Zhou Tong (archer) 5568326 224517309 2008-07-09T05:37:52Z Ghostexorcist 1327456 /* Water Margin bandits */ remove extra word {{Other uses|Zhou Tong}} {| cellpadding=3px cellspacing=0px bgcolor=#f7f8ff style="float:right; border:1px solid #ccd2d9; margin:5px" |colspan=2 align=center style="border-top:1px solid #ccd2d9"|<big>'''Zhou Tong'''</big><br />[[Image:Zhou Tong GR.svg|center|250px|Zhou Tong stroking his beard.]] |- !style="background:#ccf; border-bottom:1px solid #ccd2d9" colspan=2|Teacher of General [[Yue Fei]] |- |align=right width=100px|Known in English as:||width=100px|Jow Tong, Chow Tong, Chou Tung, Zhou Dong, and Zhou Tong |- |align=right|[[Chinese Language|Chinese]]:||周同 (historical)<br>周侗 (fictional) |- |align=right|[[Hanyu Pinyin]]:||Zhōu Tóng |- |align=right|[[Wade-Giles]]:||Chou T’ung |- |align=right|[[Standard Cantonese|Cantonese]]:|| Jau<sup>1</sup> Tung<sup>4</sup><br>Jau<sup>1</sup> Dung<sup>6</sup> |- |align=right style="border-top:1px solid #ccd2d9"|Fictional nickname:||style="border-top:1px solid #ccd2d9"|Iron Arm<ref name=wang>Wang, Yun Heng (汪运衡) and Xiao Yun Long (筱云龙). ''Iron Arm, Golden Sabre: The Biography of Zhou Tong'' (铁臂金刀周侗传). Hangzhou: Zhejiang People's Publishing House, 1986 (UBSN - CN (10103.414) and 464574) </ref><ref name=Bordahl376>Børdahl, Vibeke. ''The Oral Traditions of Yangzhou Storytelling.'' Richmond, Surrey: Curzon Press, 1996 (ISBN 0-7007-0436-1), pg. 376</ref><ref name=Wang1>Wang Shao-t’ang (王绍堂). ''Wu Sung'' (武松). Nanking: Kiangsu wen-yi ch’u-pan-she, 1959), vol. I, chap. 2, sec. 7,</ref> |- |align=right|[[Simplified Chinese]]:||铁臂膀 |- |align=right|[[Traditional Chinese]]:||鐵臂膀 |- |align=right|[[Hanyu Pinyin]]:||Tiě Bèi Bǎng |- |align=right|[[Wade-Giles]]:||T’ieh Pei Pang |- |align=right|[[Standard Cantonese|Cantonese]]:||Tit<sup>3</sup> Bei<sup>3</sup> Bong<sup>2</sup><br>Tit<sup>3</sup> Bei<sup>3</sup> Pong<sup>4</sup> |- |} '''Zhou Tong''' ({{zh-c|周同}} and 周侗; [[pinyin]]: Zhōu Tóng; d. late 1121 [[Common Era|CE]]) was the [[archery]] teacher and second military arts tutor of famous [[Song Dynasty]] general [[Yue Fei]]. Originally a local hero from [[Henan]], he was hired to continue Yue Fei's military training in archery after the boy had rapidly mastered spearplay under his first teacher. In addition to the future general, Zhou accepted other children as archery pupils. During his tutelage, Zhou taught the children all of his skills and even rewarded Yue with his two favorite bows because he was his best pupil. After Zhou's death, Yue would regularly visit his tomb twice a month and perform unorthodox sacrifices that far surpassed that done for even beloved tutors. Yue later taught what he had learned from Zhou to his soldiers and they were successful in battle.<ref>Kaplan, Edward Harold. ''Yueh Fei and the founding of the Southern Sung.'' Thesis (Ph. D.) -- University of Iowa, 1970. Ann Arbor: University Microfilms International, 1970., pp. 10-12</ref> With the publishing of Yue Fei's fictional 17th-18th century biography, ''[[Yue Fei#The Story of Yue Fei|The Story of Yue Fei]]'', a new distinct fictional Zhou Tong emerged, which differed greatly from his historical persona. Not only was he now from [[Shaanxi]]; but he was Yue's adopted father, a learned scholar with knowledge of the [[Eighteen Arms of Wushu|eighteen weapons of war]], and his [[personal name]] was spelled with a different, yet related, Chinese character.<ref name=h448>Hsia, C.T. ''C. T. Hsia on Chinese Literature''. Columbia University Press, 2004 (ISBN 0231129904), pp. 448-449, footnote #31</ref> The novel's author portrayed him as an elderly [[widower]] and military arts tutor who counted [[Lin Chong]] and [[Lu Junyi]], two of the [[Water Margin#Index of the 108 heroes|108 outlaws]] on which the ''[[Water Margin]]'' is based, among his former pupils.<ref name=qian39>Qian, Cai. ''General Yue Fei''. Trans. Honorable Sir T.L. Yang. Joint Publishing (H.K.) Co., Ltd.,1995 (ISBN 978-962-04-1279-0), pg. 39</ref> A later [[Republic of China|republican era]] [[Media about Zhou Tong#How Wu Song becomes Zhou's student|folktale]] by noted [[Yangzhou]] storyteller [http://www.shuoshu.org/Chinese_Storytelling/masters_and_disciples/wang.shtml Wang Shaotang] not only adds [[Wu Song]] to this list, but represents Zhou as [[Youxia|knight-errant]] with supreme swordsmanship. The tale also gives him the nickname "Iron Arm", which he shares with the [[executioner]]-turned-bandit [[Cai Fu]], and makes the bandit [[Lu Zhishen]] his [[sworn brother]].<ref name=Wang1/><ref name=h448/> Because of his association with the outlaws, he is often confused with the similarly named bandit [[Zhou Tong (Water Margin)|Zhou Tong]].<ref name=wolf>{{pt icon}} {{cite web | author = Rodrigo Wolf Apolloni | title= Shaolin to Brazil: Study on the Presence and Transformation of Eastern Religious Elements in Kung Fu Practiced in Brazil (thesis)| url= http://www.shaolincuritiba.com.br/texto.pdf | publisher = The Pontifical Catholic University of São Paulo | format=PDF | accessdate=2007-07-17 }} See number 6 on pg. 4. Notice the author portrays him as the bandit from the [[Water Margin]] and spells his name as 周通, instead of the correct 周同 (historical) or 周侗 (fictional).</ref> Various [[wuxia]] novels and folk legends have endowed Zhou with different kinds of martial and supernatural skills. These range from mastery of the bow, double broadswords, and [[Qiang (spear)|Chinese spear]] to that of [[Wudang]] hard [[qigong]] and even [[x-ray vision]]. Practitioners of [[Eagle Claw]], [[Chuojiao]] and [[Xingyi]] commonly include him within their lineage history because of his association with [[Yue Fei]], the supposed progenitor of these styles. He is also linked to [[Northern Praying Mantis]] boxing via Lin Chong and [[Yan Qing]], the adopted son of Lu Junyi. Wang Shaotang's folktale even represents him as a master of [[Zui Quan|Drunken Eight Immortals]] boxing.<ref name=b373>Børdahl, 1996: pg. 373</ref> However, the oldest historical record that mentions his name only says he taught archery to Yue Fei.<ref name=jin>Yue, Ke (岳柯). ''Jin Tuo Xu Pian'' (金佗续编), 1234 - Chapter 28, pg. 16</ref> Nothing is ever said about him knowing or teaching a specific style of [[Chinese martial art]]s. Zhou has appeared in various forms of media such as novels, comic books, and movies. His rare 20th century biography, ''[[Media about Zhou Tong#Fictional biography|Iron Arm, Golden Sabre]],'' serves as a sequel to ''The Story of Yue Fei'' because it details his adventures decades prior to taking Yue as his pupil.<ref name=wang/> This was later adapted into a ten volume [[Media about Zhou Tong#Comic book|Lianhuanhua comic book]].<ref name=xiong8>Xiong, Ti (匈棣). ''The Legend of Zhou Tong'' (周侗传奇) (Vol. 1-10). Zhejiang Literature and Art Publishing House (浙江美术 出版社), 1987</ref> He also appears in a novel concerning one of his fictional [[Sihing|martial arts brothers]].<ref name=lou>Lou, Yun He (楼云和). ''Jin Tai Fights the Shaolin Monastery Three Times'' (金台三打少林寺). Zhejiang Literature & Art Publishing House (浙江文艺出版社), 1986</ref> He was portrayed by three different actors in a string of [[black and white]] Yue Fei films produced in the 1940s and 1960's, one of which featured a ten year old [[Sammo Hung]] as the [[Leading actor|lead]].<ref name=sammo>{{zh icon}} {{cite web | title= Yue Fei Chu Shi | url=http://www.cnmdb.com/title/45623/ | publisher = China Movie DataBase | accessdate=2007-07-17 }}</ref> Veteran martial arts actor Yu Cheng Hui, who played the sword-wielding [[antagonist]] in [[Jet Li]]'s ''[[Shaolin Temple (1982 film)|Shaolin Temple]]'',<ref name=yu>{{cite web | title=Yu Cheng Hui | url=http://www.hkcinemagic.com/en/people.asp?id=2329 | publisher = Hong Kong Cinémagic | accessdate=2007-07-17 }}</ref> stated in a 2005 interview that he has always wanted to portray Zhou in a film.<ref name=www.shm.com>{{zh icon}} {{cite web | author = Liang Lijie | title= Shandong actor would like to portray Zhou Dong and make him popular | url=http://www.shm.com.cn/shan-dong/2005-07/04/content_828794.htm | publisher = Populace daily paper | accessdate=2007-07-17 }}</ref> ==History== ===Mention in Yue family memoirs=== {| align="right" style="padding-left: 15px;" | __TOC__ |} On his deathbed, Yue Fei's third son Yue Lin (岳霖, b. 1130) asked his own son,<ref>Kaplan: pg. 16</ref> the poet and historian Yue Ke (岳珂, 1183 – post 1240),<ref>{{cite web | author =B. J. ter Haar | title=Newly Recovered Anecdotes from Hong Mai's (1123-1202) Yijian zhi | url=http://website.leidenuniv.nl/~haarbjter/169_004.pdf#search=%22Yue%20Ke's%22 | publisher=Sinological Institute, Leiden | format=PDF |accessdate=2007-07-17 }}</ref> to complete Yue Fei's memoirs. This two-part memoir was completed in 1203, some sixty years after the general's political execution, but was not published until 1234.<ref>Kaplan: pg. 2</ref> It was later rewritten in 1345 and published in the [[Yuan Dynasty]]'s dynastic chronology ''[[Twenty-Four Histories|History of the Song Dynasty]]'' ([[:zh:宋史|宋史]]) under the title ''[[Yue Fei#Yue Fei Biography|Yue Fei Biography]]'' (chapter 365, biography 124).<ref name=wilhelm147>Wilhelm, Hellmut. "From Myth to Myth: The Case of Yueh Fei’s biography," in ''Confucian Personalities'', ed. Arthur Wright and Denis Twitchett. Stanford studies in the civilizations of eastern Asia. Stanford, Calif: Stanford University Press, 1962 (ISBN 0804700443), pg. 147</ref> Zhou’s mention in Yue Ke’s memoir was only briefly summarized in the Yuan rewrite. It reads, "He [Yue Fei] learned [[archery]] from Zhou Tong. He learned everything and could fire with his left and right hands. After Tong's death, he would offer sacrifices at his tomb."{{ref_label|a|a|none}}<ref name=yue2p>Toktoghan (脫脫). ''History of the Song: Yue Fei Biography'' (宋史'''•'''岳飞传) (Volume 365), 1345. A rewritten version of Yue Ke's memoir. (See also, {{cite web | title=岳飞子云 {{zh icon}} | url=http://www.yifan.net/yihe/novels/history/songshiytt/sshi365.html | accessdate=2007-07-17 }})</ref><ref name=selby258>Selby, Stephen. ''Chinese Archery''. Hong Kong: Hong Kong University Press, 2000 (ISBN 9622095011), pg. 258</ref> [[Western Washington University]] history professor Edward Kaplan explains Zhou was a "local hao" ([[Wiktionary:豪|豪]] - "heroic (person)").<ref name=kap10/> He comments ''Hao'' can also mean "a ‘[[Chinese knight errant|knight errant]]’ in poetic translation, or in prosaic terms a professional strongman and bodyguard.’"<ref name=kap10/> This means Zhou was a local hero from [[Anyang#Administration|Tangyin County]], [[Anyang|Anyang prefecture]], [[Henan]] province (the [http://rumbletum.org/Asia/China/Henan/_1785294_Anyang.html#themap same area as Yue Fei]).<ref name=ham95>Foster, Robert W. “Yue Fei, 1103-1141” in ''The Human Tradition in Premodern China''. Human tradition around the world, no. 4, ed. Kenneth James Hammond. Wilmington, Del: Scholarly Resources, 2002. (ISBN 0842029591), pg. 95</ref><ref name=kap5>Kaplan: pg. 5</ref> Historical and scholarly sources spell his [[personal name]] as [[Wiktionary:同|同]] (Tong), meaning "same or similar".<ref name=kap10/> This differs from the spelling present in fictional sources, which will be further explained below. So, "周同" represents the ''historical'' archer. ===Tutelage=== Despite being literate, giving him a chance to become a scholar, young Yue Fei chose the military path because there had never been any tradition of full-fledged Confucian civil service in his family history. He would stay up all night reading military strategy books and idolized such great historical heroes as [[Guan Yu]].<ref name=wilhelm149>Wilhelm: pg. 149</ref> However, the Yue family was much too poor to afford military lessons for their son, so, Yao Dewang, the boy's [[maternal]] grandfather, hired Chen Guang (陈广) to teach the eleven year old how to wield the [[Qiang (spear)|Chinese spear]]. Yao was very surprised when his grandson quickly mastered the spear by the age of thirteen.<ref name=jin/><ref name=kap13>Kaplan: pg. 13</ref> Zhou was then brought in to continue Yue's military training in archery.<ref name=qianru>Qian, Ru Wen (钱汝雯). ''Biography of Song Yue, Prince of E'' (宋岳鄂王年), 1924</ref> Dr. Kaplan describes Zhou as the "most important" of the two teachers.<ref name=kap10>Kaplan: pg. 10</ref> A section of the ''Jin Tuo Xu Pian'', the second part of Yue Ke's original published memoir, describes one of Zhou's archery lessons and reveals that he took other children as his pupils: [[Image:Zhoutong&students.jpg|thumb|right|160px|Zhou teaching Yue archery.]] <blockquote>"One day, [Chou] T'ung gathered his pupils for an archery session and to display his ability put three arrows in succession into the center of the target.{{ref_label|b|b|none}} Pointing to the target to show grandfather [Yue Fei], he said: 'After you can perform like this, you can say you are an archer.' Grandfather, thanked him and asked to be allowed to try. He drew his bow, let fly his arrow and struck the end of T'ung's arrow. He shot again and again hit the mark. T'ung was greatly amazed and subsequently presented to grandfather his two favorite bows. Thereafter grandfather practiced still more [until] he was able to shoot to the left and right, accurately letting fly the arrow as he moved.{{ref_label|c|c|none}} When he became a general he taught this to his officers and men so that his whole army became skilled at shooting to the left and right and frequently used this technique to crush the enemy's spirit."<ref name=kap11>Kaplan: pg. 11</ref><ref>Li, Hanhuan (李汉魂). ''Chronology of Yue Wumu'' (岳武穆年谱). Shanghai: Shangwu Press, 1947 - Chapter 4, pg. 3b</ref></blockquote> The last sentence of the passage is similar to one from the [[Republic of China|Republican era]] ''Biography of Song Yue, Prince of E''. It mentions how after the tutor's death, Yue taught what he had learned from Zhou to his soldiers who were victorious in battle.<ref name=qianru/> ===Death=== Zhou continued to teach the children until his death, prior to Yue's legal adulthood.<ref name=wilhelm149/> Following his passing, Yue became extremely depressed since Zhou had been the greatest influence on his early life.<ref name=kap11/> Zhou's student would regularly visit his tomb on the first and fifteenth of every month with sacrifices of meat and wine and would shoot three arrows in succession with one of the two bows his tutor had presented him with (it is never mentioned whether any of Zhou's other archery pupils came to visit his tomb).{{ref_label|d|d|none}} Dr. Kaplan comments this continuous unusual display of mourning "went far beyond the ceremonial appropriate for even a highly respected teacher."<ref name=kap11/> Noted [[Sinologist]] [[Hellmut Wilhelm]] claims even though the display of grief was genuine, it was also a way of emulating the stories of his heroic idols and "[establishing himself] in the public eye."<ref name=wilhelm149/> Yue's father later followed him secretly to Zhou's tomb after striking him during an argument over his melancholic behavior. There, he saw him perform the unorthodox obediences involving the meat, wine, and three arrows. When he finally confronted him, the son confessed that "his gratitude for Chou's instruction could not be requited simply by the usual first and middle of the month ceremonies and so he...shot off the three arrows to symbolize that Chou had been the source of his inspiration as an archer."<ref name=kap12>Kaplan: pg. 12</ref> Dr. Kaplan's states this happened just prior to Yue's entrance into the army and that the entire event served as a symbol for Yue's "entrance into responsible manhood."<ref name=kap12/> The ''Chronology of Yue Wumu'' lists the events at Zhou's tomb happening "in 1121 when Yue was nineteen",<ref name=kap13/><ref>Li, 1947: pg. 9</ref> but Yue would have been eighteen in that year since he was born on "the fifteenth day of the second month of 1103."<ref name=kap4>Kaplan: pp. 3-4</ref> The author of the original source material was probably using [[East Asian age reckoning#Chinese|xusui]] age calculation, in which a child is already considered one year old at birth.<ref>DeFrancis, John. ''ABC Chinese-English dictionary: alphabetically based computerized''. Honolulu: University of Hawai'i Press, 1996 (ISBN 0824817443), pg. 696</ref> Since Yue joined the military shortly after Zhou's death, a relative time frame can be given for when he passed away. During the early months of 1122, the Song empire mobilized its armed forces to assist the [[Jurchen]] in confronting their common enemy, the [[Liao Dynasty]].<ref name=kap32>Kaplan: pg. 32</ref> Therefore, it appears that Zhou died in late 1121, before the call to arms was issued. ==Fiction== [[Image:Zhou Tong Cover.jpg|left|thumb|100px|Front cover of ''Iron Arm, Golden Sabre.'']] Zhou Tong's fictional life story can be pieced together from two sources: ''[[Yue Fei#The Story of Yue Fei|The Story of Yue Fei]]'' and ''[[Media about Zhou Tong#Fictional biography|Iron Arm, Golden Sabre]]''. ''The Story of Yue Fei'' is a fictionalized retelling of Yue Fei's young life, military exploits, and execution. It was written by a native of [[Hangzhou|Renhuo]] named Qian Cai (钱彩), who lived sometime during the reigns of [[Qing Dynasty]] [[Kangxi Emperor|Emperor Kangxi]] and [[Emperor Qianlong]]. A dating symbol in its preface points either to the year 1684 or to 1744.<ref>Degkwitz, Jochen. ''Yue Fei und sein Mythos. Die Entwicklung der Yue-Fei-Saga bis zum, Shuo Yue quan zhuan'', Chinathemen 13, edited by Helmut Martin, Volker Klapsch and Martin Krott (Bochum: N Brockmeyer, 1983 (ISBN 3883393215), pg. 69</ref> It was deemed a threat by the Qing emperors and banned during the Qianlong era.<ref>Degkwitz: pp. 116-131</ref> In the novel, Zhou is portrayed as an elderly [[widower]] and Yue's only military arts tutor. The General's historical spear master Chen Guang is never mentioned. Zhou teaches Yue Fei and his sworn brothers military and literary arts from chapters two through five, before his death.<ref>Qian: pp. 24-57</ref> In the writing of his novel, Qian Cai used a different character when spelling Zhou's given name.<ref name=h448/> Instead of the original character meaning "similar," it was changed to [[Wiktionary:侗|侗]], meaning "rude or rustic." So, "周侗" represents Zhou's distinct ''fictional'' persona. This spelling has even been carried over into modern day martial arts manuals.<ref name=liang>Liang, Shou-Yu and Dr. Yang, Jwing-Ming. ''Xingyiquan: Theory, Applications, Fighting Tactics and Spirit.'' Boston: YMAA Publication Center, 2002. (ISBN 978-0-940871-41-0), pg. 15</ref><ref>Yuen, Man Kai. ''Northern Mantis Black Tiger Intersectional Boxing''. Wanchai, Hong Kong: Yih Mei Book Co. Ltd., 1991 (ISBN 962-325-195-5), pg. 5-6</ref> ''Iron Arm, Golden Sabre'' was written by Wang Yun Heng and Xiao Yun Long and published in 1986.<ref name=wang/> This novel, which serves as Zhou's own fictional biography, is a [[prequel]] to ''The Story of Yue Fei'' because it details his adventures decades prior to taking Yue Fei as his student. It follows his life as a young martial arts instructor in the Song army's Imperial guard, his struggles against the [[Xixia]] and [[Liao Tartars|Liao Tartar]] barbarian tribes and his tutelage of ''[[Water Margin]]'' bandits. The last few chapters incorporate the storyline from the four chapters that he appears in ''The Story of Yue Fei.'' This was later adapted into a ten volume [[Lianhuanhua]]-style comic book called ''[[Media about Zhou Tong#Comic book|The Legend of Zhou Tong]]'' in 1987.<ref name=xiong8/> ===Adulthood=== [[Image:Zhou and his teacher.JPG|thumb|200px|right|A panel from Zhou's comic book showing his master Tan Zhengfang instructing him as a child. The man wearing military garb is his [[Sihing|older martial arts brother]], General Jin Tai.]] Zhou is born in Shaanxi and trains in the martial arts from a young age. He is taken as one of the pupils of [[Shaolin]] master Tan Zhengfang (谭正芳) and, learning the true essence of [[Shaolin Kungfu]], becomes proficient in things both literary and martial. Tan's other students include the future generals Jin Tai (金台) and Zong Ze ([[:zh:宗澤|宗澤]]) and the future Water Margin bandits [[Sun Li]] and [[Luan Tingyu]]. As a young man, Zhou catches the attention of Judge [[Bao Zheng]] and enlists in the military as an officer. His superiors take note of his great skill after he helps his classmate General Jin battle Liao Tartars in northern China and install him as a teacher in the Capital Imperial Martial Arts School. The school has three [[Chair (academic)|teaching positions]] named in order of prestige "Heaven", "Earth", and "Man". Since he has the greatest skill, he occupies the Heaven position. He uses this post and his friendship with General Zong to get their classmate Sun Li installed as the Superintendent of Forces of [[Dengzhou]]. Sun later becomes a bandit under [[Chao Gai]] and helps defeat the evil Zhu Family, who learn military arts from his classmate Luan Tingyu. As he grows older, Zhou becomes dissatisfied with politics because the Imperial court chooses to appease the northern barbarian tribes instead of standing against them. He then devotes himself wholeheartedly to his martial arts practice and creates several official and authoritative techniques including the "five step, thirteen lance [[Chuojiao|piercing kick]]," which is a development of Shaolin [[Fanzi]] boxing, and the "Zhou Tong cudgel". He makes a concerted effort to transmit his martial efforts while teaching at the Imperial Martial Arts School and formally accepts two disciples: "Jade Unicorn" [[Lu Junyi]] and "Panther head" [[Lin Chong]]. Lu Junyi is a millionaire with vast land holdings and does not hold office, but Lin Chong inherits Zhou's position after his retirement, and continues to serve as the lead instructor for the 800,000 members of the Song army's Imperial Guard. During this time, Zhou Tong also has an additional disciple named [[Wu Song]]. Wu Song becomes famous for [[Wu Song#Wu Song kills the tiger|killing a man-eating tiger]] with his bare hands and is appointed as a constable in his native [[Shandong]]. The county magistrate Sun Guoqin later sends Wu on a mission to Kaifeng with precious tiger bone balm in order to curry favor with influential personages.{{ref_label|e|e|none}} During his stay in the capital, he makes the acquaintance of Zhou. Zhou finds Wu to be a man of great strength, but feels that he lacks refinement in his martial technique and, therefore, offers guidance for Wu's training. Unfortunately, these two men only interact for a brief two months before Wu has to return home, never to see Zhou again. Following his retirement, Zhou serves for a time as an advisor to General Liu Guangshi ([[:zh:劉光世|劉光世]]), whose troops are garrisoned in Henan Province. But Zhou later becomes a bandit himself after he aids the heroes of the ''[[Water Margin]]'' and is forced to flee from government forces. Meanwhile, he learns his elderly classmate Jin Tai is close to death and hurries to Shaolin (where the general had become a [[Buddhist monk]] after the murder of his family) to pay his last respects. As the oldest of Tan's pupils, Jin orders Zhou to find a talented youth to pass on all of his martial arts knowledge to. However, this reunion is cut short when the troops track him to Shaolin. He flees to Wine Spring mountain and lives in hiding for sometime before being invited by his old friend Wang Ming (王明) to become the precept of the Wang family in Unicorn Village.<ref name=xiong8/>{{ref_label|f|f|none}} ===Old age and death=== One day, Zhou surprises the children with a written exam and leaves the classroom to speak with a visitor. Wang's son, Wang Gui (王贵), tricks their maid's son, Yue Fei, into completing their assignment while they go outside to play. After easily finishing the task at hand, Yue writes a [[epic poem|heroic poem]] on a [[whitewash]]ed wall and signs it with his name. The children then burst into the classroom upon learning of Zhou's forthcoming return and tell Yue to escape in order to avoid apprehension. The old teacher eventually discovers the ruse and, after marveling at Yue's impromptu ballad, asks Yue to fetch his mother, Lady Yao (姚夫人), for an important meeting. With the entire Wang household assembled in the main hall, Zhou asks the Lady for her blessing to have the boy as his adopted son and student. She consents and Yue takes his seat amongst Zhou's [[Zhou Tong (archer)#Students|students]] the following morning. Because Zhou knows Yue is poor, he commands the four students to become [[sworn brother]]s. Zhou also begins to teach Yue all of the [[Eighteen Arms of Wushu|eighteen weapons of war]]. Six years later, Zhou takes the group to visit his old friend, the [[abbot]] of a small Buddhist temple on the "Hill of Dripping Water." Thirteen year old Yue wanders behind the temple and finds the "Cave of Dripping Water", in which lives a magical snake. When it lunges at Yue, he dodges to one side and pulls on its tail with his supernatural strength, causing it to turn into an eighteen foot long, gold-plated spear named the "Supernatural Spear of Dripping Water." When they return home, Zhou begins to drill all of his students in the military arts—[[Eighteen Arms of Wushu|eighteen weapons of war]], archery, and hand-to-hand combat. After three years of practice, Zhou enters them into a preliminary military examination in [[Anyang#Administration|Tangyin]] in which sixteen year old Yue wins first place by shooting a succession of nine arrows through the [[bullseye (target)|bullseye]] of a target two hundred and forty [[paces]] away. After his display of marksmanship, Yue is asked to marry the daughter of Li Chun (李春), an old friend of Zhou's and the county magistrate who presided over the military exams. Father and son then return home to their village. [[Image:Zhou on death bed.JPG|thumb|left|200px|Yue making obediences to Zhou on his death bed.]] Magistrate Li writes out a [[marriage certificate]] and dispatches a messenger to deliver the document to Yue Fei in Unicorn Village. Zhou and Yue set out at dawn and travel back to Tangyin to thank the Magistrate for his generosity and kindness. There, Li prepares a great feast for them, but when food is brought out for any servants that might have accompanied them, Zhou comments that they had come on foot without help. Li decides to let Yue pick from any one of his thousands of horses because every able military man needs a strong steed. After finishing their feast, Zhou and Yue thank Li once again and leave Tangyin to return home.<ref name=qia24>Qian: pp. 24-56</ref> During their journey, Zhou recommends that Yue run the horse to test its speed. Yue spurs the horse on leaving Zhou in pursuit. When they reach the village gate, the two dismount and Zhou returns to his study where he feels hot from the race and removes his outer garments to fan himself. But he soon falls ill and stays bedridden for seven days. Then the book describes his death and burial: <blockquote>"...his phlegm bubbled up and he died. This was on the fourteenth day of the ninth month in the seventeenth year of the Reign of Xuan He, and his age was seventy-nine ... Buddhist and Taoist Priests were asked to come and chant prayers, for seven times seven, namely forty-nine days. Then the body was taken up to be buried beside the Hill of Dripping Water."<ref>Qian: pg. 57</ref></blockquote> Yue lives in a shed by his grave through the winter and in the second [[lunar month]] of the following year, his martial brothers come and pull the building down, forcing him to return home and take care of his mother. The quoted death date is not only unreliable because the book is fiction, but also because the ''[[Emperor Huizong of Song China#Era names|Xuan He]]'' [[Nian Hao|reign era]] of [[Emperor Huizong of Song China|Emperor Huizong]] lasted only seven years (1119–1125) and not seventeen.<ref>Li, Feng. ''Landscape and Power in Early China: The Crisis and Fall of the Western Zhou 1045-771 BC''. Cambridge University Press, 2006 (ISBN 0521852722), pg. 325</ref> Although ''The Story of Yue Fei'' states Zhou died shortly before Yue took a wife, he historically died ''after'' Yue married.<ref name=kap13/> It is likely that the original author invented this fictional date. ===Family=== According to ''[[Yue Fei#The Story of Yue Fei|The Story of Yue Fei]]'', Zhou was married with a son.<ref name=qian24>Qian: pg. 24</ref> But Zhou comments that his "old wife" died and his "small son" was killed in battle against the [[Liao Dynasty|Liaos]] after leaving with the bandit [[Lu Junyi]] to fight in the war.<ref name=qian25>Qian: pg. 25</ref> In ''[[Media about Zhou Tong#Comic book|The Legend of Zhou Tong]]'', his wife is named Meng Cuiying (孟翠英) and his son is named Zhou Yunqing (周云清).<ref name=xiong>Xiong: Vol. 2 and 8</ref> He defeats Meng in a [[lei tai]] martial arts contest and wins her as his wife.<ref>Xiong: Vol. 2, pp. 68-75</ref> But she is shortly thereafter kidnapped by the wicked monks of the Stone Buddha temple. Both Zhou and Meng eventually defeat the monks with their combined martial skills and later marry at the [http://rumbletum.org/Asia/China/Hubei/_1800616_Miaochuan.html#themap Miaochuan Pass] in Hubei province.<ref>Xiong: Vol. 2-6</ref> [[Image:Zhou adopts Yue.JPG|thumb|200px|right|Zhou adopts Yue.]] Zhou Yunqing first appears as a fierce, impulsive young man who rides his horse into the thick of enemy encampments wielding a long spear.<ref>Xiong: Vol. 6</ref> He later dies in battle against the [[Liao Dynasty]]. After his son's death, Zhou retreats to the [http://english.ctrip.com/destinations/sight.asp?resource=9458 Xiangguo Temple] for a long morning period.<ref>Xiong: Vol. 8</ref> He later takes seven year old Yue Fei as his adopted son and sole heir years after the boy's father drowns in a great flood: <blockquote>"I see that he [Yue Fei] is clever and handsome and I, an old man, wish to have him as my adopted son ... He need change neither his name nor his surname. I only want him to call me father temporarily so that I can faithfully transmit all the skills I have learned in my life to a single person. Later, when I die, all he has to do is to bury my old bones in the earth and not allow them to be exposed, and that is all."<ref name=qian334>Qian: pp. 33-34</ref></blockquote> However, after comparing events from ''The Story of Yue Fei'' and a account of Yue's life from the sixteenth century ''Popular Elucidation of the Restoration of the Song Dynasty'',<ref name=chang>Chang, Shelley Hsueh-lun. ''History and Legend: Ideas and Images in the Ming Historical Novels''. University of Michigan Press, 1990 (ISBN 047210117X), pg. 10</ref> literary critic C.T. Hsia concluded "that his father did not [historically] die in the flood and that, although Yueh Fei showed almost filial regard for the memory of his teacher Chou T’ung 同 (not 侗), the latter had not been his adopted father."<ref name=h448/> The ''Popular Elucidation'' was one of the earliest of four “historical novels” (fictionalized [[24 Histories|dynastic chronologies]]) written about Yue during the [[Ming Dynasty]], all of which predate ''The Story of Yue Fei''.<ref>Chang: pg. 103</ref> Despite the addition of popular legends, Xiong Damu (fl. 1552), the author of this work, relied heavily on historical chronologies including [[Zhu Xi]]’s (1130-1200) ''Outlines and Details Based on the T'ung-chien'',<ref>Doniger, Wendy. ''Merriam-Webster's Encyclopedia of World Religions''; Wendy Doniger, Consulting Editor. Springfield, Mass: Merriam-Webster, 1999 (ISBN 0877790442), pg. 238</ref> Yue Ke’s family memoir, and the Yuan Dynasty’s official ''[[Yue Fei#Yue Fei Biography|Yue Fei Biography]]'' to write his story.<ref name=chang/> So, ''The Story of Yue Fei'' was the first full-blown fictionalized novel to introduce the adoption storyline. ===Appearance and voice=== [[Image:Jowtongbook.jpg|thumb|left|147px|Illustration of an elderly Zhou from ''[[Media about Zhou Tong#Fictional biography|Iron Arm, Golden Sabre]]''.]] He is generally portrayed as a large elderly man with a powerful voice. A [[Media about Zhou Tong#How Wu Song becomes Zhou's student|modern folktale]] by noted Yangzhou storyteller Wang Shaotang (1889-1968), whom folklore researcher Vibeke Børdahl called "the unrivaled master of this [the 20th] century,"<ref>Børdahl, 1996: xxv</ref> describes Zhou thusly, <blockquote>"He was beyond the age of fifty, he was more than fifty, and standing upright he measured about eight feet. His face had a golden tan, arched brows, a pair of bright eyes, a regular head form, a square mouth, a pair of protruding ears, and under his chin there were three locks of beard, a grizzled beard. On his head he wore a sky-blue satin scarf, and he was dressed in a stately sky-blue satin coat with a silken girdle, a pair of wide black trousers without crotch and satin boots with thin soles."<ref>Børdahl, 1996: pp. 366-367</ref></blockquote> Heroes and religious masters with above normal height are a reoccurring theme in [[Chinese folklore]]. For instance, his student [[Wu Song]] is said to be over nine feet tall in the same folktale.<ref>Børdahl, 1996: pg. 370</ref> In ''[[Yue Fei#The Story of Yue Fei|The Story of Yue Fei]]'', the General simultaneously duels with two other warriors vying for first place in a military exam; one is nine feet tall and the other is eight feet tall.<ref>Qian: pg. 102</ref> A [[Hagiography]] of the [[Taoist]] saint [[Zhang Daoling]] states he was over seven feet tall.<ref>Wong, Eva. ''Tales of the Taoist Immortals.'' Boston, Massachusetts: Shambhala Publications, Inc., 2001 (ISBN 1-57062-809-2), pg. 77</ref> When Zhou is vocalized in "[[Media about Zhou Tong#Storytelling|Yangzhou storytelling]]," he speaks in "Square mouth public talk," which is a manner of speaking reserved for martial heroes, highly respected characters, or, sometimes, lesser characters that pretend to be an important hero.<ref>Børdahl, 1996: pp. 92 and 94</ref> Square mouth public talk is actually a mixture of two forms of [[dialogue]]: ''Fangkou'' and ''Guanbai''. ''Fangkou'' (square mouth) is a manner of steady, yet forceful over pronunciation of dialogue that was possibly influenced by [[Chinese opera#Northern Branches|Northern Chinese opera]].<ref>Børdahl, 1996: pg. 84</ref> ''Guanbai'' (public talk) is [[monologue]] and dialogue that is sometimes used for "imposing heroes."<ref>Børdahl, 1996: Footnote #38, pg. 84</ref> This mixture of styles means Zhou Tong is treated as a highly regarded hero. In her analysis of Yangzhou storytelling, Børdahl noted that the aforementioned tale about Zhou and Wu Song uses different forms of dialogue for both characters. Wu speaks square mouth utilizing [[standard mandarin]] without [[rusheng]] (short [[Glottal stop|glottal]] syllables). On the contrary, Zhou speaks squaremouth using the [[Mandarin dialects#Finals|Yangzhou tone system]], which ''does'' utilize rusheng syllables. Therefore, she believes “square mouth dialogue should at least be divided into two subcategories, namely the Wu Song variant—without rusheng, and the Zhou Tong variant—with rusheng."<ref name=story>{{cite web | author = Vibeke Børdahl | title= The Voice of Wang Shaotang in Yangzhou Storytelling| url= http://www.shuoshu.org/Voice%20of%20Wang%20Shaotang.pdf | publisher = Danish Institute for Advanced Studies in the Humanities | format=PDF | accessdate=2008-03-02}}, pp. 27 and 38–39</ref> ===Students=== ====Water Margin bandits==== :''See also: [[Water Margin#External links|Index of the 108 heroes]]'' [[Image:Yoshitoshi-Lin Chong.jpg|thumb|120px|right|A 1886 [[Woodblock printing|block print]] by [[Yoshitoshi]], depicting [[Lin Chong]] outside the Temple of the Mountain Spirit, after he has killed [[Lu Qian]] and all his other captors.]] The ''[[Water Margin]]'' (circa 1400 CE) is a [[Ming Dynasty]] [[Romance (genre)|military romance]] about one hundred and eight celestial-born men and woman who band together to rebel against the lavish [[Song Dynasty]] government.<ref>Liu, 1967: pp. 108-116</ref> [[Lin Chong]] and [[Lu Junyi]], two of these bandits, are briefly mentioned as being Zhou's previous students in ''The Story of Yue Fei''. They are not characters within the main plot, though, as both are killed by "villainous officials" prior to Zhou becoming precept of the Wang household.<ref name=qian25/> However, the two are not among his historical students because they are fictional characters.<ref>C.T. Hsia. ''The Classic Chinese Novel: A Critical Introduction.'' Cornell University East Asia Program, 1996 (ISBN 1885445849), pg. 83</ref> Zhou's portrayal as their teacher is connected to a reoccurring element in Chinese fiction where [[Tang Dynasty|Tang]] and [[Song Dynasty]] heroes train under a "celestial master," usually a [[Taoist immortal]], prior to their military exploits.<ref name=h140>Hsia, 2004: pp. 140</ref> C.T. Hsia suggests the mold from which all other similar teachers are cast is Gui Guzi (鬼谷子), master of the feuding strategists [[Sun Bin]] and Pang Juan,{{ref_label|g|g|none}} from the tale ''Latter Volume of the Spring and Autumn Annals of the Seven Kingdoms''.<ref name=h140/> Hsia goes on to say that Qian Cai, Yue's fictional biographer, associated Zhou with the bandits because "most such teachers [in the military romance genre] are celestials."<ref name=h149>Hsia, 2004: pg. 149</ref> But in adopting this format, Qian reversed the traditional pattern of "celestial tutelage" since Zhou is written as a human, while his students are reincarnations of demons (Lin and Lu) and the celestial bird [[Garuda]] (Yue Fei).<ref>Shi: pp. 14-16</ref><ref>Hsia, 2004: pp. 149 and 154</ref> [[Northern Praying Mantis]] Master Yuen Mankai believes Zhou taught the bandits the "same school" of martial arts that was later combined with seventeen other schools to create Mantis fist.<ref name=yuen7>Yuen: pg. 7</ref> This combination of various schools refers to an eighteenth century martial arts manual that describes the gathering of [[Northern Praying Mantis#Origins|eighteen masters]] at the [[Shaolin Monastery]] that supposedly took place during the early years of the [[Song Dynasty]].<ref>"Luohan Xinggong Duan Da". ''Journal of Sport History and Culture'' (体育文史), No. 1, (2001). pg. 36-37,9 (ISSN 1671-1572)</ref> Lin Chong and [[Yan Qing]] are listed as two of the eighteen masters invited, which means their skills of [[Chuojiao|Mandarin Duck Leg]] and [[Ditang|ground fighting]] are treated as two separate schools, instead of one. But he believes Mantis fist was created during the Ming Dynasty, and was therefore influenced by these eighteen schools from the Song. He also says Lu Junyi taught Yan Qing the same martial arts as he learned from Zhou.<ref name=yuen8>Yuen: pg. 8</ref> [[Image:Lu Zhishen.jpg|thumb|left|150px|Zhou's sworn brother, the "Flowery Monk" Lu Zhishen.]] Although Lin and Lu have been connected to Zhou since the [[Qing Dynasty]], Wu Song did not become associated with him until Wang Shaotang created a 20th century folktale in which the [[Media about Zhou Tong#How Wu Song becomes Zhou's student|two meet in Kaifeng]].<ref name=h448/> The tale takes place during Wu's mission to Kaifeng, but before the murder of his older brother [[Wu Dalang]].<ref>Børdahl, 1996: pg. 365</ref> Zhou teaches Wu the "Rolling Dragon" style of swordplay during the constable's one month stay in the capital city.<ref name=bordahl166>Børdahl, Vibeke. ''Four Masters Of Chinese Storytelling: Full-length Repertoires Of Yangzhou Storytelling On Video''. Nordic Institute of Asian Studies; Bilingual edition, 2004 (ISBN 8-7911-1464-0), pg. 166</ref> This tale was chapter two of Wang's "Ten chapters on Wu Song" storytelling repertoire, which was transcribed and published in the book ''Wu Sung'' in 1959.<ref name=Wang1/> It was later carried over into the storyline of ''[[Media about Zhou Tong#Fictional biography|Iron Arm, Golden Sabre]]'' and, subsequently, ''[[Media about Zhou Tong#Comic book|The Legend of Zhou Tong]]''.<ref>Xiong: Vol. 10</ref> Wang’s tale portrays Zhou as an aging [[youxia|itinerant swordmaster]] with "a fame reverberating like thunder" throughout the underworld society of [[Jianghu]].<ref name=Bordahl376/> He is made the sworn brother of the bandit "Flowery Monk" [[Lu Zhishen]],<ref name=h448/> a military officer-turned-fighting monk, who is, according to Hsia, first among the most popular protagonists of the ''Water Margin''.<ref>Hsia, 1996: pg. 85</ref> He is also given the nickname "Iron Arm" (铁臂膀), which carried over into the title of his fictional biography ''Iron Arm, Golden Sabre''.<ref name=Wang1/> The tale fails to explain the reason for the moniker, but it does mention Zhou's ability to direct his [[qi]] to any part of his body to make it hard enough to overpower the "[[Iron shirt]]" technique of another martial artist.<ref>367-368</ref> Furthermore, Zhou shares the same nickname with [[Cai Fu]], an [[executioner]]-turned-bandit known for his ease in wielding a heavy sword.<ref>Shi: pg. 1320</ref> Because of his association with these bandits, Zhou is often confused with the similarly named bandit "Little King" [[Zhou Tong (Water Margin)|Zhou Tong]].<ref name=wolf/> In the ''Water Margin'', this Zhou Tong is a bandit chief of Peach Blossom Mountain whom Lu Zhishen beats for trying to forcibly marry the daughter of the Liu family.<ref>[[Shi Naian|Shi, Naian]] and [[Luo Guanzhong]]. ''Outlaws of the Marsh'' (Vols. 1-4). Trans. [[Sidney Shapiro]]. Beijing: Foreign Languages Press, 2001 (ISBN 7119016628), pg. 113-114</ref> He later dies under the sword of [[Li Tianrun]], an officer in the rebel army of [[Fang La]].<ref>Shi: pg. 2003</ref> So, the connection between both Zhou's is by the English [[Transcription (linguistics)|transcription]] of their name only. ====Yue Fei==== {{Main|Yue Fei}} ''[[Yue Fei#The Story of Yue Fei|The Story of Yue Fei]]'' comments Lu Junyi is Zhou's last student prior to taking on seven year old Yue Fei and his three sworn-brothers Wang Gui, Tang Huai (湯懷) and Zhang Xian (張顯). He teaches them literary and military lessons on even and odd days. The novel says Yue is talented in all manners of "literary and military matters" and even surpasses the skill of Lin and Lu.<ref name=qian394>Qian: pp. 39-40</ref> After Yue acquires his "Supernatural Spear of Dripping Water", Zhou tutors all of his students in the [[Eighteen Arms of Wushu|eighteen weapons of war]], but each excels with one in particular; Yue Fei and Tang Huai, the [[Qiang (spear)|spear]]; Zhang Xian, the Hook-Sickle spear and Wang Gui, the [[Guan Dao|Yanyue Dao]]. All of them learn the skill of [[archery]] in addition.<ref name=qian39/> Some of these and other children are mentioned in Yue Ke's memoir as being his grandfather's historical childhood friends, but they are never specified as being Zhou's students.<ref>Kaplan: pg. 8</ref> [[Image:Four Generals of Song.jpg|thumb|right|300px|The "Four Generals of Zhongxing" and their four attendants, painted by Liu Songnian during the [[Southern Song Dynasty]]. Yue Fei is the second person from the left. It is believed to be the "truest portrait of Yue in all extant materials."<ref>{{cite web | author = Shao Xiaoyi | title= Yue Fei's facelift sparks debate | url= http://zjxz.gov.cn/gb/node2/node138665/node139012/node139015/userobject15ai2978830.html | publisher = China Daily | accessdate=2007-08-09 }}</ref>]] Books written by modern-day martial artists make many claims that are not congruent with historical documents or current scholarly thought. For instance, Dr. Yang Jwing-Ming says Zhou was a scholar who studied martial arts in the [[Shaolin Monastery]] and later took Yue as his student after the young man worked as a [[tenant farmer]] for the official-general Han Qi ([[:zh:韓琦|韓琦]], 1008–1075).<ref name=liang/> During this time, he learned all types of military weapons, horseback riding, and hand-to-hand combat. The General later created [[Xingyi]] and [[Eagle Claw]] boxing from his [[Internal martial arts|internal]] and external training under Zhou.<ref name=liang2002>Liang, 2002: pg. 15-16</ref> However, history Prof. Meir Shahar notes that unarmed boxing styles did not develop at Shaolin until the late Ming Dynasty.<ref>Shahar: pp. 113-114</ref> He also states that Ji family memoirs and Qing Dynasty records suggest Xingyi was created hundreds of years after the death of Yue by a spearplayer named Ji Jike (fl. 1651).<ref>Shahar, Meir. ''The Shaolin Monastery: History, Religion, and the Chinese Martial Arts''. Honolulu: University of Hawai'i Press, 2008 (ISBN 0824831101), pp. 134-135</ref> In addition, the appearance of Han Qi in the story is a chronological [[anachronism]] since he died nearly 30 years before Yue's birth.<ref name=wilhelm150>Wilhelm: pg. 150</ref> Yue historically worked as a tenant farmer and bodyguard for descendants of Han Qi in 1124 after leaving the military upon the death of his father in late 1122,<ref>Kaplan: pg. 37</ref> but he learned from Zhou well before this time.<ref name=wilhelm150/><ref>Liu, James T. C. "Yueh Fei (1103-41) and China's Heritage of Loyalty." ''The Journal of Asian Studies''. Vol. 31, No. 2 (Feb., 1972), pp. 291-297, pg. 291</ref> Eagle Claw Grandmasters Leung Shum and Lily Lau believe "Jow Tong" was a monk who brought young Yue to the Shaolin Monastery and taught him a set of hand techniques, which Yue later adapted to create his ''Ying Kuen'' ([[Eagle Claw|Eagle fist]]).<ref name=leung>Leung, Shum and Jeanne Chin. ''The Secrets of Eagle Claw Kung Fu: Ying Jow Pai''. Tuttle martial arts. Boston: Tuttle Pub, 2001 (ISBN 0804832153), pages 13 and 15</ref><ref name=Eagle>{{cite web | author = Lily Lau and Cindy Lee |title= Eagle Claw Fan Tsi Moon & Lau Fat Mang's History - Part I | url=http://ezine.kungfumagazine.com/ezine/article.php?article=15 | publisher = Kung Fu Magazine | date = [[July 28]] [[2007]] | accessdate=2007-07-17 }}</ref> Liang Shouyu states practitioners of [[Emei]] [[Peng (mythology)|Dapeng]] [[Qigong]] believe Yue trained under Zhou as a child and competed to become China’s top fighter at an early age. Their lineage story dictates Zhou also took Yue to a "Buddhist hermit" who taught him said qigong style.{{ref_label|h|h|none}}<ref>Liang, Shou-Yu, Wen-Ching Wu, and Denise Breiter-Wu. ''Qigong Empowerment: A Guide to Medical, Taoist, Buddhist, Wushu Energy Cultivation.'' The Way of the Dragon, Limited, 1996 (ISBN 1-8896-5902-9), pg. 321</ref> Yuen Mankai says Zhou taught Yue the "same school" of martial arts as he did his ''Water Margin'' students and that the General was the originator of the [[Northern Praying Mantis|Praying Mantis]] technique "Black Tiger Steeling{{sic}} Heart."<ref name=yuen8/> Although Martial arts historian Stanley Henning admits that Yue's biographies do not mention boxing, he says "he [Yue] almost certainly did practice some form of bare handed fighting" to prepare for his training in spearplay and archery.<ref name=hen>Henning, Stanley E., M.A. "Chinese General Yue Fei: Martial Arts Facts, Tales and Mysteries". ''Journal of Asian Martial Arts''. Vol. 15 #4, 2006: 30-35, pg. 32</ref> ===Martial arts=== [[Image:Zhoupic7.jpg|thumb|150px|left|Young Zhou wielding a long spear in battle against a soldier of the [[Liao Dynasty]].]] {{main|Martial arts of Zhou Tong}} There is insufficient historical evidence to support the claim he knew any skills beyond archery. Contemporary records never once mention Zhou teaching Yue boxing.<ref name=hen/> Despite this, various [[wuxia]] novels and folk legends have attributed many different military and supernatural skills to Zhou. These range from mastery of the bow, double swords and [[Qiang (spear)|Chinese spear]] to that of [[Wudang]] hard [[qigong]], [[Chuojiao]] boxing and even [[X-ray vision]].<ref name=chuo>{{cite web | author = | title= Chuo Jiao Fist| url= http://www.plumpub.com/info/knotebook/boxchuojiao.htm |publisher = Plum publications | format= | accessdate=2008-03-03 }}</ref><ref>{{zh}} {{cite web | author =Fan Keping | title= Wutang Golden Bell| url= http://www.cn-wushuschool.com/page15.htm |publisher = Nanjing Chinese Traditional Wushu Group| format= | accessdate=2008-03-03 }}</ref><ref>Børdahl, 1996: pp. 373–374</ref> Zhou can also be linked to these combat arts through his historical and folklore students. Practitioners of [[Eagle Claw]], [[Chuojiao]] and [[Xingyi]] commonly include him within their lineage history because of his association with [[Yue Fei]], the supposed progenitor of these styles.<ref name=leung/><ref name=chuo/><ref name=liang2002/> He is also linked to [[Northern Praying Mantis]] boxing through [[Lin Chong]] and [[Yan Qing]], the literary adopted son of [[Lu Junyi]].<ref name=yuen8/> Wang Shaotang's folktale even represents him as a master of [[Zui Quan|Drunken Eight Immortals]] boxing.<ref name=b373/> Very few references are made to the people who supposedly taught martial arts to Zhou. In ''[[Media about Zhou Tong#Comic book|The Legend of Zhou Tong]]'', he learns as a child from a [[Shaolin]] master named Tan Zhengfang.<ref>Xiong: Vol. 1, pg. 8</ref> Practitioners of [[Chuojiao]] claim he learned the style from its creator, a wandering Taoist named Deng Liang.<ref name=chuo/> Practitioners of Geok Gar Kuen, a style attributed to Yue Fei, believe he studied under Han De, a "[[youxia|chivalrous person]]" from [[Shaanxi]].<ref name=brief>{{cite web | author = Master Zhang Han Xiong | title=A Brief History of Penang Yue Fei Martial Art Centre | url=http://www.martialartsgathering.com/geokgar.html | publisher = Martial Arts Gathering | accessdate=2007-07-17 }}</ref> ==In popular culture== [[Image:Jowtong.JPG|thumb|right|150px|Actor Jing Ci Bo as Zhou.]] {{main|Media about Zhou Tong}} Zhou has appeared in various kinds of media including Novels, comic books, and movies. Apart from ''The Story of Yue Fei'' and ''Iron Arm, Golden Sabre'', he appears in a novel based around his [[Sihing|older martial arts brother]], Jin Tai.<ref name=lou/> Screen actors who have portrayed Zhou in film's from the 1940s and 1960's include Wong Sau Nin,<ref>{{zh icon}} {{cite web | author = | title=岳飞 (1940) (The general) | url= http://www.cnmdb.com/title/6539/ | publisher = China Movie Database (CMDB) | accessdate=2007-10-31 }}</ref> Li Ming,<ref>{{zh icon}} {{cite web | author = | title=尽忠报国 (1940) | url=http://www.cnmdb.com/title/9711/ | publisher = China Movie Database (CMDB) | accessdate=2007-10-31 }}</ref> and Jing Ci Bo.<ref name=sammo/> Jing starred alongside a ten year old [[Sammo Hung]], who played young Yue Fei.<ref name=sammo/> Veteran martial arts actor Yu Cheng Hui, who played the sword-wielding [[antagonist]] in [[Jet Li]]'s ''[[Shaolin Temple (1982 film)|Shaolin Temple]]'',<ref name=yu/> stated in a 2005 newspaper interview that he never shaved his trademark beard, even at the request of movie producers, because he wanted to portray Zhou in a future film.<ref name=www.shm.com/> He went on to say "He is an outstandingly able person from the northern and southern Song Dynasties and many ''Water Margin'' heroes are his disciples. This person is very important in the martial arts and many people want to portray him in films."{{ref_label|i|i|none}}<ref name=www.shm.com/> ==See also== *[[List of notable archers]] *[[Manjiang Hong]] *[[Zhou (surname)]] ==References== {{reflist|2}} ==Notes== {{refbegin}} {| |- |valign="top"|•&nbsp;a){{note_label|a|a|none}}||學射与周同,盡其術,能左右射。同死,溯望設祭于其冢。" |- |valign="top"|•&nbsp;b){{note_label|b|b|none}}||Shooting three successive arrows was known as "three-in-row", which was one of the "Five Archery Techniques" according to the [[Tang Dynasty]] archery manual of Wang Ju (王琚) (Selby: pg. 202) |- |valign="top"|•&nbsp;c){{note_label|c|c|none}}||This sentence refers to a technique taught to Song archers that involved them "[moving] their feet in co-ordination with their draw so that they could advance or retreat and shoot at the same time." (Selby: pg. 242) |- |valign="top"|•&nbsp;d){{note_label|d|d|none}}||This means the tomb was somewhere close to the Yue family village. |- |valign="top"|•&nbsp;e){{note_label|e|e|none}}||''[[Media about Zhou Tong#Fictional biography|Iron Arm, Golden Sabre]]'' [[retcon]]s the reason why Wu Song travels to Kaifeng. In the ''[[Water Margin]]'', the county magistrate sends Wu Song to the capital to deliver a load of gold and silver to his family in order to buy him a higher government post. (Shi: pg. 489) |- |valign="top"|•&nbsp;f){{note_label|f|f|none}}||''Iron Arm, Golden Sabre'' also retcons the reason why Zhou travels to Henan to see his friend Wang Ming. In ''[[Yue Fei#The Story of Yue Fei|The Story of Yue Fei]]'', Zhou originally travels to [[Henan]] to inspect land purchased with earnings saved from teaching military skills to the millionaire [[Lu Junyi]]. Wang Ming then talks him into taking his son and other children in the village as his students. (Qian: pp. 24-25) |- |valign="top"|•&nbsp;g){{note_label|g|g|none}}||As shown by C.T. Hsia, students who train under celestials eventually come at odds with each other. (Hsia, 2004: pg. 146) However, this does not happen with Lin, Lu, and Yue Fei, as the bandits are killed off prior to Zhou becoming the precept of the Wang household. (Qian: pp. 25) |- |valign="top"|•&nbsp;h){{note_label|h|h|none}}||This hermit is mentioned as teaching Yue strength-bestowing exercises in the second preface of the ''[[Yi Jin Jing|Sinews Transformations Classic]]'', a manual written by a Taoist in 1629. (Shahar: pg. 162 and pp. 168-170) |- |valign="top"|•&nbsp;i){{note_label|i|i|none}}||"他是一个奇人,横跨北宋南宋两朝代,很多水浒好汉都是他的弟子。这个人物在武术界很重要,很多电影人都想拍这个人物。" |} {{refend}} ==External links== {{ChineseText}} *[http://books.google.com/books?id=koBBvOF3JlIC&pg=PA70&lpg=PA70&dq=yue+fei+army+1122&source=web&ots=d_mPWjiMP7&sig=JqyYqtE-lTM_vW4atloe560EQw8#PPA69,M1 Stories of Loyalty] - This [[Google Book Search|google book]] scan shows a very brief illustrated Yue Fei biography with drawings of Zhou. *[http://www.shuoshu.org/Chinese_Storytelling/Sagas_of_Storytelling/shuihu/huizhaolong.shtml Swordplay under the Moon] – Another name for the tale about how Wu Song comes to learn swordplay from Zhou. Go to the bottom of the page for the choice of reading a snippet of the tale or watching a short clip of the verbal performance. *{{fr icon}}{{en icon}} [http://www.sinoptic.ch/wushu/shaolin_zhouquantui.htm The Legs of the Bonze Zhoutong, from the Shaolin monastery]. This page claims Zhou created a leg-oriented boxing style as a Shaolin monk and later passed it onto the ''Water Margin'' bandit Wu Song. <br> {{Song Dynasty topics}} {{featured article}} <!-- Metadata: see [[Wikipedia:Persondata]] --> {{Persondata |NAME = Zhou, Tong |ALTERNATIVE NAMES = 周同; 周侗 (Chinese) |SHORT DESCRIPTION = Archer |DATE OF BIRTH = |PLACE OF BIRTH = |DATE OF DEATH = 1121 CE |PLACE OF DEATH = Henan Province, China }} {{DEFAULTSORT:Zhou, Tong (archer)}} [[Category:Song Dynasty people]] [[Category:Chinese archers]] [[Category:Chinese martial artists]] [[Category:1121 deaths]] [[Category:Chinese warriors]] [[Category:Year of birth missing]] [[Category:Fictional soldiers]] [[Category:Fictional martial artists]] [[Category:Chinese educators]] [[Category:Fictional swordsmen]] [[Category:Culture heroes]] [[Category:Fictional elderly martial arts masters]] [[Category:Chinese characters in written fiction]] [[zh:周侗]]