suivant: Liens Utiles
monter: dift6095_H09
précédent: Présentations
- 1
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R. Arnheim.
Visual Thinking.
University of California Press, 1989.
- 2
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V. Bruce, P. Green, and M. Georgeson.
Visual Perception : Physiology, Psychology and Ecology.
Psychology Pr, 3rd edition, 1996.
- 3
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H. Damisch.
The Origin of Perspective.
MIT Press, 1995.
- 4
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F. Durand, M. Agrawala, B. Gooch, V. Interrante, V. Ostromoukhov, and D. Zorin.
Perceptual and Artistic Principles for Effective Computer
Depiction.
SIGGRAPH 2002 Course Notes, San Antonio, 2002.
- 5
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M. D. Fairchild.
Color Appearance Models.
Addison-Wesley, 1998.
- 6
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J. Gage.
Color and Culture : Practice and Meaning from Antiquity to
Abstraction.
Univ California Press, 1999.
- 7
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E. Gombrich.
Art and Illusion.
Princeton Press, 1956.
- 8
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M. Kemp.
The Science of Art.
Yale University Press, 1990.
- 9
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M. Livingstone.
The Biology of Seeing.
Harry N Abrams, New York, 2002.
- 10
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D. Marr.
Vision: A Computational Investigation into the Human
Representation and Processing of Visual Information.
W.H. Freeman, San Francisco, 1982.
- 11
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S. E. Palmer.
Vision Science: Photons to Phenomenology.
The MIT Press, Cambridge, MA, 1999.
- 12
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R. L. Solso.
Cognition and the visual arts.
MIT Press, 1994.
- 13
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B. A. Wandell.
Foundations of Vision.
Sinauer, 1995.
- 14
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J. Willats.
Art and representation, 1997.
Victor Ostromoukhov
2009-03-25