Wallace Clement Sabine 1090710 224292905 2008-07-08T05:16:00Z Wanakanz 7424991 /* Career */ delete imperial unit references '''Wallace Clement Sabine''' ([[June 13]][[1868]] - [[January 10]][[1919]]) was an [[United States|American]] [[physicist]] who founded the field of [[architectural acoustics]]. He graduated from [[Ohio State University]] in 1886 at the age of 18 before joining [[Harvard University]] for graduate study and remaining as a faculty member. Sabine was acoustical architect of [[Symphony Hall, Boston|Boston's Symphony Hall]], widely considered one of the two or three best [[concert hall]]s in the world for its acoustics. == Career == Sabine's career is the story of the birth of the field of modern [[architectural acoustics]]. In [[1895]], acoustically improving the Fogg Lecture Hall, part of the recently constructed [[Fogg Art Museum]], was considered an impossible task by the senior staff of the [[physics]] department at Harvard. The assignment was passed down until it landed on the shoulders of a young [[physics]] professor, Sabine. Although considered a popular lecturer by the students, Sabine had never received his [[Ph.D.]] and did not have any particular background dealing with sound. Sabine tackled the problem by trying to determine what made the Fogg Lecture Hall different from other, acoustically acceptable facilities. In particular, the [[Sanders Theater]] was considered acoustically excellent. For the next several years, Sabine and a group of assistants spent each night moving materials between the two lecture halls and testing the acoustics. On some nights they would borrow hundreds of seat cushions from the Sanders Theater. Using an organ pipe and a stopwatch, Sabine performed thousands of careful measurements (though inaccurate by present standards) of the time required for different frequencies of sounds to decay to inaudibility in the presence of the different materials. He tested reverberation time with several different types of Oriental rugs inside Fogg, and with various numbers of people occupying its seats, and found that the body of an average person decreased reverberation time by about as much as six seat cushions. Once the measurements were taken and before morning arrived, everything was quickly replaced in both lecture halls, in order to be ready for classes the next day. {{contradict}} Sabine was able to determine, through these late night forays, that a definitive relationship exists between the quality of the acoustics, the size of the chamber, and the amount of absorption surfaces present. He formally defined the [[reverberation]] time, which is still the most important* characteristic currently in use for gauging the acoustical quality of a room. The reverberation time is defined as number of seconds required for the intensity of the sound to drop from the starting level, by an amount of 60 dB ([[decibels]]). His formula is <math>T = 0.161 \frac{V}{A}</math> Where T is the reverberation time, V is the volume of the room in cubic meters, and A is the absorption area in square meters. *The ratio of the direct sound and early sound reflections is also of importance. Note that the Reverberation Equation is just that, a formula, not an equation. By studying various rooms judged acoustically good for their intended uses, Sabine determined that good concert halls had reverberation times of 2-2.25 seconds (with shorter reverberation times, a music hall seems too "dry" to the listener), while good lecture halls had reverberation times of slightly under 1 second. As regards the Fogg Museum lecture room, Sabine noted that a spoken word remained audible for about 5.5 seconds, or about an additional 12-15 words if the speaker continued talking. A listener, then, had to contend with a very high degree of resonance and echo. Using what he discovered, Sabine deployed sound absorbing materials throughout the [[Fogg Lecture Hall]] to cut its reverberation time down and reduce the "echo effect." This accomplishment cemented Wallace Sabine's career, and led to his hiring as the acoustical consultant for Boston's [[Symphony Hall, Boston|Symphony Hall]], the first [[concert hall]] to be designed using quantitative acoustics. His acoustic design was a great success and Symphony Hall is generally considered one of the best symphony halls in the world. In addition, the unit of sound absorption, the [[sabin (unit of measurement)|sabin]], was named after him. ==See also== *[[Acoustics]] == References == *[http://people.brandeis.edu/~sekuler/SensoryProcessesMaterial/reverberation.pdf Reverberation and the Art of Architectural Acoustics] *Emily Thompson, ''[http://mitpress.mit.edu/catalog/item/default.asp?ttype=2&tid=10318 The soundscape of modernity : architectural acoustics and the culture of listening in America, 1900 - 1933]'' (Cambridge, Mass.: MIT Press, 2002). * Wallace Clement Sabine, ''Collected Papers on Acoustics'' (New York: Dover Publications, 1964) [first published by Harvard University Press, 1922] == External links == *[http://www.artmuseums.harvard.edu/fogg/ Fogg Art Museum] *[http://www.fas.harvard.edu/~memhall/sanders.html Sanders Theatre] [[Category:1868 births|Sabine, Wallace Clement]] [[Category:1919 deaths|Sabine, Wallace Clement]] [[Category:Ohio State University alumni|Sabine, Wallace Clement]] [[Category:American physicists|Sabine, Wallace Clement]] [[de:Wallace Clement Sabine]] [[it:Wallace Clement Sabine]] [[nl:Wallace Clement Sabine]] [[ja:ウォーレス・クレメント・セイビン]] [[pt:Wallace Clement Sabine]] [[sv:Wallace Clement Sabine]] [[es:Wallace Clement Sabine]]