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Bibliographie

1
R. Arnheim.
Visual Thinking.
University of California Press, 1989.

2
V. Bruce, P. Green, and M. Georgeson.
Visual Perception : Physiology, Psychology and Ecology.
Psychology Pr, 3rd edition, 1996.

3
H. Damisch.
The Origin of Perspective.
MIT Press, 1995.

4
F. Durand, M. Agrawala, B. Gooch, V. Interrante, V. Ostromoukhov, and D. Zorin.
Perceptual and Artistic Principles for Effective Computer Depiction.
SIGGRAPH 2002 Course Notes, San Antonio, 2002.

5
M. D. Fairchild.
Color Appearance Models.
Addison-Wesley, 1998.

6
J. Gage.
Color and Culture : Practice and Meaning from Antiquity to Abstraction.
Univ California Press, 1999.

7
E. Gombrich.
Art and Illusion.
Princeton Press, 1956.

8
M. Kemp.
The Science of Art.
Yale University Press, 1990.

9
M. Livingstone.
The Biology of Seeing.
Harry N Abrams, New York, 2002.

10
D. Marr.
Vision: A Computational Investigation into the Human Representation and Processing of Visual Information.
W.H. Freeman, San Francisco, 1982.

11
S. E. Palmer.
Vision Science: Photons to Phenomenology.
The MIT Press, Cambridge, MA, 1999.

12
R. L. Solso.
Cognition and the visual arts.
MIT Press, 1994.

13
B. A. Wandell.
Foundations of Vision.
Sinauer, 1995.

14
J. Willats.
Art and representation, 1997.



Victor Ostromoukhov 2009-03-25