Tin whistle 42380 224168840 2008-07-07T17:11:16Z 80.121.93.171 {{Infobox Instrument |color1=#FFD700 |color2=#FFEC8B |name=Tin whistle |image=Tin Whistles.jpg |names=Pennywhistle |classification= *[[Woodwind]] *[[Wind instrument|Wind]] *[[Aerophone]] |range=Two octaves |related= *[[Irish flute|Simple-system flute]] *[[Pipe and Tabor|Pipe and tabor]] }} The '''tin whistle''', also called the '''tinwhistle''', '''whistle''', '''pennywhistle''' or '''Irish whistle''', is a simple six-holed [[woodwind]] instrument. It can be described as an ''end blown fipple flute'', putting it in the same category as the [[flageolet]], [[recorder]], [[Native American flute]], and many other [[woodwind]] instruments found in [[folk music|traditional music]]. A tin whistle player is called a tin whistler or whistler. == History == L.E. McCullough notes that the oldest surviving whistles date from the 12<sup>th</sup> century, but that, "Players of the ''feadan'' are also mentioned in the description of the King of Ireland's court found in the [[Brehon Laws]] dating from the 3<sup>rd</sup> century A.D."<ref name="LEMcCNotes">McCullough</ref> The Tusculum whistle is a 14[[Metre|cm]] whistle with six finger holes, made of brass or bronze, found with pottery dating to the 14<sup>th</sup> and 15<sup>th</sup> centuries; it's currently in the collection of the [[Museum of Scotland]].<ref name="GathererHistory">Gatherer</ref> The term "penny whistle" was coined on the streets of Dublin in the late 1500's because of the whistles' prevalence among the beggars and vagabonds in Ireland. The word "tin-whistle" was also coined as early as 1825.<ref name="OED">[[Oxford English Dictionary]] [http://www.oed.com/ online edition]</ref> but neither word seems to have been common until the 20<sup>th</sup> century.<ref name="OldReference">The words "tin whistle" and "pennywhistle" in any [[English compound|compound form]] do not generally appear in early 20<sup>th</sup> century dictionaries, encyclopedias, or thesauri.</ref> The first record of tin-plate whistles dates back to 1825 in Britain.<ref name="VallelyCompanion">Vallely et al., p. 397</ref> The first factory-made "tinwhistles" were produced by Robert Clarke (? - 1882) in [[Manchester]] and later New Moston, [[England]]. Up to [[1900]], they were also marketed as "Clarke London Flageolets" or "Clarke Flageolets".<ref name="Dannatt">Dannatt</ref> The whistle's [[fingering]] system is similar to that of the six hole, simple system, "[[Irish flute]]" ("simple" in comparison to [[Boehm system]] flutes). The six hole, diatonic system is also used on [[baroque music|baroque]] flutes and other [[folk instruments|folk flutes]], and was of course well known before [[Robert Clarke]] began producing his tin whistles circa 1843. Clarke's first whistle, the Meg, was pitched in high A and was later made in other keys suitable for Victorian parlor music. The company showed the whistles in [[The Great Exhibition]] of 1851.<ref name="DannattCollection">{{cite web | author=Dannatt, Norman | title=Antique Clarke whistle collection | url=http://www.chiffandfipple.com/normanscollection.htm | accessdaymonth=10 July | accessyear=2006 }}</ref> In the second half of the 19<sup>th</sup> century, some flute manufacturers such as Barnett Samuel and Joseph Wallis also sold whistles. These had a cylindrical brass tube. Like many old whistles, they had [[lead]] fipple plugs; since lead is [[lead poisoning|poisonous]], caution should be exercised before playing an old whistle. The Generation whistle was introduced in the first half of the 20<sup>th</sup> century, and also featured a brass tube with a lead fipple plug. The design was updated somewhat over the years, most notably the substitution of a plastic fipple for the lead plug design. While whistles have most often been produced in higher pitches, the "low" whistle is not unknown historically. The Museum of Fine Arts, [[Boston]] has in its collection an example of a 19<sup>th</sup> century low whistle from the famous Galpin collection.<ref name="MFABoston">{{cite web | author= | title=Duct flute | work=Leslie Lindsey Mason Collection, Ex. coll. Francis W. Galpin | url=http://www.mfa.org/collections/search_art.asp?recview=true&id=50378&coll_keywords=&coll_accession=&coll_name=&coll_artist=&coll_place=&coll_medium=&coll_culture=&coll_classification=&coll_credit=&coll_provenance=&coll_location=&coll_has_images=&coll_on_view=&coll_sort=0&coll_sort_order=0&coll_package=10105&coll_start=21 | accessdaymonth=16 January |accessyear=2006 }}</ref> During the 1960s revival of traditional Irish music the low whistle was "recreated" by Bernard Overton at the request of [[Finbar Furey]].<ref name="LowWhistleBook">Hannigan and Ledsam</ref> == Contemporary whistles == [[Image:Tinwhistles.jpg|right|thumb|Contemporary tin whistles in several keys]] {{Listen|filename=AllPlasticTinWhistle.ogg|title=All Plastic Tin Whistle|description=Sample of music played on all plastic tin whistle in key of D.|format=[[Ogg]]}} {{Listen|filename=MetalTinWhistleWoodenStop.ogg‎|title=Metal Tin Whistle with Wooden Stop|description=Sample of music played on key of D metal tin whistle with wooden stop.|format=[[Ogg]]}} {{Listen|filename=MetalTinWhistlePlastic Fipple.ogg|title=Metal Tin Whistle with Plastic Fipple|description=Sample of music played on key of D metal tin whistle with plastic fipple.|format=[[Ogg]]}} The most common whistles today are made of [[brass]] tubing, or [[nickel]] [[electroplating|plated]] brass tubing, with a [[plastic]] [[fipple]] (mouthpiece). Generation, Feadóg, Oak, Acorn, Soodlum's (now Walton's), and other brands fall in this category. The next most common form is the conical sheet metal whistle with a wooden stop in the wide end to form the fipple, the Clarke's brand being the most prevalent. Other less common variants are the all-metal whistle, the [[Polyvinyl chloride|PVC]] whistle, the Flanna square holed whistle, and the wooden whistle. Whistles are a prevalent starting instrument in [[Folk music of Ireland|Irish traditional music]], since they are often cheap (under US$10), relatively easy to start with (no tricky [[embouchure]] such as found with the [[flute]]), and the fingerings are identical to those on the traditional six holed flute (Irish flute, baroque flute). The tin whistle is the most popular instrument in Irish traditional music today.<ref name="VallelyCompanion">Vallely et al., p. 397</ref> In recent years a number of instrument builders have started lines of "high-end," hand-made whistles, which can cost hundreds of dollars US each — expensive in comparison to cheap whistles, but nevertheless cheaper than most other instruments. These companies are typically either a single individual or a very small group of craftsmen who work closely together. It is common for builders of [[Irish flute|wooden flutes]] and [[Uilleann pipes]] to also build whistles. The instruments are distinguished from the inexpensive whistles in that each whistle is individually manufactured and "voiced" by a skilled person rather than made in a factory. == Tuning == === Whistle keys === The whistle is [[musical tuning|tuned]] [[diatonic]]ally, which allows it to be used to easily play music in two major [[Key (music)|keys]] and their corresponding minor keys and [[Musical mode|modes]]. The whistle is identified by its lowest note, which is the [[Tonic (music)|tonic]] of the lowest [[Major scale|major key]]. Note that this method of determining the key of the instrument is different from the method used to determine the key of a [[Chromatic scale|chromatic]] instrument, which is based on the relationship between notes on a score and sounded pitch. Whistles are available in a wide variety of different keys.<ref name="CFDeciphersKeys">Wisely</ref> The most common whistles can easily play notes in the keys of D and G major. Since the D major key is lower these whistles are identified as ''D whistles.'' The next most common whistle tuning is a ''C whistle,'' which can easily play notes in the keys of C and F major. The C whistle is widely used in American [[folk music]],{{Fact|date=April 2007}} whereas the D whistle is the most common choice for Irish and Scottish music. Although the whistle is essentially a [[diatonic]] instrument, it is possible to get notes outside the principal major key of the whistle, either by ''half-holing'' (partially covering the highest open finger hole) or by ''cross-fingering'' (covering some holes while leaving some higher ones open). However, half-holing is somewhat more difficult to do correctly, and whistles are available in many keys, so for other keys a whistler will typically use a different whistle instead, reserving half-holing for [[Accidental (music)|accidentals]]. Some whistle designs allow a single fipple, or mouthpiece, to be used on differently keyed bodies. ==== Low whistles ==== There are larger whistles, which by virtue of being longer and wider produce tones an octave (or in rare cases two octaves) lower. Whistles in this category are likely to be made of metal or plastic tubing, with a tuning-slide head, and are almost always referred to as ''low whistles'' but sometimes called ''concert whistles''. The low whistle operates on identical principles to the standard whistles, but musicians in the tradition may consider it a separate instrument. The term ''soprano whistle'' is sometimes used for the higher-pitched whistles when it is necessary to distinguish them from low whistles. === Tuning adjustment === Whistles may or may not be [[tuning|tuneable]]. If they are, tuning is done by moving the mouthpiece in or out, either the mouthpiece itself sliding over the whistle body, as in the metal tube/plastic body model, or else with a tuning slide such that the mouthpiece and the upper part of the body form the 'head' of the whistle which fits into the main body. == Playing technique == === Fingering and range === The notes are selected by opening or closing holes with the fingers. With all the holes closed, the whistle generates its lowest note, the [[tonic (music)|tonic]] of a [[major scale]]. Successively opening holes from the bottom upward produces the rest of the notes of the scale in sequence: with the lowest hole open it generates the second, with the lowest two holes open, it produces the third and so on. With all six holes open, it produces the seventh. As with a number of woodwind instruments, the tin whistle's second and higher registers are achieved by increasing the breath pressure or air velocity into the ducted flue windway. This increases the frequency of the air pressure waves created.(See [[Von Karman vortex street]] ) On a transverse flute this is generally done by narrowing the lip/embouchure.<ref name="FluteAcoustics">Wolfe</ref> Since the size and direction of the tin whistle's windway, like that of the [[Recorder]] or [[fipple]] flute is fixed, it is necessary to increase the velocity of the air stream.( See [[overblowing]] ). Fingering in the second register is generally the same as in the first/fundamental, though alternate fingerings are sometimes employed in the higher end of the registers to correct a flattening effect caused by higher aircolumn velocity.<ref name="FingeringChart">Gross</ref> Also, the tonic note of the second register is usually played with the top hole of the whistle partially uncovered instead of covering all holes as with the tonic note of the first register; this makes it harder to accidentally drop into the first register and helps to correct pitch. Recorders perform this by "pinching" open the dorsal thumb hole. Various other notes (relatively flat or sharp with respect to those of the major scale) can be accessed by ''cross fingering'' techniques, and all the notes (except the lowest of each octave/register) can be flattened by ''half holing''. Perhaps the most effective and most used cross fingering is that which produces a flattened form of the seventh note (B flat instead of B on a C whistle, for example, or C natural instead of C sharp on a D whistle). This makes available another major scale (F on a C whistle, G on a D whistle). The standard range of the whistle is two octaves. For a D whistle, this includes notes from the second D above middle C to the fourth D above middle C. It is possible to make sounds above this range, by blowing with sufficient force, but, in most musical contexts, the result will be loud and out of tune due to a cylindrical bore. === Ornamentation === Traditional Irish whistle playing uses a number of [[ornament (music)|ornaments]] to embellish the music, including cuts, strikes and rolls. Most playing is [[legato]] with ornaments to create breaks between notes, rather than tongued. The Irish traditional music concept of the word "ornamentation" differs somewhat from that of [[European classical music]] in that ornaments are more commonly changes in how a note is articulated rather than the addition of separately-perceived notes to the piece.<ref name="LarsenOrnamentation">Larsen</ref> Common ornaments and articulations include: ;Cuts: ''Cuts'' are very briefly lifting a finger above the note being sounded without interrupting airflow into the whistle. For example, a player playing a low D on a D whistle can cut the note by very briefly lifting the first finger of his or her lower hand. This causes the pitch to briefly shift upward. The cut can be performed either at the very start of the note or after the note has begun to sound; some people call the latter a "''double cut''" or a "''mid-note cut''." ;Strikes: ''Strikes'' or ''taps'' are similar to cuts except that a finger below the sounded note is briefly lowered to the whistle. For example, if a player is playing a low E on a D whistle the player could tap by quickly lowering and raising his or her bottom finger. Both cuts and taps are essentially instantaneous; the listener should not perceive them as separate notes. ;Rolls: A ''roll'' is a note with first a cut and then a strike. Alternately, a roll can be considered as a group of notes of identical pitch and duration with different articulations.<ref name="LarsenOrnamentation"/> There are two common types of rolls: :* The ''long roll'' is a group of three slurred notes of equal pitch and duration, the first sounded without a cut or strike, the second sounded with a cut, and the third sounded with a strike. :* The ''short roll'' is a group of two slurred notes of equal pitch and duration, the first sounded with a cut and the second sounded with a strike. ;Cranns: ''Cranns'' (or ''crans'') are ornaments borrowed from the [[Uilleann pipes|Uilleann piping]] tradition. They are similar to rolls except that only cuts are used, not taps or strikes. On the tin whistle they are generally only used for notes where a roll is impossible, such as the lowest note of the instrument. ;Slides: ''Slides'' are similar to [[portamento]]s in classical music; a note below or above (usually below) the intended note is fingered, and then the fingering is gradually shifted in order to smoothly raise or lower the pitch to the intended note. The slide is generally a longer duration ornament than, for example, the cut or the tap and the listener should perceive the pitch changing. ;Tonguing: ''Tonguing'' is used sparingly as a means of emphasizing certain notes, such as the first note in a tune. Tin whistle players usually do not tongue most notes. To tongue a note a player briefly touches their tongue to the front of the roof of the mouth at the start of the note (as if articulating a 't'), creating a percussive [[ADSR envelope|attack]]. ;Vibrato: ''[[Vibrato]]'' can be achieved on most notes by opening and closing one of the open holes, or by variation of breath pressure. Of the two, fingered vibrato is much more common than diaphragmatic (breath) vibrato, except on notes like the lowest note on the whistle where fingered vibrato is much more difficult. === Some tricks === ;Leading Tone: ''Leading Tones'' are the seventh just before the tonic, so named because melodic styling often uses the seventh to lead into the tonic at the end of a phrase. On most tin whistles the leading tone to the lowest tonic can be played by using the little finger of the lower hand to partially cover the very end opening of the whistle, while keeping all other holes covered as usual for the tonic. ;Tone: The tone of the tin whistle is largely determined by its manufacturing. Clarke style rolled metal whistles tend to have an airy "impure" sound, while Generation style cylindrical instruments tend to have clear or "pure" whistle sounds. Inexpensive rolled metal whistles, such as those from Cooperman Fife and Drum (which also produces high-end instruments) may be very airy in sound, and may be difficult to play in the upper register (second octave). Often placing a piece of tape over one edge of the fipple slot (just below the mouthpiece) to narrow the fipple will improve the instrument's tone and playability significantly. ;Scales: While, as mentioned under Fingering, a player will usually play a given instrument only in its tonic key and possibly in the key beginning on the fourth (e.g. G on a D whistle), nearly any key is possible, becoming progressively more difficult to keep in tune as the player moves away from the whistle's tonic, according to the [[circle of fifths]]. Thus a D whistle is fairly apt for playing both G and A, and a C instrument can be used fairly easily for F and G. == Repertoire == A number of [[music genre]]s commonly feature the tin whistle. === Irish and Scottish music === Traditional music from [[Folk music of Ireland|Ireland]] and [[Music of Scotland|Scotland]] is by far the most common music to play on the tin whistle, and comprises the vast majority of published scores suitable for whistle players. Musicians who play Irish and Scottish music on the tin whistle perform as members of bands. While the tin whistle is very common in Irish music to the point that it could be called characteristic of the genre and fairly common in Scottish music, it is not a "required" instrument in either one. As ornamentation and improvisation around a simple melody is characteristic of both genres, many traditional musicians frown upon the use of musical scores, believing that learning "by ear," from recordings or live instruction, is the best way to learn these aspects of whistle performance. Hence, students of the tin whistle may be advised not to use musical scores, and will certainly be expected to spend a substantial amount of time listening to other performers even when scores are used. Scores are never used in live performances and usually discouraged in [[Irish traditional music session|sessions]]. Nevertheless, it is a common practice to transcribe traditional tunes, both for the purpose of preserving melodies and as a learning tool. When traditional tunes are scored there are seldom if ever separate scores for individual instruments; hence, tin whistle players use the same score as all other musicians. === Kwela === [[Kwela]] is a genre of [[Music of South Africa|music created in South Africa]] in the 1950s, and characterised by an upbeat, [[jazz]]y tin whistle lead. Among all genres of music featuring the tin whistle, kwela is distinctive as the only one which is totally dominated by the instrument; the genre was created around the sound of the whistle. The low cost of the tin whistle made it an attractive instrument in the impoverished, [[apartheid]]-era townships; the [[Hohner]] tin whistle was especially popular in this genre. The kwela craze accounted for the sale of over a million tin whistles.<ref name="Schaldach">Schaldach</ref> [[Kwela]] was mostly superseded in South Africa by the [[mbaqanga]] genre in the late fifties, and with it the [[saxophone]] largely supplanted the tin whistle as the lead instrument for music from the townships. However, kwela master [[Aaron Jack Lerole|Aaron "Big Voice Jack" Lerole]] continued to perform into the 1990s and a few kwela bands, such as [[London|London's]] [[The Positively Testcard]] continue to record kwela music today. Kwela musical scores are rarely published and many of the recordings of founding kwela artists are out of print and hard to find. === Other music === The tin whistle is used in many other types of music, though not to the extent that it could be called characteristic as with Irish music and kwela. It is not unusual to hear the tin whistle used in [[bluegrass music|bluegrass]]{{Fact|date=June 2008}}, [[praise song|praise music]], and [[film soundtrack]]s, and published scores suitable for tin whistle performance are available in all of these genres. The tin whistle also appears in "crossover" genres like [[world music]] and [[folk rock]]. == Notation == Tin whistle music collections are generally notated in one of three different formats. === Standard musical notation === It is common to score music for the whistle using standard [[musical notation]]. The tin whistle is a [[transposing instrument]] and there is no real consensus on how tin whistle music should be written, or on how reading music onto the whistle should be taught. However, when music is scored for a soprano whistle it will be written an octave lower than it sounds, so avoiding use of [[ledger lines]] and making it much easier to read. The traditional music of Ireland and Scotland constitutes the majority of published scores for the whistle.<ref name="DmozTC">See, for example, the Open Directory's [http://www.dmoz.org/Arts/Music/Instruments/Winds/Tin_Whistle/Tune_Collections/ Tin whistle tune collections] or the books published by [http://www.dmoz.org/Shopping/Music/Instruments/Winds/Tin_Whistle/ online stores catering to tin whistle players].</ref> Since the majority of that music is written in D major, G major, or one of the corresponding musical modes, use of the D major or G major key signatures is a ''[[de facto]]'' standard. For example, the "C whistle" edition of Bill Ochs's popular ''The Clarke Tin Whistle Handbook'' is scored in D and differs from the D edition only in that the accompanying audio CD is played on a C whistle.<ref name="OchsTutor">Ochs</ref> Reading directly onto the C whistle is popular for the obvious reason that its ''home key'' or ''name key'' is the ''all-natural'' major key ([[C major]]). Some musicians are encouraged to learn to read directly onto one whistle, while others are taught to read directly onto another. The whistle player who wants music to read on to all whistles will need to learn the mechanics of written [[transposition (music)|transposition]], taking music with one [[key signature]] and rewriting it with another. === Tablature === [[Tablature]] notation for the tin whistle is a graphical representation of which tone holes the player should cover. The most common format is a vertical column of six circles, with holes to be covered for a given note shown filled with black, and a plus sign (+) at the top for notes in the second octave. Tablature is most commonly found in tutorial books for beginners. === Tonic solfa === The [[Solfege|tonic solfa]] is found in Ireland and possibly Wales,{{Fact|date=February 2007}} especially in schools. Many schools have printed sheets with tunes notated in tonic solfa, although in Ireland more have teaching by rote. With the availability of good standard notation tutor books, teaching is possibly moving in this direction.{{Or|date=September 2007}} === Abc notation === Since the majority of popular tin whistle music is traditional and out of copyright, it is common to share tune collections on the [[Internet]].<ref name="DmozTunes">Open Directory</ref> [[Abc notation]] is the most common means of electronic exchange of tunes. It is also designed to be easy to read by people, and many musicians learn to read it directly instead of using a computer program to transform it into a standard musical notation score. == Well-known performers == ; In Irish traditional music {{see also|List of All-Ireland Champions}} In 1973, [[Paddy Moloney]] (of [[The Chieftains]]) and [[Sean Potts]] released ''Tin Whistles,'' which helped to popularise the tin whistle in particular and [[Irish music]] in general. [[Mary Bergin]]'s ''Feadóga Stáin'' (1979) and ''Feadóga Stáin 2'' (1993) were similarly influential. Other notable players include [[Carmel Gunning]], [[Micho Russell]], [[Cherish The Ladies|Joanie Madden]], [[Flook|Brian Finnegan]], and [[Seán Ryan (Irish fiddler)|Seán Ryan]]. Many traditional pipers and flute players also play the whistle to a high standard. [[James Galway]], the classical flautist, is also an outstanding whistler. ; In Scottish traditional music Award winning singer and musician [[Julie Fowlis]] has recorded several tracks on the tin whistle, both in her solo work and with the band [[Dòchas]]. ; In kwela [[Aaron Jack Lerole|Aaron "Big Voice Jack" Lerole]] and his band recorded a single called "Tom Hark" which sold five million copies worldwide and was used as the theme song for a [[BBC]] series. But the most famous star of the kwela era was [[Spokes Mashiyane]].<ref name="Schaldach" /> [[Paul Simon|Paul Simon's]] 1986 album [[Graceland (album)|Graceland]] draws heavily on South African music and includes pennywhistle solos in the traditional style. ; In popular music The low whistle rose to public prominence thanks to its use by [[Davy Spillane]] in the stage show [[Riverdance]] (1995) and [[Tony Hinnigan]] on the [[soundtrack]] to the 1997 film ''[[Titanic (1997 film)|Titanic]]''. Certain Irish [[Punk rock|punk]] bands use the tin whistle as well. Examples include [[The Cranberries]], [[Dropkick Murphys]], [[Bridget Regan]] from [[Flogging Molly]] or [[Spider Stacy]] (of [[The Pogues]]). [[Andrea Corr]] from Irish pop/rock band [[The Corrs]] plays the tin whistle. Leroi Moore from the American/pop band the Dave Matthews Band plays the tin whistle in a few of the songs in the band's repertoire. [[Bob Hallett]] of the Canadian folk rock group [[Great Big Sea]] is also a renowned performer of the tin whistle, playing it during both traditional and original material. [[Sigur Rós]] an Islandic post-rock band which played the tin whistle in one of their songs called Hafsól when one of the members played a solo at the end of the song. [[Barry Privett]] of the Virginia based rock band [[Carbon Leaf]] performs several songs using the tin whistle. [[The Unicorns]] use the penny whistle in the song Sea Ghost ; In jazz [[Steve Buckley]], a British [[jazz]] musician is known to have used the penny whistle as a serious instrument. His whistle playing can be heard on recordings with [[Loose Tubes]], [[Django Bates]] and his album with [[Chris Batchelor]] Life As We Know It. [[Les Lieber]] is a celebrated American Jazz Tinwhistle player. Lieber has played with [[Paul Whiteman]]'s Band and also with the [[Benny Goodman]] Sextet. Lieber made a record with [[Django Reinhardt]] in the AFN Studios in [[Paris]] in the post Second World War era and started an event called "Jazz at Noon" every Friday in a [[New York]] restaurant playing with a nucleus of advertising men, doctors, lawyers, and business executives who had been or could have been jazz musicians. Howard Johnson has also been known to play this instrument. ; In television In [[Star Trek: The Next Generation]] the tin whistle called "The Ressikan Flute", is played by [[Jean-Luc Picard]] in the episodes titled [[The Inner Light (Star Trek: The Next Generation)| The Inner Light]] and [[Lessons (Star Trek: The Next Generation)| Lessons]]. == References == <references/> {{wikibooks | How to Play the Irish Pennywhistle}} * {{cite book | author=Dannatt, Norman | date=1993 | title=The Penny Whistle|publisher=The Clarke Tinwhistle Co. }} * Dannatt, Norman (2005) ''The History of the Tinwhistle.'' The Clarke Tinwhistle Co. ISBN 0-9549693-2-4)) * {{cite web | author=Gatherer, Nigel | title=History | work=The Scottish Whistle | url=http://www.nigelgatherer.com/whistle/hist.html | accessdaymonth=30 January | accessyear=2006 }} * {{cite web | author=Gross, Richard | title=Tinwhistle fingering chart | work=Tinwhistle Fingering Research Center | url=http://www.fullbodyburn.com/html/flutes/whistle_main.html | accessdaymonth=16 January | accessyear=2006 }} * {{cite book | author=Hannigan, Steáfán | coauthors=Ledsam, David | date=2000 | chapter=Whistory: A Low Whistle History | title=The Low Whistle Book | url=http://www.soarmusic.demon.co.uk/whistle.htm | id=ISBN 0-9525305-1-1 | publisher=Sin É Publications }} * {{cite web | author=Larsen, Grey | title=A Guide to Grey Larsen's Notation System for Irish Ornamentation | url=http://www.greylarsen.com/services/tunebank/notationsystem.pdf | accessdaymonth=24 January | accessyear=2006 }} * {{cite book | author=McCullough, L.E. | date=1976 | chapter=Historical Notes on the Tinwhistle | title=The Complete Irish Tin Whistle Tutor | url=http://www.chiffandfipple.com/lehistory.html | id=ISBN 0-8256-0340-4|publisher=Oak Publications }} * {{cite book | author=Ochs, Bill | date=2001 | title=The Clarke Tin Whistle: Deluxe Edition | url=http://www.pennywhistle.com/clarkepage.html | publisher=The Pennywhistler's Press }} * {{cite web | author= | title=Tin Whistle Tune Collections | work=Open Directory | url=http://www.dmoz.org/Arts/Music/Instruments/Winds/Tin_Whistle/Tune_Collections/ | accessdaymonth=25 January |accessyear=2006 }} * {{cite web | author=Wisely, Dale | title=Deciphering Whistle Keys | year=2000 | work=Chiff and Fipple | url=http://www.chiffandfipple.com/whistlekeys.html | accessdaymonth=22 March |accessyear=2006 }} * {{cite web | author=Wolfe, Joe | title=Introduction to flute acoustics | work=UNSW Music Acoustics | url=http://www.phys.unsw.edu.au/~jw/fluteacoustics.html#airjet | accessdaymonth=16 January | accessyear=2006 }} * {{cite book | editor = Vallely, Fintan (ed.) | title = The Companion to Irish Traditional Music | year = 1999 | publisher = New York University Press | location = New York, NY | id = ISBN 0-8147-8802-5 }} * http://www.volkangucer.com/winds.html [[Category:Celtic music]] [[Category:Fipple flutes]] [[Category:Folk musical instruments]] [[Category:Irish folk music]] [[Category:Irish music]] [[Category:Scottish folk music]] [[Category:Whistles]] [[Category:Irish musical instruments]] [[Category:Scottish musical instruments]] [[Category:Celtic music instruments]] [[ca:Whistle]] [[da:Tinwhistle]] [[de:Tin Whistle]] [[es:Tin Whistle]] [[eo:Stanfajfilo]] [[fo:Blikkfloyta]] [[fr:Flûte irlandaise]] [[fy:Tin-whistle]] [[it:Tin whistle]] [[nl:Tin-whistle]] [[nds-nl:Blikfluite]] [[ja:ティン・ホイッスル]] [[no:Blikkfløyte]] [[pl:Tin whistle]] [[pt:Flauta irlandesa]] [[ru:Вистл]] [[fi:Tinapilli]] [[sv:Tin whistle]]