The Hunger
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2008-07-12T23:00:14Z
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/* Differences between the movie and the novel */
{{For|the English TV series|The Hunger (TV series)}}
{{Infobox_Film |
| name = The Hunger
| image = The Hunger film poster.jpg
| caption = Theatrical release poster
| director = [[Tony Scott]]
| producer = [[Richard Shepherd]]
| writer = [[Whitley Streiber]] (novel)<br>Ivan Davis
| starring = [[Catherine Deneuve]]<br>[[David Bowie]]<br>[[Susan Sarandon]]<br>[[Cliff De Young]]
| music = Denny Jaeger<br>Michel Rubini
| cinematography = [[Stephen Goldblatt]]
| editing = [[Pamela Power]]
| distributor = [[Metro-Goldwyn-Mayer]]
| released = [[April 29]], [[1983 in film|1983]]
| runtime = 100 min.
| country = [[UK]]
| language = [[English language|English]]
| budget = $10 million
| gross = $5.979 million
| amg_id = 1:23876
| imdb_id = 0085701
}}
'''''The Hunger''''' is a 1983 [[English language]] [[horror film]]. It is the story of a bizarre [[love triangle]] between a doctor ([[Susan Sarandon]]) who specializes in sleep and aging research, and a stylish [[vampire]] couple ([[Catherine Deneuve]] and [[David Bowie]]).
The film is based on the 1981 novel [[The Hunger (novel)|of the same name]] by [[Whitley Strieber]], with a screenplay by Ivan Davis and Michael Thomas. ''The Hunger'' was director [[Tony Scott]]'s first feature film. The [[cinematography]] was by Stephen Goldblatt.
''The Hunger'' was not particularly well-received on its release, and was attacked by many critics for being heavy on atmosphere and visuals but slow on pace and plot. [[Roger Ebert]], for example described it as "an agonizingly bad vampire movie".<ref>[http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19830503/REVIEWS/305030301/1023 The Hunger] - [[Chicago Sun Times]], [[May 3]], [[1983]]</ref> However, the film soon found a [[cult following]] that responded to its dark, glamorous atmosphere. The [[Bauhaus (band)|Bauhaus]] song "[[Bela Lugosi's Dead]]" plays over the introductory credits and beginning. The film is popular with some segments of the [[goth subculture]], and spawned the short-lived [[The Hunger (serial)|TV anthology series of the same name]].
==Plot==
Miriam Blaylock ([[Catherine Deneuve]]), is a beautiful yet dangerous [[immortal]] creature that preys on the lifeforce of humans, inviting a chosen few to be her human lovers, promising them eternal life... with a price. As the film begins, her current companion is John (Bowie), a talented [[cello|cellist]] she married in 18th century [[France]]. In the present day, they live together in an elegant [[New York]] townhouse posing as a Gothic [[Punk subculture|punk]] couple. [[Image:10hungerL 230x350.jpg|thumb|200px|left|The stylish and beautiful [[vampire]] Miriam Blaylock, played by French cinema icon [[Catherine Deneuve]].]] Before long, John begins to experience the price of his eternal life... human companions of Miriam are doomed to suffer a living death. Where Miriam herself is truly ageless, her human lovers, only experienced prolonged youth for a century or two before they begin to age rapidly, eventually deteriorating into withered, [[corpse]]-like figures. The true horror of this situation is that these vampire/human hybrids age but cannot die. John begins to age rapidly and seeks out the help of Dr. Sarah Roberts (Sarandon), who specializes in the study of aging disorders, hoping she will be able to help restore his health.
When John visits Sarah's clinic, she dismisses his claims of rapid aging as [[delusion]]al. She leaves him to sit in the waiting room, where he ages decades in just a few hours. Sarah is appalled when she sees what has happened to John, but it is too late to help him. The now-ancient man returns home and begs Miriam to kill him. She tells him that she will not, and overcome by the suffering of old age he collapses. Miriam places him in a coffin in the attic alongside several of her other former lovers, all of whom are still alive.
Sarah, intrigued by the medical miracle of John's rapid aging, comes looking for him at his home. Miriam decides to take Sarah as her new companion. She seduces the doctor and, after having sex with her, cuts herself and Sarah. They drink one another's [[blood]], initiating Sarah's transformation into a vampire.
Sarah returns home to her boyfriend Tom ([[Cliff DeYoung]]), not realizing what Miriam has done to her. She begins to feel increasingly distracted, and experiences a hunger that cannot be sated even with raw [[steak]]. Sarah returns to Miriam's house and demands an explanation.
Miriam attempts to initiate Sarah in the necessities of life as a vampire, but Sarah is repulsed by the thought of subsisting on human blood. Still reeling from the effects of her vampiric transformation, Sarah allows Miriam to put her to bed in a guest room. When Tom comes looking for Sarah, Miriam sends him up to find her. Sarah, crazed with hunger, kills Tom and drinks his blood.
Once she has finished feeding, Sarah goes downstairs to find Miriam, who is pleased that Sarah seems to have finally come around. Whoever or whatever Miriam may be, she has been around almost as long as time itself, taking lovers and feeding as early at the [[ancient Egypt|Egyptian era]]. Miriam makes it clear that she is unstoppable and intoxicated by her invincibility. Yet Sarah, overcome with grief at murdering Tom, has decided that she will not continue being a vampire. Sarah discovers that her tie with Miriam has exposed a mysterious vulnerability in Miriam's power. While kissing, Sarah cuts her own throat. This powerful sacrifice reverses the vampirism in a way that even Miriam herself thought wasn't possible. Mysteriously, and unintentionally, Miriam loses her powers over to Sarah. Miriam carries Sarah upstairs to the [[attic]], hoping to conceal Sarah along with the rest of her conquests. Yet Miriam's fate has now been sealed; Stripped of her powers, Miriam is helpless against her former lovers, including John, are now able to rise from their coffins. It appears that the shrivelled beings (still desperately in love with Miriam) attempt to embrace her. Repulsed, Miriam falls down the stairs as they project their own misery into her. Her former lovers are now freed of the curse and crumble into dust. Miriam is punished for her crimes, and as she screams, turns into an ancient, shrivelled body who will herself be forced to live out eternity as a living corpse.
As the film draws to a close, a real estate agent is showing the deserted townhouse to prospective buyers.
The final scene provides a twist-ending. Sarah is now in [[London]], standing on the balcony of a chic apartment tower, in the company of an attractive young man and woman. She's serenely admiring the gorgeous view as dusk falls. From a draped coffin in a storage room, Miriam repeatedly screams Sarah's name. Sarah marks the birth of the new vampire in the mold of Miriam, with Miriam representing her first conquest, certainly to be followed by more.
==Cast==
*[[Catherine Deneuve]] as Miriam Blaylock, a quite attractive vampire
*[[David Bowie]] as John
*[[Susan Sarandon]] as Dr. Sarah Roberts
*[[Cliff De Young]] as Tom Haver
*[[Beth Ehlers]] as Alice Cavender
*[[Dan Hedaya]] as Lieutenant Allegrezza
*[[Suzanne Bertish]] as Phyllis
*[[James Aubrey (actor)|James Aubrey]] as Ron
*[[Ann Magnuson]] as Young Woman from Disco
*[[Shane Rimmer]] as Jelinek
*[[Bessie Love]] as Lillybelle
*[[John Pankow]] as 1st Phone Booth Youth
*[[Willem Dafoe]] as 2nd Phone Booth Youth
*[[Bauhaus (band)| Bauhaus]] as the band in the club
==Behind the scenes==
The meaning of the film's ambiguous ending has been a subject of some debate. It differs from that of Streiber's novel, which has Miriam move on to a new city and take up with a new lover. The studio insisted upon the change, feeling that audiences would want to see Deneuve's character punished. In the film's [[DVD]] commentary, both Scott and Sarandon express some dissatisfaction with the ending.
Susan Sarandon talks candidly about the [[lesbian]] seduction scene in the documentary ''[[The Celluloid Closet]]''.
==Explanation of the difference between Miriam and her lovers==
The movie neglects to explain the difference between Miriam and her lovers, and why she continually outlives them, one of the more common questions posed by viewers. According to the novel, Miriam is of a species that [[evolution|evolved]] separately from humans, and is quite probably the last of her kind. They have an indefinite life span, with Miriam herself being many thousands of years old.
Miriam's lovers, including John and Sarah, are regular humans that have been transformed after receiving a transfusion of Miriam's blood (or an ingested exchange, as in the movie). Their [[physiology]] remains human, but Miriam's blood takes over their [[circulatory system]], repairs tissue and offers resistance to disease and aging. Unfortunately, the effect only lasts a number of centuries, before the human tissue ages rapidly. The individual remains alive and aware, despite being trapped in a decrepit corpse.
==Differences between the movie and the novel==
As is the case with most movie adaptations of novels, the story was changed for successful cinematic adaptation, while some changes are substantive, the film makers adapted the plot to fit its new narrative format, creating a subtly different narrative that retained the story of the novel:
* In the novel, Miriam has been studying Dr. Roberts' anti-aging research long before the story's narrative begins, with the aim of avoiding having John die like her other lovers before. Miriam had not told John that he would eventually age and die, but rather led him to believe that he would be truly immortal. This leads to a subplot where, shortly after John discovers the truth, he escapes from Miriam and plots his revenge on her for misleading him.
* One major difference between the plots in the movie and the novel is that in the novel it is Miriam, rather than John, who approaches Sarah at a sleep clinic, where Sarah researches aging (Sarah is a specialist on [[sleep disorders]]). Rather than being rebuffed by Sarah as John was in the movie, Miriam is admitted as a priority case, claiming that she suffers from [[night terrors]] (a form of [[nightmare]]), and Sarah is assigned to assess her case. It is while under observation that Miriam begins her direct seduction of Sarah, and many of Miriam's physiological characteristics are explained while Sarah and Tom's scientific team are observing her. John otherwise spends much of the novel feeding and plotting his revenge against Miriam for leading him to believe he was truly immortal.
* In the novel, Miriam spikes Sarah's coffee ([[sherry]] is used in the movie), and [[Blood transfusion|transfuses]] a portion of her own blood directly into Sarah's bloodstream while she is unconscious, using a custom-made device, as opposed to Sarah and Miriam simply ingesting one another's blood as in the movie.
* The subplot of the investigation into the disappearance of Alice Cavender by Lieutenant Allegrezza did not appear in the novel. Miriam receives a phone call from Alice's father informing her of the girl's disappearance, causing Miriam to realize that John had fed on her, but the plotline is not developed further.
* In the novel, the escape of Miriam's captive lovers is John's attempt at revenge for the aforementioned deception about his true nature, hoping to use them to attack and overwhelm Miriam. However, Miriam, having anticipated this move earlier, times the situation so that Tom is ambushed by the cadavers when he attempts to retrieve Sarah from Miriam's house. Tom escapes the house, after which Miriam locks John in his coffin. Tom later returns for a second confrontation resulting in his death, which plays out much as it does in the movie.
* At the end of the novel, Sarah attempts [[suicide]] as she does in the movie, but the loss of blood effectively "kills" her, trapping her in her lifeless body, much like Miriam's lovers. Miriam encases her in her own coffin amongst her collection, and leaves [[New York]] to avoid potential investigation into the disappearances of Sarah and Tom. She settles in [[San Francisco]] and starts a new life.
==See also==
* [[The Hunger (serial)]]
==References==
{{reflist}}
==External links==
* {{imdb title|id=0085701|title=The Hunger}}
* {{amg title|id=1:23876|title=The Hunger}}
* [http://www.manhunter.net/soundtrack/michel-rubini.html Michel Rubini] - Profile and photographs of the co-composer of the music for ''The Hunger''
* [http://www.moria.co.nz/horror/hunger.htm ''The Hunger'' analysis] at Moria (by Richard Scheib, 1990)
* [http://en.wikipedia.org/wiki/User:RipperRizen]
{{Whitley Strieber}}
{{Tony Scott}}
{{DEFAULTSORT:Hunger, The}}
[[Category:1983 films]]
[[Category:Directorial debut films]]
[[Category:English-language films]]
[[Category:Films based on horror books]]
[[Category:Films directed by Tony Scott]]
[[Category:1980s horror films]]
[[Category:Lesbian-related films]]
[[Category:Films shot anamorphically]]
[[Category:MGM films]]
[[Category:Vampires in film and television]]
[[Category:Erotic films]]
[[Category:Goth]]
[[de:Begierde (Film)]]
[[fr:Les Prédateurs (film, 1983)]]
[[it:Miriam si sveglia a mezzanotte]]
[[ja:ハンガー (映画)]]
[[ru:Голод (фильм, 1983)]]
[[fi:Verenjano (elokuva)]]