about a third of the 600 songs in the whole collection as well as making a considerable editorial contribution. The final volume was published in 1803. On his return to Ayrshire on 18th February 1788, he resumed his relationship with Jean Armour and took a lease on the farm of Ellisland near [[Dumfries]] on 18th March (settling there on 11th June), but trained as an [[excise]]man should farming continue to prove unsuccessful. He was appointed duties in [[Her Majesty's Customs and Excise|Customs and Excise]] in 1789 and eventually gave up the farm in 1791. Meanwhile, he was writing at his best, and in November 1790 had produced ''[[Tam o' Shanter (Burns poem)|Tam O' Shanter]]''. About this time he was offered and declined an appointment in [[London]] on the staff of the ''[[The Star (London)|Star]]'' newspaper, and refused to become a candidate for a newly-created Chair of [[Agriculture]] in the [[University of Edinburgh]], although influential friends offered to support his claims. After giving up his farm he removed to Dumfries. It was at this time that, being requested to write lyrics for ''The Melodies of Scotland'', he responded by contributing over 100 songs. He made major contributions to [[George Thomson (musician)|George Thomson]]'s ''A Select Collection of Original Scottish Airs for the Voice'' as well as to James Johnson's ''The Scots Musical Museum''. Arguably his claim to immortality chiefly rests on these volumes which placed him in the front rank of [[Lyric poetry|lyric poets]]. Burns described how he had to master singing the tune before he composed the words: {{cquotetxt|My way is: I consider the poetic sentiment, correspondent to my idea of the musical expression, then chuse my theme, begin one stanza, when that is composed - which is generally the most difficult part of the business - I walk out, sit down now and then, look out for objects in nature around me that are in unison or harmony with the cogitations of my fancy and workings of my bosom, humming every now and then the air with the verses I have framed. when I feel my Muse beginning to jade, I retire to the solitary fireside of my study, and there commit my effusions to paper, swinging, at intervals, on the hind-legs of my elbow chair, by way of calling forth my own critical strictures, as my, pen goes.|Robert Burns}} Burns also worked to collect and preserve Scottish folk songs, sometimes revising, expanding, and adapting them. One of the better known of these collections is ''The Merry Muses of Caledonia'' (the title is not Burns's), a collection of bawdy lyrics that were popular in the [[music hall]]s of Scotland as late as the 20th century. Many of Burns's most famous poems are songs with the music based upon older traditional songs. For example, ''[[Auld Lang Syne]]'' is set to the traditional tune ''Can Ye Labour Lea'', ''[[A Red, Red Rose]]'' is set to the tune of ''Major Graham'' and ''[[The Battle of Sherramuir]]'' is set to the ''Cameronian Rant''. ===Literary style=== His direct literary influences in the use of Scots in poetry were [[Allan Ramsay (poet)|Allan Ramsay (1686-1758)]] and [[Robert Fergusson]]. Burns's poetry also drew upon a substantial familiarity and knowledge of [[Classics|Classical]], [[Bible|Biblical]], and [[English literature]], as well as the Scottish [[Makar]] tradition. Burns was skilled in writing not only in the [[Scots language]] but also in the [[Scottish English]] [[dialect]] of the [[English language]]. Some of his works, such as ''Love and Liberty'' (also known as ''The Jolly Beggars''), are written in both Scots and English for various effects. His themes included [[republicanism]] (he lived during the [[French Revolution|French Revolutionary period]]) and [[Radicalism (historical)|Radical]]ism which he expressed covertly in ''[[Scots Wha Hae]]'', [[Scottish patriotism]], [[Anti-clericalism|anticlericalism]], [[social class|class]] inequalities, [[gender roles]], commentary on the [[Scottish Kirk]] of his time, [[Scottish cultural identity]], [[poverty]], [[Human sexuality|sexuality]], and the beneficial aspects of popular socialising (carousing, [[Scotch whisky]], folk songs, and so forth). Burns and his works were a source of inspiration to the pioneers of [[liberalism]], [[socialism]] and the campaign for [[Scottish self-government]], and he is still widely respected by political activists today, ironically even by [[Conservatism|conservatives]] and establishment figures because after his death Burns became drawn into the very fabric of [[Scotland]]'s [[national identity]]. It is this, perhaps unique, ability to appeal to all strands of political opinion in the country that have led him to be widely acclaimed as the [[national poet]]. Burns's views on these themes in many ways parallel those of [[William Blake]], but it is believed that, although contemporaries, they were unaware of each other. Burns's works are less overtly [[mysticism|mystical]]. He is generally classified as a proto-[[Romantic Poetry|Romantic poet]], and he influenced [[William Wordsworth]], [[Samuel Taylor Coleridge]], and [[Percy Bysshe Shelley]] greatly. The Edinburgh [[Intellectual|literati]] worked to sentimentalise Burns during his life and after his death, dismissing his education by calling him a ''"[[heaven]]-taught [[ploughman]]."'' Burns would influence later Scottish writers, especially [[Hugh MacDiarmid]] who fought to dismantle the sentimental cult that had dominated [[Scottish literature]] in MacDiarmid's opinion. [[Image:AU Burns Canberra.jpg|thumb|right|Robert Burns memorial, [[Canberra]], [[Australian Capital Territory]] (1935) ]] ==Masonic association== Robert Burns was initiated into Lodge St David Tarbolton on [[4 July]] [[1781]], when he was 22. He was passed and raised on [[1 October]] [[1781]]. Later his lodge became dormant and Burns joined Lodge St James Tarbolton Kilwinning number 135. The location of the Temple where he was made a [[Freemasonry|Freemason]] is unknown but on [[30 June]] [[1784]] the meeting place of the lodge became the “Manson Inn” in [[Tarbolton]] and one month later, [[27 July]] [[1784]] Burns became ''Depute Master'' which he held until 1788, often honoured with supreme command. Although regularly meeting in Tarbolton, the “Burns Lodge” also removed itself to hold meetings in [[Mauchline]]. During 1784 he was heavily involved in Lodge business, attending all nine meetings, passing and raising brethren and generally running the Lodge. Similarly in 1785 he was equally involved as Depute Master where he again attended all nine lodge meetings amongst other duties of the Lodge. During 1785 he initiated, and passed his brother Gilbert being raised on [[1 March]] [[1788]]. He must have been a very popular and well respected Depute Master, as the minutes show that there were more lodge meetings well attended during the Burns period than at any other time. At a meeting of Lodge St. Andrew in Edinburgh in 1787, in the presence of the Grand Master and Grand Lodge of Scotland, Burns was toasted by the Worshipful Grand Master, Most Worshipful Brother Francis Chateris. When he was received into Edinburgh Lodges his occupation was recorded as a “poet”. In early 1787, he was feted by the Edinburgh Masonic fraternity. The Edinburgh period of Burns life was fateful as further editions the Kilmarnock edition were sponsored by the Edinburgh Freemasons, ensuring that his name spread around Scotland and subsequently to England and abroad. During his tour of the South of Scotland as he was collecting material for The Scots Musical Museum, he visited lodges throughout Ayrshire, and became an honorary member of a number of them. On [[18 May]] [[1787]] he arrived at Eyemouth, Berwickshire and a meeting was convened of Royal Arch and Burns became a Royal Arch Mason. On his return journey home to Ayrshire as he passed through Dumfries, where he later lived and is the site of the Globe Inn, which he described as his "favourite howff"(or "inn")which is still in use as an inn and where his accommodations can be visited by arrangement. His final resting place, the Burns Mausoleum, is also in Dumfries at St.Michaels Kirk. He was posthumously given the freedom of the town. On [[25 July]] [[1787]], after being re-elected Depute Master he presided at a meeting where several well-known Masons were given honorary membership. During his Highland tour he visited many other lodges. During the period from his election as Depute Master in 1784, Lodge St James had been convened 70 times. Burns was present 33 times and was 25 times the presiding officer. On [[11 November]] [[1788]] was his last meeting at his mother lodge St James Kilwinning. He joined Lodge Dumfries St Andrew Number 179 on [[27 December]] [[1788]]. Out of the six Lodges in Dumfries, he joined the one which was the weakest. The records of this lodge are scant, and we hear no more of him until [[30 November]] [[1792]], when Burns was elected Senior Warden. From this date until his final meeting in the Lodge on [[14 April]] [[1796]], it appears that the Lodge met only five times. There are no records of Burns visiting any other Lodges. ==Final years== [[Image:Burns 2.jpg|thumb|right|Statue of Burns in Dumfries.]] As his health began to give way Burns began to age prematurely and fell into fits of despondency. The habits of intemperance [alleged mainly by temperance activist James Currie] are said to have aggravated his long-standing rheumatic heart condition. [In fact his death was caused by the bacterial endocarditis exacerbated by a streptococcal infection reaching his blood following a dental extraction in winter 1795, and no doubt further affected by the three months of famine culminating in the Dumfries Food Riots of March 1796] and on [[July 21]] [[1796]] he died in Dumfries at the age of 37. The funeral took place on 25th July 1796, the day his son Maxwell was born. A memorial edition of his poems was published to raise money for his wife and children, and within a short time of his death, money started pouring in from all over Scotland to support them. == Honours == There are many organizations around the world named after Burns, as well as a large number of [[statue]]s and [[memorials]]. Organisations include the [[Robert Burns Fellowship]] of the [[University of Otago]], and [[Burns Club Atlanta]] in the [[United States]]. Towns named after Robert Burns include [[Burns, New York]] and [[Burns, Oregon]]. The British Royal Mail issued [[postage stamp]]s commemorating Burns twice: two stamps, valued at fourpence and 1 shilling and threepence, both carrying Burns's portrait were issued in 1966. A second issue commemorating the bicentenary of his death in 1996 contained four stamps valued at 19 pence, 25 pence, 41 pence and 60 pence, and included quotes from Burns's poems. Robert Burns is pictured on the £5 banknote (since 1971) of the Clydesdale Bank, one of the Scottish banks with the right to issue banknotes. On the reverse of the note there is a vignette of a field mouse and a wild rose which refers to Burns's poem "Ode to a mouse". In September 2007, the Bank of Scotland redesigned their banknotes and Robert Burn's statue is now portrayed on the reverse side of new £5. He is known as Scotland's national bard, or in Scotland, simply The Bard, and has a number of affectionate nicknames. <ref>Andrew O'Hagan, "[http://books.guardian.co.uk/poetry/features/0,,2243038,00.html The People's Poet]", ''The Guardian'', January 19, 2008.</ref><ref>http://www.scottishexecutive.gov.uk/News/Releases/2008/01/24104549</ref> A [[BR standard class 7]] steam locomotive was named after him, along with a later [[British Rail Class 87|electric locomotive, 87035]]. Burns' birthplace in Alloway is now a public museum. In 1996, a musical by the name ''Red Red Rose'' won third place at a competition for new musicals in Denmark. The musical was about Burns' life and he was played by [[John Barrowman]]. In the suburb of [[Summerhill, Dumfries|Summerhill]] in Dumfries the majority of the streets are named with Burns connotations. ===Burns suppers=== {{main|Burns supper}} Burns Night, effectively a second [[national day]], is celebrated on [[25 January]] with [[Burns supper]]s around the [[world]], and is still more widely observed than the official national day, [[Saint Andrew's Day]], or the proposed North American celebration [[Tartan Day]]. The format of Burns suppers has not changed since Robert's death in 1796. The basic format starts with a general welcome and announcements followed with [[Selkirk#The Selkirk Grace|the Selkirk Grace]]. Just post the grace comes the piping and cutting of the [[haggis]], where Robert's famous ''[[Burns_supper#Entrance_of_the_haggis|Address To a Haggis]]'' is read, and the haggis is cut open. The event usually allows for people to start eating just after the haggis is presented. This is when the reading called the "immortal memory", an overview of Robert's life and work is given; the event usually concludes with the singing of ''Auld Lang Syne''. ==See also== * [[Eddi Reader]] * [[Jean Redpath]] * [[Of Mice and Men]] * [[List of Robert Burns memorials]] ==Footnotes== <references/> ==References== * Robert Burns, ''The Canongate Burns: The Complete Poems and Songs of Robert Burns'', ed. Andrew Noble and Patrick Scott Hogg (2001; Edinburgh: Canongate, 2003). ISBN 1-84195-380-6 * {{A Short Biographical Dictionary of English Literature}} ([http://www.gutenberg.org/catalog/world/readfile?fk_files=89429&pageno=57 p.57]) * Dietrich Hohmann: ''Ich, Robert Burns'', Biographical Novel, Neues Leben, Berlin 1990 (in German) ==External links== {{Wikisource author}} {{wikiquote}} * [http://www.burnsheritagepark.com/attraction.php?id=1/ Official site of Burns Cottage Museum] * [http://www.burnsscotland.com/?PHPSESSID=02ob6rgshun4ulkn7cjdr9r273 National Burns Collection (Scottish national archive of Burns-related portraits, manuscripts and objects)] * [http://www.futuremuseum.co.uk/Default.aspx?Id=31 Modern online collection of Burns images and artefacts] * [http://www.scran.com/robertburns/ Scottish government produced Burns mini site] * {{gutenberg author| id=Robert+Burns | name=Robert Burns}} * [http://www.robertburns.org/encyclopedia/index.shtml/ Robert Burns Encyclopedia: A-Z companion to Burns life and times] * [http://robertburns.farraige.com/ Podcasts on Itunes in which some of Robert Burns' greatest poems are read by Tadhg McKenna.] * [http://www.nls.uk/burns/index.htm National Library of Scotland's Burns site] * [http://www.drumbow.co.uk "The Illustrated History of the Family, Friends and Contemporaries of Robert Burns" by Colin Hunter McQueen] {{Romanticism}} <!-- Metadata: see [[Wikipedia:Persondata]] --> {{Persondata |NAME = Burns, Robert |ALTERNATIVE NAMES = |SHORT DESCRIPTION = Scottish poet and lyricist |DATE OF BIRTH = [[January 25]], [[1759]] |PLACE OF BIRTH = [[Alloway]], [[South Ayrshire]], [[Scotland]] |DATE OF DEATH = [[July 21]], [[1796]] |PLACE OF DEATH = [[Dumfries]], [[Scotland]] }} {{DEFAULTSORT:Burns, Robert}} [[Category:Robert Burns| ]] [[Category:Scottish poets]] [[Category:1759 births]] [[Category:1796 deaths]] [[Category:People from South Ayrshire]] [[als:Robert Burns]] [[bg:Робърт Бърнс]] [[ca:Robert Burns]] [[cs:Robert Burns]] [[cy:Robert Burns]] [[da:Robert Burns]] [[de:Robert Burns]] [[es:Robert Burns]] [[eo:Robert Burns]] [[eu:Robert Burns]] [[fr:Robert Burns]] [[gd:Raibeart Burns]] [[gl:Robert Burns]] [[it:Robert Burns]] [[he:רוברט ברנס]] [[la:Robertus Burns]] [[lv:Roberts Bērnss]] [[lt:Robert Burns]] [[hu:Robert Burns]] [[mr:रॉबर्ट बर्न्स]] [[nl:Robert Burns]] [[ja:ロバート・バーンズ]] [[no:Robert Burns]] [[nn:Robert Burns]] [[nrm:Robert Burns]] [[nds:Robert Burns]] [[pl:Robert Burns]] [[pt:Robert Burns]] [[ru:Бёрнс, Роберт]] [[sco:Robert Burns]] [[simple:Robert Burns]] [[fi:Robert Burns]] [[sv:Robert Burns]] [[vi:Robert Burns]] [[tr:Robert Burns]] [[uk:Бернс Роберт]] [[zh:羅伯特·伯恩斯]]